Fly to Your Inner World and Color the Emotion
This week, I take some rest and replace the weekly blog post with a generous weekend sale.
The newest class Doll World is only 49 EUR (regular price 79 EUR)!
>> Buy here!
The sale ends on Sunday, August 6, at midnight PDT.
When people talk about an artist, they think of someone who paints ecstatically for days on end.
“Get a real job,” say some. “Get a job that is work and not just art.”
But really, art is work and besides that, it is also art. The difficulty of this work is that it has to be developed like any work, i.e. as routines and processes, but it still has to be art as well.
It has to be art that expresses living and experiencing in such a way that breaks boundaries and habits.
It has to be art that appreciates play as much as work.
And it has to be art that takes all of you but receives criticism without being crushed.
I have painted a big series all spring. At the same time, I have written emails, social media messages, blog posts, and exhibition descriptions. I have edited the videos recorded in the fall for the course Doll World. I have applied for a new grant for the new paintings and luckily got it. I have participated in an artist training program that lasted the whole spring. I have varnished, packed, and taken paintings to exhibitions. I have handled financial matters. Fortunately, my husband helps me with the transport of paintings and accounting.
These are just a part of all the tasks other than painting or getting ideas for paintings.
Now in July, I have been a bit tired. It’s been a lot of work and on top of that, there’s this art part.
Many of my art books were purchased when I dreamed of becoming an artist. These books describe art as a fun game and show a colorful life. I look at those books with completely different eyes than before. Being an artist is much more than that, at least if you want to move forward.
My goal has been to make art that I love and that others love so much that a few pieces outlive me. When I set the goal, I didn’t think about what would happen after that. I achieved the goal a couple of years ago. I am pretty satisfied with many paintings and I know people who also genuinely like the pieces they have purchased from me.
It’s surprising that after that, something new and desirable has regularly come up, just like in any job.
Being an artist is pretty much like any job.
I would like to always write about being an artist authentically like this, and on the other hand, I don’t want to bring it all to the table all the time.
I feel that it’s natural and important for humans to express themselves creatively. I want to inspire everybody for it in this blog and in my courses.
And especially, I want to inspire everyone to imagine, because it’s the imagination that breaks boundaries and habits. It’s the imagination that uses the skills to make art.
In that respect, being an artist is really not just any job. And that’s why I love this job even when I am a little tired.
What do you think?
Imagination and emotional connection go hand in hand in art-making. If you don’t feel a connection with what you are creating, bring in more imagination and treat different areas of your work as characters – even if you won’t be including any humans. Let’s look at this example!
This small painting is part of a series I made for the Albert Edelfelt Foundation exhibition. It will take place in August-September.
For the colors and composition, I was inspired by Albert Edelfelt’s artwork “Koivujen alla – Under the Birches”. It is not this painting that I photographed in the Albert Edelfelt exhibition at the Ateneum Art Museum, but another similar work that I made a mirror image of.
My version of “Koivujen alla” didn’t have any people. Instead, I used my imagination to depict human characters in the form of a plant and an object.
A good way to get the imagination going is to combine two different things. For example, if you saw an artwork that inspired you to create, also gather unrelated observations from your surroundings. This way, you need your imagination to bring them into the same image.
In this project, I remembered a pine seedling that I had seen in a nearby rocky forest. The name of the area is Pöllökallio (owl rock) and we often go there with our dogs. This little pine tree was like a bonsai! It was so sweet that I took a photo of it.
When the pink color of Edelfelt’s painting met a crooked stem of the pine, a tree-like rose was born!
The rose became the most challenging part because I wanted it to resemble the woman with a hat in Edelfelt’s painting. I thought about the hat when I painted a rose, but it didn’t work at all.
But then I came up with thinking about the character of the woman instead of her hat. That way my imagination met the emotional connection, and I quickly got the impression I wanted.
One of the most common problems is that our art is full of separate islands. The sun might shine but the effect doesn’t show elsewhere. The person may smile but the eyes are not affected. There may be three ladies but what are their roles? Use your imagination to find connections between these islands and add elements that make the overall story make sense!
In my painting, there are not two women like in Edelfelt’s painting, but a rose, a leaf, and a feather – three introverts! The rose reaching for the sky has agreed to be the center point. The leaf examines herself through the pond. The feather has been a part of a bigger adventure and is now ready to shift the focus to others.
The small pond is a central element here. It brings the leaf and the feather together.
You can also see the colors of the rose elsewhere in the painting. For example, there are flying thoughts (red lines) that the rose tries to catch, and a bigger punch of roses that is in the background.
The painting is about three romantic introverts who went on a trip to a rocky forest on a lovely summer day. They are together, but in their own thoughts, just like the women in Albert Edelfelt’s painting.
When we paint or draw people, we hope to bring the character to life with their facial features. But we don’t need facial features to find an emotional connection. Once you get the hang of it, you can draw or paint anything, even just different shaped spots on paper.
What do you think?
When you want to draw or paint flowers that look unique and alive, imagine their spirit and discover what they would love to wear.
Art is not only about techniques and replicating what we see. When you create, you have permission to imagine and be convinced that you know something more than anyone else. You are the best scientist in your imaginary world! In your world, you can mix different fields, like botanical illustration with fashion design. That’s what I did in this painting called Kielomieli.
We have lily the valleys growing in our yard and even though I don’t pay much attention to them, I feel like I know them. That plant spreads in the shade and may seem modest, but its mind is always alert and it observes the world sharply.
This little flower also knows how to influence people. Even before I was born, in 1967, Yleisradio, the Finnish national broadcasting company, organized a vote for Finland’s national flower and the overwhelming winner was kielo – the lily of the valley. It makes Finns kneel and admire its fine shapes. Unlike other flowers, the color is secondary to the lily of the valley, until it produces berries. With berries, it underlines that it is not just a white, innocent little flower. Everyone knows their toxicity.
The lily of the valley’s mind is a group mind where everyone dances to the same rhythm. It still doesn’t mean that a single plant would not also be an individual. She just doesn’t share her own thoughts publicly.
Many people love lily of the valleys, but this plant is not a rose that craves attention. Even if it lies low on the border of the earth, its mind is more sublime than that of other flowers. It sees far and high, and nothing can discourage it.
When you think about the flower that you want to draw or paint, ask her about her style and aesthetics. For example, is it bohemian, classic, gothic, or country? If the flower would be a human, how would she like to dress?
Clothes can express the spirit.
In flowers, the details of petals and leaves are also very similar to the folds and seams of clothing. I often find it helpful to think about dresses, hats, and jewelry when painting plants.
I imagined the lily of the valleys to be formal and stiff. They wouldn’t wear a bathrobe in a photo but choose a classic-lined dress or a jacket. So I chose to paint them in a decorative style. First, I practiced painting roses in that way – see this blog post for more instructions!
I have noticed that making a study speeds up my painting process even if the final painting would be different.
Once I had “loaded” that decorative style to my hand, I painted Kielomieli – the lily of the valley’s spirit.
When visualizing the flower’s spirit, think about yourself as a portrait painter.
You don’t need a face to express a flower’s spirit. When the color choices, shapes, and lines are aligned, they all paint a picture of a character.
I hope this blog post gave you new ideas to break the glass between reality and imagination!
