This week is about creating beauty, and I have a beautiful blog post for you.
Violets on an Adventure
Ten years ago, an old yard tiling gave us a surprise. Renovating it had been on our to-do list, but there had been other things to do in the house. But we were lucky.
The violets planted in the pot had looked at the tiling and its gaps with completely different eyes. What an opportunity for seeds! So, the following year, we were able to enjoy the glory of flowers in the surprising place.
Creativity is a flower that wants to break free from its pot and get on an adventure. Abundance is allowed and ugliness can enable beauty.
A painting that starts with a few ugly brushstrokes can be decorated to rich and beautiful.
Beautiful Decodashery
My online class Decodashery is about creating beauty that easily finds its purpose. This kind of art is not just fun to make but perfect for cards and gifts.
Decodashery is one of my personal favorites. The videos are inspiringly colorful and uplifting. You play with the tradition of decorative art and create beauty that people have always found attractive. >> Buy here!
There is a saying that if you don’t know what else to add “Put a bird on it!” But this week I want to talk about birds as the main object of the picture, not just as a decoration. This blog post is also about abstract birds and their connection with realistic bird art.
Here’s my new painting, also bird-themed!
The Love for Real Birds
As a child, I saw a lot of birds and at some point, I started to learn to identify them. Ornithologist sounded like a great word and I have always been fascinated by people who are extremely enthusiastic about something. I learned about birds from a bird book I got from my parents, which was illustrated with drawings. I also drew birds myself, and it’s quite easy to recognize them once you’ve once drawn every detail.
Since those times my knowledge has unfortunately deteriorated, and I never became an ornithologist! But even though I’m no longer good at identification, I know birds as animals well. After all, I have had pet birds for decades. At the moment I have two budgies, Leonardo and Primavera. Over time, my interest in wild birds has started to return and a dream has surfaced, which the newest painting “Kingfishers” also tells about.
Here’s how it started! Wild strokes here and there.
I think most of us have some relation to birds – what’s your story? Could you bring more of that to your art?
Dreaming of Birds
Ever since I was a child, I’ve wanted to see the kingfisher. In recent years, I’ve started imagining how one would sit on top of our mailbox on a summer’s day when I come down the hill towards home. And this spring I’ve started imagining kingfishers flying around the ditch along my walking path. I know that these are unlikely to come true, but they are still wonderful thoughts. Kingfishers are very rare here in Finland.
So when I started a painting inspired by the ditch, I wanted those kingfishers there. After all, I had already written “kingfisher” in my notebook earlier this year when I started planning the new series of paintings.
And when I researched the subject more, I found out that there are about 120 species of kingfishers. So I could paint many different ones in the same picture!
Birds by Von Wright Brothers
This month, I want to blog about art history too. And as a Finn, I have to introduce the brothers Magnus von Wright (1805–1868), Wilhelm von Wright (1810–1887), and Ferdinand von Wright (1822–1906). One of the most famous paintings here in Finland is “Taistelevat metsot”.
Von Wright brothers drew and painted huge numbers of birds and are remembered as bird artists. I saw this pigeon painting in the Ateneum Art Museum in 2018 when they had a big exhibition of von Wrights’s art.
For the Von Wrights, the recognisability of bird species was essential, and they also depicted birds from the perspective of their authentic living conditions and behavior.
The paintings were very stylish and very aesthetic, but because of their accurate details, they also worked as scientific illustrations.
Unlike the von Wrights, I am not interested in the exact description of bird species, but rather in describing the vitality of life through birds.
Flying Birds and Their Abstract Shapes
I am especially fascinated by the ability to fly and I always try to look as closely as possible when I see a bird flying in the sky. When the bird flies high, its image breaks up and becomes an abstract composition. The flying bird serves us modern art in the middle of the mundane reality. A museum experience without visiting one!
I often see finches and magpies here where I live. I think magpies are really beautiful birds and this painting of Ferdinand von Wright is fabulous even if its theme is a bit brutal.
Many blackbirds live in our garden and I have also painted them in 2021.
I find it fun to adjust abstract shapes so that they express the essence of the bird. Here’s the Kingfishers painting again, photographed by my husband in the front garden.
And here are some pictures of details so that you can examine brush strokes and abstract birds more closely.
If you think about kingfishers, painting them can’t be just about flying near a stream, it has to be about catching fish too. To bring that up, the bird on the left below looks a bit like a fish.
Not So Abstract Birds to Get to Know Them
Of course, a flying bird can also be created so that it’s not abstract but has many decorative details. This project is from the course Animal Inkdom and is drawn in several sessions piece by piece so that it’s more manageable and fun.
In the center is a bird that flies into the animal world. When re-examining this, I hope that over time I would paint all kinds of animals in my abstract style. It is often necessary to study the animal for a long time before an abstract can be derived from it.
The Connection Between Letting Go and Not Letting Go
So if you wish that your expression would be freer, one way is to go deep into the subject. Not just to look at what a kingfisher looks like, for example, but to live its life, experience a deep identification with it and look for forms that express that emotional connection.
Often both the forms and the connection are first found through creating art that is less abstract and more accurate. I think that it would have been quite easy for the Von Wright brothers to become abstract bird artists, but the time wasn’t right for them. They left a legacy though, and I am one of their followers.
This week, we explore watercolor sceneries. Landscapes have always been an uncomfortable theme for me, but despite that, I consider myself to be some kind of landscape painter. Even this digital watercolor painting is a landscape.
