Happy Halloween! This year’s Halloween artwork combines painting and programming.
A screenshot of an algorithmic artwork “Modern Vanitas”, programmed in Javascript P5.
This week, I have a video that has excerpts from the artwork I programmed. The program picks four of my paintings at a time and forms a Vanitas-type arrangement with a skull, fallen crown, extinguished candles, and withering flowers – symbols of our transience. The program has 50 paintings from 2021-2024 to choose from. The music for the video is composed by me, representing a conversation about the temporary nature of life.
You can watch the video bigger by pressing the last icon on the menubar.
If you are interested in seeing more of this artwork, here’s a longer video that explains the Vanitas concept and shows more samples.
I designed the 3-dimensional shapes and then blended the paintings on them by programming.
Painting by Programming
One of my oil paintings is also Vanitas, so the theme is very familiar to me. The transience of life has both horror and beauty, maybe emptiness too that goes well with the machines. The way the computer paints with me produces fascinating details.
We can continue the tradition of Vanitas paintings and use any technique to make our own versions.
What kind of version would you create?
P.S. This month there was a digital art exhibition “Deform and re-form” on the screens of the Helsinki Central Library Oodi. The exhibition called “Deform and Re-Form” was organized by the Finnish National Gallery’s digital team. Oodi is a very popular big library building, with lots of visitors every day. It felt great to see my artwork “Queen of the Night” there.
Even if a part of this year’s art is digital and painted by programming, I still keep creating traditional art as well.
I love gift shops. My dream for a long time has been that, in addition to large oil paintings, I could sell smaller pieces as gifts. Recently, this has come true. I have sold many of my watercolor paintings not only directly but also via the Taiko online art store and the Gumbostrand Konst & Form gallery.
Art as Gifts vs. Art for Homes
An art buyer never buys art just for need. The work must appeal to the buyer on a deep level. Still, large paintings are chosen more according to the interior, and smaller ones are purchased as gifts. Sometimes a small painting is a gift to the buyer himself, often to someone else.
I usually sell my watercolor art without a frame, especially if I mail it directly.
As a professional artist, I am more known for oil paintings, but I have dreamt that also my watercolor pieces would be in demand. I love to paint them and the idea of a perfect gift inspires me. However, it has taken time to grow my vision of how they should look.
Because I have grown many of my general painting skills with watercolors, my watercolor paintings have quite a similar style to my oil paintings. But with watercolors, I step in a slightly more illustrative direction. I want my watercolor art not to be too abstract, but approachable and atmospheric. See a collection of my recent watercolor paintings here!
Flower Art But With a Playful Attitude
My watercolor pieces usually have flowers. However, I don’t paint just static and spiritless flower arrangements. I see flowers as adventurous human or animal figures and get playful with them. On the one hand, the flowers are like dolls and teddy bears, and on the other hand, they are imperfectly perfect, feeling natural and real.
When the playfulness really kicks in, painting is fun.
I often use the technique called negative painting, to bring up the flowers.
I love to discover plants in the middle of random watercolor spots. I have also a course called Freely Grown about this kind of process.
Taking Several Sessions to Grow the Idea
Usually, the first layers of the painting are fast and only take an hour or two. But that’s when the painting is just a regular flower painting, not a special piece that has a special appeal. Within a couple of hours, there’s not much time to grow the idea further or adjust the details.
I usually paint in several sessions where the first one or two lay the foundation and produce the basic painting, and where the next sessions (usually 2 to 4) grow the story and produce the finished look.
For example, for this painting, I took walks to see flowers and to add some more to the painting. But after a while, that felt too traditional and then decided on the gold mining theme.
The further I go, the smaller the brush strokes become.
Working with a Progress Photo
I find it helpful to take a photo of the unfinished piece, and then use it as a reference. The small-sized picture makes it easier for me to spot the areas that still need adjusting.
Looking at the photo also helps with distancing myself from the actual piece. I can ask: Do I love this?Would I buy this? When selling watercolor paintings as gifts, never underestimate the quality, always try a little higher.
Color over Color
Pigments are very different from each other. Some colors require many layers, and others can be used very thickly. Most artist-quality yellows have good coverage and work well for the finishing touches.
I have recently used smooth (hot press) watercolor paper because it’s best for tiny details.
Gentle Breakthroughs
I want to break boundaries with all my art, but in watercolor, I try to do it more gently than usual. In this painting, the flowers have caught Hokusai’s great wave from Japan and taken it to Lapland to pan for gold. And so it happened that the gold and the flowers started a decorative baroque party and everything small became surprisingly big and grand. Despite all this, this is a flower painting where the viewer can relax and enjoy the joyful atmosphere.
But whatever the story is, I try to express it so that it can evoke different memories and associations in different people. Somehow, the painting must make a gentle breakthrough in the eyes of the viewer – find a soft spot where the immersion can begin.
In the course Freely Grown, I walk you through my watercolor painting process. Because the finishing touches with a small brush are the most challenging, we take the easier route and do them with colored pencils. In Freely Grown, you paint flowers freely without reference photos and create a unique painting from the given techniques and guidelines. >> Buy here!
This week, we learn from nature and bring its joy to our colored pencil art.
It makes me sad how colored pencils are used only for replicating photos, and how little there is room for free expression. Nature grows freely, so why not give our art the same opportunity? I hope this post inspires you to do more intuitive coloring!
Joy of Nature: Patchwork
Think about nature sceneries as crazy quilts that have fabrics and seams! The fabrics are larger areas and the seams are lines. Patchwork has short seams, so keep your lines quite short too.
When you walk in nature, stop, and see the quilt by searching for the mesh of trees and bushes. Observe how twigs cross over each other and form nature’s patchwork.
Then when you start coloring a blank paper, focus on building the asymmetric and abstract style quilt, rather than thinking about trees and such.
I find this kind of “patchwork coloring” a lot of fun. Many call this mark-making, but I like to think about creating a patchwork instead. Marks are a more abstract term but textiles connect me to the creative world that is full of ideas.
Joy of Nature: Harmony
Despite its patchy structure, nature sceneries have harmony that our art often lacks. When you walk in nature, step back to admire the big picture and point out the areas by their dominating colors. You could think that the sky and earth both have a few quilts: patchwork areas that mostly have similar colors.
So, when your paper has all kinds of patchwork, compose larger areas by coloring over them so that they get a stronger identity in color. For example, you can have a couple of green areas, a dark area, a more neutral brown area, and one with very light colors.
So, first, you start coloring gently with a wider color scheme and then add larger unified layers over the colorful patchwork.
Joy of Nature: Spirit
I like to think that light is nature’s spirit. When you walk in nature, seek for this spirit. You miss the spirit, if you only point out the big concrete things in the scenery like bushes, trees, water, and sky. To see the spirit, you have to step into the abstract world and look for the light: odd shapes on the trunks of the trees, pattern play on the leaves, and in general, all kinds of small reflections.
For me, it’s helpful to think that the spirit has twins. One is the light and the other is the shadow. When you want more light, you will also get stronger shadows.
Light and shadows add contrast and scatter. When you add them to your piece, it becomes less harmonic, but also less boring.
Coloring can be a bit like weeding: you can do it little by little.
First, the result is nothing, but it will bloom over time.
Colored pencils beat other supplies when we are creating this kind of small joyful art.
Here one A4-sized paper has two pieces of colored pencil art. So, you can take short walks or long walks to express the joy of nature in colored pencil.
Mother Nature is the best art teacher. That’s why most of my classes are about what I have learned from her.
