Art Supplies and Emotions
This week, we ponder what kind of feelings and emotions our art supplies raise in us.
Do you remember these small paintings from a few weeks ago?
I now got the fourth one finished, and I couldn’t resist taking a photo of them together. These are only 6 by 6 inches, and the small size enables me to study a style or an idea before making a bigger painting. So, in a way, these are like pages in an art journal – small art that is delightful to create and look at but that doesn’t fill a wall. It’s the first time I feel I can create quick experiments directly in oils. And this brings us to the topic of art supplies.
Crayons, Inks, and All the Possibilities
I have now painted on canvas in oil for over two years, and most of the other art supplies don’t inspire me so much anymore. I have all kinds of crayons, inks, and paint tubes that were purchased in a different mindset many years ago.
Back then, a new supply meant a new beginning. Purchasing a box of crayons meant that I still believed in myself – that there was still hope that I will become an artist. See a video of me working with crayons – a blog post from 2017.
I like many of the pieces that I created back then, but now when I look at those boxes of crayons, the magic has gone away. All I can hear is the calling of my beloved oil paints.
There are two exceptions though.
Colored Pencils Are the Easiest Art Supplies
Colored Pencils bring me back to my childhood when I was drawing with my elder sisters, admiring what they did with them. For me, colored pencils were not just pencils, but dolls that had names. It was sad to see a doll that I loved get shortened and then finally thrown away!
Compared to oil paints, colored pencils have an advantage. There’s no preparation involved. When I paint with oils, I need to build the palette, clean the caps, select the brushes, protect the tabletop, etc. But with colored pencils, I can just grab a piece of paper or open another page in a journal and start coloring freely. When I am tired but still want to create something, it’s really nice.
I have also liked to maintain my illustration skills, and colored pencils are great for that too. For example, see the newest course Doll World!
Watercolors Are a Great Teacher
I am also emotionally connected with my watercolor set. Even if I haven’t used it much lately, I feel that painting in a watercolor set my style. Many techniques that I use in oil were learned when I was painting in watercolor, for example, negative painting and building an image layer by layer.
I also learned a lot about pigments and their behavior back then. It was a good learning experience to paint many pieces in a row.
I have several courses on watercolor, for example, Magical Forest for fairies and Floral Fantasies for floral still lives!
What about all those inks, crayons, and such, did I learn anything from them? Yes, of course, but when I look back, it feels like when I started to focus more on one media instead of mixed media, I also took a big leap forward in skills. My art went forward when I no longer tried to find a solution by changing the media but by growing the skill. I was also able to get a more emotional connection with the supplies and somehow that feels very important to me.
Oils vs. Acrylics as Art Supplies
Before oils, I painted in acrylics for some time. They are more practical. They don’t smell like wet oil does. The painting mediums have less odor too. They dry fast so painting is much faster, no need to wait for days before adding a new layer or making the finishing touches. Acrylics don’t require a similar kind of knowledge of pigments and painting mediums as oils do. In oils, you have to be careful with some pigments and the use of mediums because they may cause crackling.
Despite all that worry, when I open my box of oil tubes, I feel different than if I pick acrylics.
The Emotions I Get When Painting in Oil
The oil paints connect me to the past. They take me to the time before I was even born.
Within seconds, I travel back to the beginning of the 20th century, meet the early abstract painters and impressionists, then continue my journey to the 19th century and meet pre-raphaelites, and move from them to those who wanted to capture the realism, and to those who were more romantics. Then again, within seconds, I go to the 18th century and admire all the floral still lives and women in beautiful dresses.
And at best, I continue the journey to the 17th and 16th centuries and see big paintings full of details. Then I also meet the masters that had the patience to make really thin layers and wait for each to dry before adding a new one.
This time traveling enables me to meet long-time friends like Wassily Kandinsky, Peter Paul Rubens, and Leonardo da Vinci and if I do some browsing before I start painting, I always find a new one that I want to meet and learn from.
And now when I am painting for the upcoming Albert Edelfelt -themed exhibition, I also learn from him.
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There are many great artists today, but I feel that tracing what you love back to history is essential to artistic growth. I also get satisfaction from knowing that I belong to the chain of generations. Artists from the past, still live through me.
Paintings In Progress
I have been painting quite a lot recently, and there are many more paintings in the queue.
These are in-progress pictures! I will show you the finished ones in the near future!
I usually reserve a whole day for painting and try not to do anything else at the same time. If you want to follow a painting day, look for my Instagram stories where I usually post in-progress photos when I am testing the composition and such.
What are Your Favorite Art Supplies?
Tell us what are your favorite art supplies at the moment!
It would also be interesting to know which supplies raise emotions in you.
