Get Creative in Drawing Ornaments!
This month, the focus is on art history. Art history is often talked about in a very serious tone, but let’s examine it through imagination and start by drawing ornaments!
Ornament Tells a Story from Childhood
It’s fascinating that even if the ornaments are stiff and organized compositions, one can express a whole story.

The background of this drawing is a funny story from my childhood. When the school asked each student’s favorite food, I answered “Mansikoita ja kermavaahtoa!” – Strawberries and whipped cream” while the others listed macaroni dishes or meatballs. Both the teacher and the students were quite shocked by the answer, but I wondered how anyone would prefer to eat something so modest and usual.
This story tells a lot about how I’ve always wanted to get away from the mundane. I still want to draw things so that they look like a luxurious celebration rather than a gray everyday life. I like drawing jewels, lace, floral motifs, and swirls, and you can have a lot of those on the ornaments.

I often want to include people or animals too. For example here, I wanted to make the whisk half-human, and draw two fairies that enjoy the dessert.

The method that I teach for human poses in the course Doll World was very helpful here.
Inspiration from Antiques, Old Buildings, and Paintings
There are plenty of ornaments in my photo archive. When I visit old buildings, I go through doors, ceilings, wall panels, and floors, looking for nice ornaments.

I also love to examine antiques closely.

Old paintings often have lovely frames. Whenever I photograph one, I always try to include the frame in the picture.

This frame is like an ornament representing a palace!
Lots of Simple Shapes
The decorative appearance of the ornaments can mislead you into overestimating their complexity. When an ornament is taken apart, the shapes can be quite simple.

I love this kind of sophistication based on quantity and repetition, with which you can express anything – humorous subjects …

… or more serious.

This example shows well that you can also express light when drawing ornaments.
Ornaments Can Both Hide and Reveal
I am fascinated by the fact that although the subject can be drowned in decorative forms, it can also be brought out more directly and more concisely than in a regular drawing. Time travel to the past can become surreal when the horizon disappears and the items are arranged as part of a floating structure.

Ornaments as Collage Art
If drawing the whole ornament in one go feels too demanding, remember that the ornaments can also be collage art. You can glue individual elements so that they form a decorative tree or medallion. I have put together many kinds of ornaments from hand-drawn animals and hand-decorated papers.

You can also scan or photograph the drawings and assemble the ornament digitally with an image processing program. Here are animal figures and flowers from the course Animal Inkdom and a teacup from the course Magical Inkdom.

Drawing Ornaments is Expressing the World
After working with ornaments for a while, you begin to realize that the world is largely based on them. Surface patterns are everywhere. The beauty of organic forms can be found in all living things.

Ornaments build a bridge between the living and the non-living. They make the living an object and the object alive.
Hidden Love for Ornaments and How it Shows
I think that many of us have an innate need to design ornaments. Maybe you dream about designing fabrics or have a huge stash of them. Maybe you collect jewelry or save photos of them. Maybe you feel that something is lacking if you only draw or paint complete images and are not able to rearrange the composition so that it’s something more stylish and less representational.
I only realized this tendency of mine when I made ornaments as part of the illustration for a children’s book. Back then, I used transparent marker paper to design the symmetry, and my desk was full of different versions.

One day when picking the pen, I suddenly felt happy and meaningful: “I should do this more!” Since then, I have not underestimated even the smallest encounters with ornaments.
Drawing Ornaments Inspired by Embroidery
I relax from my work as an artist by doing cross-stitch and those projects also inspired me to draw ornaments.

See here how to draw and color an embroidery-inspired ornament – Doodler’s Sampler Step by Step!
Drawing Ornaments without Perfect Symmetry
I drew the last ornament with the ProCreate app. The good things about it are that the background can be kept separate so that the background colors can be varied and it is easy to create symmetry. However, I think completely symmetrical ornaments are a bit too stiff and boring, so I also made quite a lot of asymmetry for this ornament.

I hope you will start drawing ornaments right away whatever technique you choose!
Related Courses
- Doll World – drawing human poses – Buy here!
- Animal Inkdom – drawing animals – Buy here!
- Magical Inkdom – drawing fantasy – Buy here!
- Collageland – inspired by embroidery – Buy here!
Fantastic Watercolor Sceneries
This week, we explore watercolor sceneries. Landscapes have always been an uncomfortable theme for me, but despite that, I consider myself to be some kind of landscape painter. Even this digital watercolor painting is a landscape.

