Drawing Inspiration – What I learned from Inspirational Drawing
This week, I have some drawing inspiration for you. Let’s celebrate our living line!
Recently, I heard the term “transition” and it resonated strongly. After receiving the grant from the Finnish Cultural Foundation, I have thought about my artistic career forward and at the same time also backward. I’ve noticed that it’s hard to think about the future without thinking about the past. I thought I’d write a few blog posts this spring about how I’ve grown my artistic skills by building courses.
First, I want to talk about a course that formed the basis not only for everything I teach but also for how I paint today.
From Dots and Circles to a Living Line
Wassily Kandinsky (1866-1944) said “Everything starts from a dot.” On the same topic, Paul Klee (1879-1940) stated: “A line is a dot that went for a walk.” I think that when a person feels the call of fine art, he is at a point where he wants to get to know himself, to walk inward. I first went on a small tour only: I drew circles.
When I finally understood that I could open the circle and boldly move forward, a new world opened up. I saw my living line pulsating strongly. I felt I could draw anything and didn’t have to “know how to draw” to draw.
Fall in Love with Your Line
It became my calling to help people who are stuck and going around in circles move forward. In 2015, I first made a trial course for Finns called “Inspiroidu piirtämisestä” (Get inspired by drawing) and learned how to make an online course and clarify my points. Then, based on the Finnish course, I made an English version called Inspirational Drawing. When time passed and I got more experience, I made the same course a third time. In 2017, the most comprehensive version Inspirational Drawing 2.0 was born, which is also in my current course selection.
Inspirational Drawing is based on getting to know your own line. You don’t immediately remove your hand from the paper, but let the line travel a longer distance. This technique is commonly called “contour drawing”, but in my version, you don’t copy what is presented, but walk with your line and let the landscapes open up to the unpredictable.
Your line is as unique as your signature. The most motivating thing in art-making is to fall in love with your line. When you want to repeatedly see your line and cherish it, it will also reveal its hidden potential. With your line, you can go much deeper in drawing inspiration and feel much freer than if you cut and compose collages from magazines or use stencils or stamps.
Drawing Inspiration
Inspiring pictures are also at the core of Inspirational Drawing. It’s natural for a creative person to collect pictures in one way or another, and drawing is a wonderful way to spend time with them. In the course, you will be guided to use the pictures you have chosen in drawing so that the pictures are not copied in the traditional style. To fuel free drawing, ideas are extracted from them. I still use this kind of inspiring effect of images in my painting process.
When moving from a point and closed shapes to an open, free-roaming line, inspiration has been a keyword anyway. With inspiration comes courage. It’s wonderful to draw when inspired. And it’s wonderful to inspire others with your own creative outcome.
Start Drawing!
Inspirational Drawing is now for sale this weekend, from March 15-19, 2023 (midnight PDT).
Inspirational Drawing – Get 20 % OFF – buy here!
Art Supplies and Emotions
This week, we ponder what kind of feelings and emotions our art supplies raise in us.
Do you remember these small paintings from a few weeks ago?
I now got the fourth one finished, and I couldn’t resist taking a photo of them together. These are only 6 by 6 inches, and the small size enables me to study a style or an idea before making a bigger painting. So, in a way, these are like pages in an art journal – small art that is delightful to create and look at but that doesn’t fill a wall. It’s the first time I feel I can create quick experiments directly in oils. And this brings us to the topic of art supplies.
Crayons, Inks, and All the Possibilities
I have now painted on canvas in oil for over two years, and most of the other art supplies don’t inspire me so much anymore. I have all kinds of crayons, inks, and paint tubes that were purchased in a different mindset many years ago.
Back then, a new supply meant a new beginning. Purchasing a box of crayons meant that I still believed in myself – that there was still hope that I will become an artist. See a video of me working with crayons – a blog post from 2017.
I like many of the pieces that I created back then, but now when I look at those boxes of crayons, the magic has gone away. All I can hear is the calling of my beloved oil paints.
There are two exceptions though.
Colored Pencils Are the Easiest Art Supplies
Colored Pencils bring me back to my childhood when I was drawing with my elder sisters, admiring what they did with them. For me, colored pencils were not just pencils, but dolls that had names. It was sad to see a doll that I loved get shortened and then finally thrown away!
