Color the Emotion

Pick a few colors and create without stiffness.

Five Tips for Painting Nature’s Richness

This blog post is for you who want to create less stiff and more abstract art. First, I suggest rephrasing your goal. Say you want to get closer to nature – to paint nature’s richness!

Kuolematon kukkakimppu - Immortal Bouquet, 70 x 60 cm, oil on canvas. Abstract floral art by Paivi Eerola, Finland.
Kuolematon kukkakimppu – Immortal Bouquet, 70 x 60 cm, oil on canvas

In this painting, flowers fly recklessly in every direction. This kind of disorder is part of nature’s richness. I used to think that it could be achieved by quickly throwing paint here and there, but I am much more successful when I create these beautiful messes in an orderly way.

Experiencing Nature’s Richness

Although I live in a big town, there is a cornfield in our neighborhood. I often walk along the path that goes by it. In August 2020, I was walking with my dog ​​Stella. When I reached the beginning of the trail, I was greeted by a magical sight. The surroundings of the path were full of butterflies!

An outdoor scene. Walking with a dog and exploring nature's richness.

I tried to take photos, but only close-ups were successful. Butterflies are such small and fast insects that they cannot be distinguished from a distance, even if there are many of them.

Exploring nature's richness. Butterflies flying on a meadow.

But the experience stuck in my mind. Now, years later, I wanted to capture it but in a bit different setting. I wanted to depict a situation where someone would throw a bouquet of flowers in the air and they would magically start flying in the air like butterflies.

Working in Layers

I started the painting by making a background for it. I painted a grid in the style of Paul Klee. I teach this beginning technique in the course Floral Freedom.

The beginning of a floral abstract painting. Painting in progress.

I then started to create nature’s richness on top of the grid with brushstrokes. I added flying flowers several times and dried every layer before starting a new one.

Taking Photos for Inspiration

I often take photos of plants and nature scenery. Even Claude Monet has said: “The richness I achieve comes from nature, the source of my inspiration.” I don’t use the photos as references but for teaching myself nature’s language. I examine an image to see nature’s richness, for example, the shapes that light throws and all the variation there is if you forget what the image represents.

Take a look at this flower bouquet I put together for Midsummer: the flowers consist of several layers and have differences in size and shape.

Midsummer flower bouquet. Nature's richness in bloom.

Think about one flower as a collection of strokes that form motifs.

Five Tips for Painting Nature’s Richness

When you add motifs on the background, remember nature’s richness and do otherwise than what you are used to:

  1. Don’t cover it all over again! Create a sense of depth by covering the previous layer only partly. This way, every layer has fewer motifs than the previous one. Paint the first motifs with muted tones and slowly introduce stronger colors.
  2. Don’t repeat the same thing! Get natural variation by painting many different repeating motifs. Change the sizes and distances of similar motifs so that they look more irregular. Use many brushes and think about every stroke as a word. How rich is your language?
  3. Don’t design fabric but tell a story! Make an expressive image, not only a surface pattern. Despite the chaos, make one area stand out. Make this focal point stronger by adjusting some other distinctive motifs so that they clearly point to it. Avoid spreading white spots everywhere. They distract the viewer and make the painting flat.
  4. Don’t leave your motifs lonely! Bring more unity by connecting motifs together. You can use lines, intersections, and surrounding space. Think about the painting as a collection of mini landscapes.
  5. Don’t hurry! Give your painting time to grow. Take breaks and keep your painting somewhere where you can observe it. You have probably already tried many times to paint quickly, now choose another way and slowly immerse yourself in the painting.
Painting a floral abstract painting. Embracing nature's richness in art.

In this orderly way, the painting begins to look more and more finished naturally.

A detail of Kuolematon kukkakimppu - Immortal Bouquet, 70 x 60 cm, oil on canvas. By Paivi Eerola, Finland.

At the last layer, it takes some courage to paint larger and brighter motifs on top of smaller and more muted ones.

Nature’s Richness – Expressing Mortality in Immortal

A part of nature’s richness is to allow some flowers to fall and die, and some rise and fly. Dark colors, sad strokes, and downward lines all give power to the bright and happy ones. You can take your piece outdoors and see if it’s one with the surroundings. My course Floral Freedom is packed with techniques and further ideas.

Painting nature's richness and testing it so that you take the piece outdoors. Here's Immortal Bouquet and the Finnish artist Päivi Eerola.

This painting “Immortal Bouquet” tells about the hopeless desire to live forever but also about the fact that life does continue when thinking about nature. An immortal bouquet is an unreal wish for the one who gathers the flowers, but on the other hand, it’s also true: flowers are reborn in nature every year.

What do you think?

Disappearing Garden – About Transience and Creating the Best You Can

I’ve been painting for the exhibition “Taiteilijat Albert Edelfeltin tunnelmissa – Artists in the Mood of Albert Edelfelt”, which is in August-September. Now I want to present the main work of my new series to you. It’s about transience and called “Katoava puutarha – Disappearing Garden”.