Here I mixed the memories of the sunny days of the last fall with the eager wait for the upcoming blooming season.
What Do Landscapes Mean to You?
I think that landscapes are relevant to any growing artist. It is important to look at your relationship with basic themes such as:
- human or animal – portrait
- inanimate object – still-life
- nature – landscape
Of these, I have the closest relationship with the landscape, and through that, I also have a special relationship with places.

Even if I take photos of interesting sceneries, I am not at all enthusiastic about copying the landscape as it is. I’m a romantic who sees even the ugliest grass field as an exciting jungle. I often crouch down to explore the world from the perspective of a modest plant, where everything looks big and grand.

The landscape can also be a stage for an event. When I looked out the window of my room as a child, I was saddened by the fact that nothing was happening in the small area of detached houses. However, I paid attention to the house visible on the hill and how its roof seemed to change color in different lighting and in different seasons.
This kind of slow dynamics characteristic of the landscape is fascinating because when we paint we are not prisoners of time. We can fill the view with all kinds of activity. Various colors and states of one object can be gathered and everything can be lifted into flight and movement.

By thinking about what a landscape means to me, I have built a bridge to my childhood and enabled creative play.
From Traditional Landscapes to Expanded Sceneries
Even if I now see playfulness in landscapes, it took me a long time to realize that traditional landscape painting can be expanded. You can choose to express a real place, but make a completely own interpretation of it.

For me, watercolors have played a key role in this realization. In 2018, I started making small panorama paintings, in which I painted holiday travel memories, picking up details here and there from the photos as if reconstructing the place.

See this post to read more about these watercolor panoramas!

I also had a small sketchbook where I made watercolor sceneries, some realistic, some fantasy. See this post to watch a video about keeping a watercolor diary!

And of course, I also made the course Watercolor Journey from my insights.
In this course, you travel between imagination, memories, and reality. >> Buy here!
The Journey Continues
At the moment I am painting a small ditch, from which I have grown a beautiful landscape on a large canvas.

In the painting, a lot is happening and nothing is static or insignificant.

In art, the only limit is our imagination. It doesn’t matter where we live, in our paintings we can make it the place we want to travel to next!
Watercolor Fairies – Painting the Magic of Nature
I’ve been going through my art supplies lately and reflecting on my path as an artist so far. In recent blog posts, I’ve featured drawings, but now we’re moving on to watercolors. This post is about painting watercolor fairies and the wilderness around them.

Watercolor Surfaces – Aquabord vs. Paper
I love thick watercolor paper, but I made a special find in my stash: a hard base meant for watercolors. I bought it years ago but had forgotten it. But now I had to try this Ampersand Aquabord!

Watercolors have a built-in sense of surprise that keeps me interested in the work. Still, you can also do accurate and illustrative details. I like to use a lot of water at the beginning and less at the end. Even if Aquabord is surprisingly absorbent, I prefer the effects that a good-quality paper creates. But maybe this is the thing that would need more practice. It is said that to get to know a certain paper, tens of experiments are needed.

When the painting progresses I move on to negative painting, so paint the background in such a way that I leave the shapes from the previous layers exposed to maintain the brightness.

Aquabord turned out to be more convenient than paper in keeping the painting light. It is easy to wipe off color with either a rag or a dry brush. But even if lifting color is harder on paper, I still would prefer watercolor paper, especially 100% cotton, because it feels so wonderful! However, for beginner watercolorists, Aquabord is great because you can erase and start over!
Watercolor Fairies
About four years ago, my watercolor set was a close friend, and I thought I was at my best in watercolor painting. One of my favorite subjects in watercolor was fairy-tale characters – spirits of nature that rise from the surrounding greenery and have the sensitivity of a butterfly. It was also fun to come up with names for them!




When painting a watercolor, a character can appear by accident. It’s fascinating to see who comes up as the round shapes of the plants encourage the spirit to emerge.