Here I mixed the memories of the sunny days of the last fall with the eager wait for the upcoming blooming season.
What Do Landscapes Mean to You?
I think that landscapes are relevant to any growing artist. It is important to look at your relationship with basic themes such as:
human or animal – portrait
inanimate object – still-life
nature – landscape
Of these, I have the closest relationship with the landscape, and through that, I also have a special relationship with places.
Even if I take photos of interesting sceneries, I am not at all enthusiastic about copying the landscape as it is. I’m a romantic who sees even the ugliest grass field as an exciting jungle. I often crouch down to explore the world from the perspective of a modest plant, where everything looks big and grand.
The landscape can also be a stage for an event. When I looked out the window of my room as a child, I was saddened by the fact that nothing was happening in the small area of detached houses. However, I paid attention to the house visible on the hill and how its roof seemed to change color in different lighting and in different seasons.
This kind of slow dynamics characteristic of the landscape is fascinating because when we paint we are not prisoners of time. We can fill the view with all kinds of activity. Various colors and states of one object can be gathered and everything can be lifted into flight and movement.
By thinking about what a landscape means to me, I have built a bridge to my childhood and enabled creative play.
From Traditional Landscapes to Expanded Sceneries
Even if I now see playfulness in landscapes, it took me a long time to realize that traditional landscape painting can be expanded. You can choose to express a real place, but make a completely own interpretation of it.
For me, watercolors have played a key role in this realization. In 2018, I started making small panorama paintings, in which I painted holiday travel memories, picking up details here and there from the photos as if reconstructing the place.
See this post to read more about these watercolor panoramas!
I also had a small sketchbook where I made watercolor sceneries, some realistic, some fantasy. See this post to watch a video about keeping a watercolor diary!
And of course, I also made the course Watercolor Journey from my insights.
In this course, you travel between imagination, memories, and reality. >> Buy here!
The Journey Continues
At the moment I am painting a small ditch, from which I have grown a beautiful landscape on a large canvas.
In the painting, a lot is happening and nothing is static or insignificant.
In art, the only limit is our imagination. It doesn’t matter where we live, in our paintings we can make it the place we want to travel to next!
Last fall, I was asked to participate in a small gallery exhibition called Kaninkolo (Rabbit Hole). I thought that the name was a funny reference to the Alice in Wonderland book and an opportunity to create fantastic wonderland art. I had previously covered the wonderland theme by drawing for the Magical Inkdom course. It was fun to see how the theme would lend itself to my painting style, which is much more abstract.
Wonderland Rises From the Dark
For me, wonderland art calls for dark colors. I’ve seen Tim Burton’s movie Alice in Wonderland and I think it has some wonderfully gloomy scenes. I would really like to paint dark paintings because exciting things can happen in the dark. However, I try to curb this desire, because Finnish homes are light and light paintings sell better!
But now I got permission from myself to paint one dark painting, in which I also rejoiced with colors.
New is a Wonderland
I started with confidence, but at some point in the frenzy of painting, I stopped: “Could I paint so boldly? Should I tone down a bit?” But then the painting replied: “Päivi, don’t be afraid in wonderland!”
And yes, whenever we are on the verge of something new, we are a bit like Alice in Wonderland. Then you just have to keep experimenting and painting. I admire brave people and I would like to paint with courage. It’s not always possible to do that, but I’m going to continue to let loose from time to time!
Wonderland Art – Queen, Alice, and Others
This “Don’t Be Afraid in Wonderland” piece was really fun to paint. Among the characters in the book, my favorite is the Queen of Hearts. Of course, Mad Hatter also had to be painted.
I also included Cheshire Cat, as well as the twins Tweedledee and Tweedledum.
In this painting, Alice is a flying flower!
Wonderland Art – Wheel of Fortune
When I started building the Magical Inkdom course in 2019, one of my first drawings was this Wheel of Fortune.
When drawing all the details, I thought about how I would divide the lessons. I got the idea to make a separate central circle for the drawing, which can be rotated and thus change the heads and outfits of the characters. You can see the wheel at the end of this video:
Drawing a gameboard with a wheel helped me to come out with the idea of playing cards and a bag for storing them.
So when I went more abstract and thought about the concept of the wonderland, it fed ideas for several lessons.
Moving from Wonderland Characters to Wonderland Mood
Lately, I’ve been thinking a lot about the differences between representational and abstract and what can be expressed with abstract imagery. For example, could I paint an abstract outdoor tea party?
I saw the arbor and the delicate porcelain cups in my mind, but could I detach the motifs from the cups and fly to the place as a magician who removes the excess realism?
When painting abstract, I try to change the original idea to a mood, and then paint the mood. My mind is then in a 3-dimensional dynamic space rather than trying to maintain a 2-dimensional static image.
I think this tea party themed little painting turned out pretty well!
Art is a wonderland where you can do anything!
Here you can see the size of the painting better: 40 x 32 cm, about 15 3/4 and 12 1/2 inches.
Does Drawing Help for Loosening Up in Expression?
I have wondered if my abstract painting style would ever have been found without drawing figuratively. But I don’t think that would have happened. To become looser, it has been important to learn how reality works and how to express it with shapes.
That’s why I’m really happy that my way to wonderland has been through a bend. And even that kind of a bend that I can share with the rest of you through the Magical Inkdom course among others.
April 8-27, 2023, Kaninkolo group exhibition at Gallery Art Frida, Korkeavuorenkatu 25, Helsinki