Katoava puutarha - Disappearing Garden, 100 x 80 cm, oil on canvas, by Paivi Eerola.
Katoava puutarha – Disappearing Garden, 100 x 80 cm, oil on canvas

There is sadness in this painting. For years we had a neighbor who liked gardening. She fell ill and died and the rich garden has now been turned into a lawn. It made me think about how perishable we are, including our work. We are disappearing gardens, no matter how much we would like to think otherwise. So let’s enjoy our flowers while they still bloom!

Impression of an Old Painting

Disappearing Garden has many small details and a lot of work went into them. But because of the subject itself, it seemed important to spend time and patience on this work. I wanted to create the impression of an old painting that reaches across the eras as if overcoming its core problem: transience.

Oil painting in progress.
After the first painting session in May

I usually make paintings in pairs, but this time I had a pair already ready: last year’s finished painting Queen of the Night. It is a dark shade and I wanted to make a light counterpart to it.

Expressing transience: Disappearing Garden and Queen of the Night. Abstract floral art by Paivi Eerola, Finland.
“Katoava puutarha (Disappearing Garden) and “Yön kuningatar (Queen of the Night)”

Both of these works are inspired by bygone eras: the 18th and 19th centuries.

About Transience and Creating the Best You Can

While painting The Disappearing Garden, I thought about how important it has been for me to practice a lot. But recognizing my transience, I now want to paint as well as I can. Life is hectic and a new start is always tempting. I can make dozens and dozens of nice and small pieces and collect likes with them. On the other hand, I can wait for the perfect time and perfect vision: question my artistic core and taste and where my focus should be.

A detail of Katoava puutarha - Disappearing Garden, 100 x 80 cm, oil on canvas, by Paivi Eerola. Expressing transience.

But it’s also so that life is constantly changing. If I don’t capture this moment, will I achieve anything? That’s why it felt important to give this painting as much attention as it wanted.

Artist in the garden

Do these thoughts resonate with you?

Kaunosielu – Painting and Drawing Sensitivity

Kaunosielu is a Finnish word for which I don’t know an English equivalent. It means a dreamer who loves beauty, but the word has an ironic undertone. This romantic soul, alienated from everyday life, cares little about taking care of practical matters and frequently stops to admire the beauty around her.

Kaunosielu, oil on canvas, 70 x 60 cm

I’ve been thinking about people’s yards in my neighborhood a lot lately. The new houses have a small lawn area, a wooden patio, and a row of white cedars. These homes are advertised as “easy-to-maintain yards” in real estate ads. And yet, it often happens that when time passes, a few violets or a peony bush appear. It makes me believe that we all are “kaunosielu people” who have a sensitive heart and eye for beauty.

Analyzing a painting.

So my Kaunosielu painting is dedicated to that part of you who stops after seeing something beautiful. This topic was challenging for me because I usually express movement. Here, however, it’s all about staying rather than leaving and looking rather than running away.

Inspiration from Pastel Drawings

I am making a series of paintings for an exhibition called “In the Mood of Albert Edelfelt” and I have browsed a lot of Albert Edelfelt’s (1854-1905) works. Surprisingly, his pastel drawings fascinate me the most. Look at this woman, for example – or rather – her dress!

Albert Edelfelt, Dalinin kevätlaulu. Pastels on paper.
Dalinin kevätlaulu – Dalin’s Spring Song by Albert Edelfelt

I see a similarity with flowers in old portraits. The outfits are pleated like the petals of ​​flowers and the lines form interesting patterns.

I also started using chalk brushes in the ProCreate app. Here is a digital pastel drawing: peonies and strawberries.

A digital pastel drawing created in ProCreate. By Paivi Eerola, Finland.

I have done oil pastel work for the course Innovative Portraits, but now I dug out the soft pastels.

Drawing with soft pastels.

Soft pastels are more chalky than oil pastels and maybe a bit more difficult too because, unlike oil pastels, soft pastels also need fixative.

A pastel drawing in a sketchbook. Floral abstract by Paivi Eerola.

This is just a small notebook and a small piece but I like to practice between bigger paintings.

Kaunosielu on Canvas

My painting Kaunosielu is painted in oil, but it is close to pastel artworks in terms of color scheme and the use of lines.

Päivi Eerola and her painting Kaunosielu

The painting is inspired by a lovely pastel drawing by Albert Edelfelt called “At the Window.” I was lucky enough to see this work authentically in the Albert Edelt exhibition of the Ateneum Art Museum. This piece is 68 x 62 cm, so it’s quite large for a work drawn on paper. And look at that frame!

Albert Edelfelt, At the Window, pastel on paper.

I was especially fascinated by the composition, and as soon as I started my painting, I felt that now it was coming: Kaunosielu! I had been planning to do a piece called that for a long time.

Abstract oil painting in progress.

I wanted to incorporate haziness and vagueness into this painting, but at the same time use strong variations in darkness. With the big differences in color value, I wanted to create a sense of presence similar to Albert Edelfelt’s paintings.

Abstract floral oil painting called Kaunosielu in progress.

When I took this photo in the morning sun, it felt like the moment stopped and two Kaunosielus came into the picture.