Even though nowadays I mostly paint with oil, I still want to step into wild nature with a brush and listen to my intuition. Watercolors have taught me a way to first splash freely and then finish with intention.
Magical Forest with Watercolor Fairies
I have also made a watercolor course about this kind of intuitive nature painting: Magical Forest.
Magical Forest combines light with hope, trees with spirituality, water with flow, and wilderness with curiosity.
Flower or Fairy?
In this work on Aquabord, I first thought that the weird purple flower could be enough of a character. But after looking at the flower for a while, I felt that someone was squatting under it.

And it wasn’t a shy spirit either, but quite lively.

I even painted hands for her.

The butterfly flew there too as if by accident!
What Makes a Fairytale?
In my opinion, a watercolor painting with a fairy tale character can leave a lot of guesswork. The mystery is allowed! There may be abstract shapes that only describe the atmosphere rather than anything else.

When the shy watercolor fairies started appearing in my art in 2019, they represented the part of me that is needed for making art. Now my artist fairy is more confident and cooperative and is not afraid to appear when called.
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Wonderland Art – Inspiration from Alice in Wonderland
Last fall, I was asked to participate in a small gallery exhibition called Kaninkolo (Rabbit Hole). I thought that the name was a funny reference to the Alice in Wonderland book and an opportunity to create fantastic wonderland art. I had previously covered the wonderland theme by drawing for the Magical Inkdom course. It was fun to see how the theme would lend itself to my painting style, which is much more abstract.
Wonderland Rises From the Dark

For me, wonderland art calls for dark colors. I’ve seen Tim Burton’s movie Alice in Wonderland and I think it has some wonderfully gloomy scenes. I would really like to paint dark paintings because exciting things can happen in the dark. However, I try to curb this desire, because Finnish homes are light and light paintings sell better!

But now I got permission from myself to paint one dark painting, in which I also rejoiced with colors.
New is a Wonderland
I started with confidence, but at some point in the frenzy of painting, I stopped: “Could I paint so boldly? Should I tone down a bit?” But then the painting replied: “Päivi, don’t be afraid in wonderland!”

And yes, whenever we are on the verge of something new, we are a bit like Alice in Wonderland. Then you just have to keep experimenting and painting. I admire brave people and I would like to paint with courage. It’s not always possible to do that, but I’m going to continue to let loose from time to time!
Wonderland Art – Queen, Alice, and Others
This “Don’t Be Afraid in Wonderland” piece was really fun to paint. Among the characters in the book, my favorite is the Queen of Hearts. Of course, Mad Hatter also had to be painted.

I also included Cheshire Cat, as well as the twins Tweedledee and Tweedledum.

In this painting, Alice is a flying flower!
Wonderland Art – Wheel of Fortune
When I started building the Magical Inkdom course in 2019, one of my first drawings was this Wheel of Fortune.

When drawing all the details, I thought about how I would divide the lessons. I got the idea to make a separate central circle for the drawing, which can be rotated and thus change the heads and outfits of the characters. You can see the wheel at the end of this video:
Drawing a gameboard with a wheel helped me to come out with the idea of playing cards and a bag for storing them.

So when I went more abstract and thought about the concept of the wonderland, it fed ideas for several lessons.
Moving from Wonderland Characters to Wonderland Mood
Lately, I’ve been thinking a lot about the differences between representational and abstract and what can be expressed with abstract imagery. For example, could I paint an abstract outdoor tea party?

I saw the arbor and the delicate porcelain cups in my mind, but could I detach the motifs from the cups and fly to the place as a magician who removes the excess realism?

When painting abstract, I try to change the original idea to a mood, and then paint the mood. My mind is then in a 3-dimensional dynamic space rather than trying to maintain a 2-dimensional static image.

I think this tea party themed little painting turned out pretty well!

Art is a wonderland where you can do anything!

Here you can see the size of the painting better: 40 x 32 cm, about 15 3/4 and 12 1/2 inches.
Does Drawing Help for Loosening Up in Expression?

I have wondered if my abstract painting style would ever have been found without drawing figuratively. But I don’t think that would have happened. To become looser, it has been important to learn how reality works and how to express it with shapes.

That’s why I’m really happy that my way to wonderland has been through a bend. And even that kind of a bend that I can share with the rest of you through the Magical Inkdom course among others.

April 8-27, 2023, Kaninkolo group exhibition at Gallery Art Frida, Korkeavuorenkatu 25, Helsinki
Does Alice in Wonderland inspire you?