In this post, we explore the color white and find ideas on how we could change the way we use it in art-making.
I posted this painting about a month ago, but I still had to fix it! You might not notice the difference, but it matters to me. I have changed the center of the painting so that it is more abstract.
A long time ago I thought that it doesn’t matter if I don’t like some detail of my work or if I don’t like some of my work in general. I thought there would always be someone who would like it.
But the longer I’ve been painting, the more important it has become that I have to be a fan of my own work. When you are a beginner, quantity is more important than quality. But I’ve been working for a long time and the equation has thus turned the other way.
I know some would prefer the more realistic flowers, but I don’t! I have too much reality around me, especially now when the weather has been too cold to be spring.
Living in a White Country
This painting is also special because it has so much color that is difficult for me – white! There is far too much white here in Finland. Even if now is the end of April, we got a lot of snow a couple of days ago!
I think white is a terrible color because it is full of emptiness.
Finnish people usually have white walls and white furniture, but our home is full of colors. I love to display my paintings on this yellow wall.
Not One White But Many Whites
In the recent painting, I wanted to play with pastels and show the side of white that is often not talked about.
For an artist, there is not just one white. There is a warm white that holds the promise of the sun. There is a purple-toned white that falls in love when it sees a deep cold red. There is a white that allures you with a hint of sweet mint. So, many whites, not just one Finnish white!
It’s exciting to mix various whites and then see how the pastel colors slowly begin to appear. You need a lot of white and just a little bit of color to get the toned whites and pale pastels.
Titanium or Zinc White?
The most common white in paint tubes are Titanium White and Zinc White. In oils, you have to be careful with zinc white because it can cause crackles. I mostly use only Titanium White. I would love to use Zinc White because it’s more transparent. In this painting, I have tried my best to bring the soft transparent effects mostly with Titanium White, but it’s not easy!
In acrylics and gouache paints, you can use Zinc White more freely.
When White is Not Needed
Beginners think that adding white on top can fix everything. Ten years ago, I was madly doodling with a white gel pen. What went wrong, got covered with white circles. But white also can make the piece busy and destroy depth. Here’s a quick example of the small collage piece that I made in 2014 (here’s the old blog post with the video too). The first is the old piece and the second is a photoshopped version showing how I would fix it now.
When I tone down the white, the image gets clearer and the depth grows. The highlights in the central parts get more attention and it’s easier to know where to look. I wish someone would have pointed this out to me back then. It took a lot of time to realize this!
If White Were a Person …
I am pretty sure that if White were a person she would say: “I have much more potential than you think. Stop seeing me as a blank background or a quick fix to a piece that lacks contrasts!”
What’s your relationship with White?