Paivi Eerola and her painting Kaunosielu.

This photo shows so well how darkness and light go hand in hand.

This Week’s Challenges for Your Art-Making

  • Empathize with the kaunosielu personality: Examine what it means to be an impractical but sensitive sielu – soul!
  • Examine old portrait paintings. Dind the similarities between flowers and luxurious dresses.
  • Be bolder with contrasts. Enhance your expression by combining pastel colors with really dark blues and browns.
  • Experiment with soft pastels or oil pastels or mimic their effects with other art supplies.

I hope all these tips inspire you to start creating!

How to Paint a Fantasy Horse Figurine

This week, we apply art to something different than usual. We use our skills to transform a Schleich horse or other plastic figurine into a fantasy animal.

Two customized Schleich horses in a flower field.

I have a soft spot for plastic horse collectors, and I follow many of them on Instagram. One of the most inspiring accounts is Lightning Leoo (@lightningleoo). Leo has organized community challenges on Instagram and Discord. I have participated in them a couple of times. Like Leo, most of those who customize collectible miniatures aim to make the animal look more realistic. However, I want to be more playful with colors and ideas.

Step 1 – Choose a Theme and Paint the First Layer

Start by choosing a theme that gives ideas for the coloring. The animal figurine here is a brown Schleich foal and my theme is daffodil. I used acrylic paints to make the legs green, the body yellow, the hoof orange-red, and the tail and the main white – just like the flower!

Scheich horse and the first step for customizing it. See more instructions!

At this point, the animal doesn’t look nice at all, but that’s ok. The idea is just to cover the original paint and make a simple foundation for the decoration.

Step 2 – Add More Tones and Decorations

After covering the original color with the theme colors, mix more tones of those colors. For example, if you have used one green in the previous step, now mix more green tones – cooler and warmer, darker and lighter, brighter and more muted. Add slight variations of tones on the top of the first color layer so that what used to be one solid color has now a gradient of tones. This makes the color more natural. Note: you can use this technique in any art!

A Schleich horse customization in progress.

In this project, I created color mixes of all kinds of greens, oranges, yellows, and whites.

At this point, you can also start decorating the figurine and use these color mixes in decorations, eyes,You and other details.

Decorating a Schleich fowl.

Get ideas for decorations from the theme! I painted small daffodils.

Step 3 – Optional – Add Shadows with Soft Pastels

Soft pastels make the figurine look more real and highlight the best parts. First, scrape them with a sharp blade to get color powder. Use a small brush to spread it where the shadows are, for example, where the leg meets the belly. You can also soften the color changes with pastels.

Repainting a Schleich fowl.

Attach the powder more permanently by spraying the fixative over it. Notice that after attaching the powder, you can continue with the finishing touches in acrylics!

Step 4 – Take a Fantastic Photo!

We always should take a good photo of the finished work, but with a fantasy horse, it is very rewarding. Find a place where you can fool the eye about the scale and bend down to take a photo a bit upwards.

Photographing a repainted Schleich fowl.

Another option is to make a gallery set up so that the background is white and the figurine is photographed like a piece of art.

Finished fantasy fowl repaint.

Another Example of a Fantasy Horse Repaint

Here’s a Schleich horse that is bigger than the Daffodil fowl. My theme for this one was peach. The decorations are simple, but there are many tones and lovely gradients.

A fantasy horse figurine, repainted Schleich horse by Paivi Eerola.

Making one foot in a different color adds drama and a bigger horse is easier to paint.

Two Schleich horses repainted by Paivi Eerola, Finland.

It was fun to photograph these two together!

Taking photos of Schleich horses. These are repainted fantasy horses.

Natural light creates its own effects and makes the fantasy look real.

Miniature horse figurine photography.

Horizontal lines in the background make the movement look more real.

Repainted Schleich horses.

Gift Box for Fantasy Horse

These small fantasy horses are great for presents. I gave the fowl to my friend who owns not just a collection of plastic figurines but a real horse too. I found a sturdy box that I had got when ordering paint tubes.

A gift box for a fantasy horse.

One side had writing on it, but I painted a floral decoration over it.

A gift box for a fantasy horse.

Creative Play as an Art Form

Playing has always been important to me. When I play, I get ideas that go beyond the ordinary and that combine different fields. In 2020, I even made a painting about the power of play called Steppe Wind.

Playing with fantasy horses. "Steppe Wind" - an acrylic painting by Paivi Eerola, 2020.
Arotuuli – Steppe Wind, acrylics on canvas, 2020. See more about the painting process: Painting an Intuitive Fantasy

In the course Magical Inkdom, we draw and decorate paper horses and other animals.

Hand-drawn paper horses and a decorated background. Drawing a fantasy horse.
Horses and a fantastic background from Magical Inkdom

By playing we can enjoy the beauty and be comforted. It’s like we enter the same big hall of art but from a different door. Then when it’s time to get more serious, we have new energy and new power to overcome our fears.

Two repainted Schleich horses. Fantasy horse figurines.

That’s why I want to bring up topics like painting and photographing figurines in this blog.

What do you think?

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