Compared to oil paints, colored pencils have an advantage. There’s no preparation involved. When I paint with oils, I need to build the palette, clean the caps, select the brushes, protect the tabletop, etc. But with colored pencils, I can just grab a piece of paper or open another page in a journal and start coloring freely. When I am tired but still want to create something, it’s really nice.
I have also liked to maintain my illustration skills, and colored pencils are great for that too. For example, see the newest course Doll World!
Watercolors Are a Great Teacher
I am also emotionally connected with my watercolor set. Even if I haven’t used it much lately, I feel that painting in a watercolor set my style. Many techniques that I use in oil were learned when I was painting in watercolor, for example, negative painting and building an image layer by layer.
I also learned a lot about pigments and their behavior back then. It was a good learning experience to paint many pieces in a row.
I have several courses on watercolor, for example, Magical Forest for fairies and Floral Fantasies for floral still lives!
What about all those inks, crayons, and such, did I learn anything from them? Yes, of course, but when I look back, it feels like when I started to focus more on one media instead of mixed media, I also took a big leap forward in skills. My art went forward when I no longer tried to find a solution by changing the media but by growing the skill. I was also able to get a more emotional connection with the supplies and somehow that feels very important to me.
Oils vs. Acrylics as Art Supplies
Before oils, I painted in acrylics for some time. They are more practical. They don’t smell like wet oil does. The painting mediums have less odor too. They dry fast so painting is much faster, no need to wait for days before adding a new layer or making the finishing touches. Acrylics don’t require a similar kind of knowledge of pigments and painting mediums as oils do. In oils, you have to be careful with some pigments and the use of mediums because they may cause crackling.
Despite all that worry, when I open my box of oil tubes, I feel different than if I pick acrylics.
The Emotions I Get When Painting in Oil
The oil paints connect me to the past. They take me to the time before I was even born.
Within seconds, I travel back to the beginning of the 20th century, meet the early abstract painters and impressionists, then continue my journey to the 19th century and meet pre-raphaelites, and move from them to those who wanted to capture the realism, and to those who were more romantics. Then again, within seconds, I go to the 18th century and admire all the floral still lives and women in beautiful dresses.
And at best, I continue the journey to the 17th and 16th centuries and see big paintings full of details. Then I also meet the masters that had the patience to make really thin layers and wait for each to dry before adding a new one.
This time traveling enables me to meet long-time friends like Wassily Kandinsky, Peter Paul Rubens, and Leonardo da Vinci and if I do some browsing before I start painting, I always find a new one that I want to meet and learn from.
And now when I am painting for the upcoming Albert Edelfelt -themed exhibition, I also learn from him.
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There are many great artists today, but I feel that tracing what you love back to history is essential to artistic growth. I also get satisfaction from knowing that I belong to the chain of generations. Artists from the past, still live through me.
Paintings In Progress
I have been painting quite a lot recently, and there are many more paintings in the queue.
These are in-progress pictures! I will show you the finished ones in the near future!
I usually reserve a whole day for painting and try not to do anything else at the same time. If you want to follow a painting day, look for my Instagram stories where I usually post in-progress photos when I am testing the composition and such.
What are Your Favorite Art Supplies?
Tell us what are your favorite art supplies at the moment!
It would also be interesting to know which supplies raise emotions in you.
Response from the Universe
This week, I have exciting news and talk about life’s big decisions.
In the spring, I will only paint canvas, but later this year, in addition to that, I will also paint the virtual world! Namely, I have received a part-time 1-year grant from the Finnish Cultural Foundation to produce a digital, three-dimensional artwork called Unknown Land.
This is an excerpt of the application that I sent last fall to the foundation.
In my works, I search for a solution to the problems of the external world through the root causes, so strengthening the inner power of a person. By inner power, I refer to imagination and intuition – the human ability to imagine and sense the future. The future is an unknown land.
We can think of this unknown land as a new untouched continent. When we arrive there, everything seems like a newly born fantasy at first, but soon, we will see that this is not the case – only the emphasis has changed. Things emerge from the past, the meaning of which we have previously underestimated. In an unknown land, we are in a state where we no longer want to return to the past, but on the other hand, we cannot escape it. Then it is possible to see the old shadows in a new light and make an effort from that to the new one. Like my paintings, we, therefore, travel between the future and the past – the abstract and representational.
In the project, I will create an interactive virtual reality artwork based on my oil paintings. The project has many kinds of computer work – digital painting, 3D modeling, programming, testing, etc. So, things that feel more like my past self than the current one.
Past’s Big Decisions
Let’s rewind to the 1980s when I was making big decisions in my life. My father had just died. I was engaged but not in love. I sent applications to universities and got accepted by them all. Although I tried not to think about it in the picture below, I knew this would happen: I would move far away to the south to study technology, I would not marry the guy I was engaged to, and I would leave art – at least for a while.
I had wanted to be an artist but didn’t think the art schools would be as accepting as the universities. I had self-evaluated my skills and talent, which weren’t where they should have been. When I said no to art, I got yes to many good things: intelligent ideas, challenging jobs, better income, etc. I was fascinated by computers, and I believed that the universe wanted me to study software engineering.
But later, it dawned on me that the universe is not quite that simple.
Worlds Are Fighting Over You
Even if I am not a big believer in destiny, I believe that there are worlds that fight over you. No matter how depressed on unpopular you feel at times, remember that some worlds would always do anything to win your heart. And even if you shout to the universe and it remains silent, the worlds are still there for you, waiting for the right moment.
Art didn’t give up on me even if Technology won the battle in the 1980s. There have been big fights since. Last fall, just when Art thought that Technology had been beaten for good, I got excited about VR – virtual reality. Art and Technology have their own ways of capturing my attention. Art is like the beast of my inner world, demanding attention and energy. Technology always attacks outside – sends a few inspiring lines to read about innovations, an abbreviation to figure out, or an invitation to a special event for nerds.
“I will let the universe decide,” I told myself when I wrote the application. But so it happened that the two worlds that had been fighting over me for all my life finally agreed to come together. My life’s big decisions make sense now.
Changes Will Come
I will start the exciting new project in the fall. It will take a lot of my time, and changes will come, but I don’t want to think about them yet. I am painting for the next exhibitions and leading the class Doll World this spring. Then it’s time for Art and Technology to collide.
What are the worlds that are fighting over you? Tell us – leave a comment!
Colored Pencil Doodling
This week, we are doodling wildly with colored pencils.
Free doodling is the most natural way for me to create. I can just start. No browsing the internet for ideas, no trying to think what to express. It only requires trust that something will appear – that a problem I wasn’t aware of gets solved, a key to a door that I didn’t notice is found, and a place that didn’t exist is born for everyone to explore.
Mindless Doodling
When doodling with colored pencils, I like to pick a pencil and start coloring mindlessly.
I often pick a neutral color and use a light touch so that I can later add layers on the top.
The mindless curves can go on top of each other, already creating a new layer.
When I get bored, I pick another color and do the same.
I try not to worry about how it looks because it’s just a warmup.
Enjoying Colors
When my thoughts begin to flow effortlessly, I add more colors. Now I color areas or spots over the doodles.
I also highlight some parts of the doodles with color.
I cover most of the blank areas so that the image becomes less busy.
Drawing Something Intentional
If I get stuck and feel discouraged, I draw something to cheer me up.
A heart is a message for myself: “Keep going; everything will be ok.”
Discovering by Shadowing
“What should I draw?” we often ask ourselves. I often push through by picking a fairly dark tone and shadowing around a random area.
I also like to color stripes, so I color and shadow them. It usually doesn’t take long when I feel the sense of new, exciting scenery.
Doodling All The Crazy Stuff
Recently, I have become more open to allowing all the things that don’t seem to make sense. I also have got more courage to put expression over prettiness.
The success of this kind of wild doodling is connected with the more traditional art skills. I have noticed that after doing the projects for the class Doll World, I have been able to include human shapes and characters more effortlessly for drawings and paintings.
Colored Pencil Doodling – The Result
I think that the finished work expresses that I am at a crossroads. I have a new exciting project on the horizon that you will find out more about soon. I am considering what old things to continue and what to abandon.
But I think that everything will be ok anyway because when I turn the spread upside down, the world still looks exciting and inviting.
More Intuitive Art Projects
My classes – Inspirational Drawing and Intuitive Coloring, go into this kind of free-flowing process in more detail. If you prefer watercolors to doodles, check Magical Forest for a similarly intuitive approach.
This small colored pencil journal is currently my favorite art journal. Check the class Fun Botanicum for a jump start for beginning colored pencil journal pages!