Colored Pencil Doodling
This week, we are doodling wildly with colored pencils.
Free doodling is the most natural way for me to create. I can just start. No browsing the internet for ideas, no trying to think what to express. It only requires trust that something will appear – that a problem I wasn’t aware of gets solved, a key to a door that I didn’t notice is found, and a place that didn’t exist is born for everyone to explore.
Mindless Doodling
When doodling with colored pencils, I like to pick a pencil and start coloring mindlessly.
I often pick a neutral color and use a light touch so that I can later add layers on the top.
The mindless curves can go on top of each other, already creating a new layer.
When I get bored, I pick another color and do the same.
I try not to worry about how it looks because it’s just a warmup.
Enjoying Colors
When my thoughts begin to flow effortlessly, I add more colors. Now I color areas or spots over the doodles.
I also highlight some parts of the doodles with color.
I cover most of the blank areas so that the image becomes less busy.
Drawing Something Intentional
If I get stuck and feel discouraged, I draw something to cheer me up.
A heart is a message for myself: “Keep going; everything will be ok.”
Discovering by Shadowing
“What should I draw?” we often ask ourselves. I often push through by picking a fairly dark tone and shadowing around a random area.
I also like to color stripes, so I color and shadow them. It usually doesn’t take long when I feel the sense of new, exciting scenery.
Doodling All The Crazy Stuff
Recently, I have become more open to allowing all the things that don’t seem to make sense. I also have got more courage to put expression over prettiness.
The success of this kind of wild doodling is connected with the more traditional art skills. I have noticed that after doing the projects for the class Doll World, I have been able to include human shapes and characters more effortlessly for drawings and paintings.
Colored Pencil Doodling – The Result
I think that the finished work expresses that I am at a crossroads. I have a new exciting project on the horizon that you will find out more about soon. I am considering what old things to continue and what to abandon.
But I think that everything will be ok anyway because when I turn the spread upside down, the world still looks exciting and inviting.
More Intuitive Art Projects
My classes – Inspirational Drawing and Intuitive Coloring, go into this kind of free-flowing process in more detail. If you prefer watercolors to doodles, check Magical Forest for a similarly intuitive approach.
This small colored pencil journal is currently my favorite art journal. Check the class Fun Botanicum for a jump start for beginning colored pencil journal pages!
Art and Familiar Things – Inspiration from Sounds and Surroundings
This week is about getting inspiration from familiar things like songs and the sounds of the surroundings.
I live in an area built in the 1960s. I love the mid-century modern tile houses and their old-fashioned gardens with apple trees and bush hydrangeas. One year, at the end of May, apple trees were blooming like crazy, and when I took the dogs for a walk on a sunny afternoon, I heard a family having a graduation celebration, singing beautifully in a choir. I felt I could touch the air and see the melody traveling on it, flying like a swallow, carelessly yet skillfully.
Visualizing Familiar Sounds and Songs
A similar kind of inspiring sight happens when I hear Aretha Franklin singing “Say a Little Prayer.” In the chorus, the choir sings the melody, and Aretha just throws in some sounds. It’s like she is the background singer there, except she’s not. The timing of the single notes is perfect, and their sound is powerful. I see her singing as lines that are effortless without being worthless, ornamental without being traditional.
See this post from 2014 for tips for using music as inspiration: 5 Ways Music Can Improve Your Art
When an old house is demolished, and that happens too much nowadays, they destroy the garden too. I see this constantly happening in our area, and it’s heartbreaking. I don’t look at the surroundings like a property developer but as an artist who seeks visual music. I want to see the old-fashioned songs: lines that are born when birds fly over the scenery, curves that butterflies make on the flowery fields, shadows that scream, and sunspots that quietly fade away. All that sound and movement creates music that inspires me to paint!
Northern Splendor – Seeing Familiar Things as a Fantasy
Usually, I have gone on an adventure to faraway unknown regions when painting, but in this series that I am working on, I’m in Finland, where gardens and nature alternate. I paint the light of northern summers and connect that with architectural ornaments.
In this painting, I imagined how a French couple from the 19th century visited Finland.
They then saw how the palaces and churches of Central Europe do exist in Finland too, but all this splendor is in nature instead of buildings.
My dream is to paint like Aretha sang – like it would all be careless strokes, yet so intentional and so creatively put that they break the surface of what’s ordinary and familiar.
Read That, Watched That, But Can It be Renewed?
I am currently working on a painting for a group exhibition. My theme is Alice in Wonderland!
It’s a tale that has been heard so many times. How to break through it? Exciting!
What familiar things inspire you?
Art and Sacrifice – Must an Artist Drop Other Interests?
This week, I respond to a question about creative focus: when we want to move forward, should we focus on doing one thing and abandon other creative activities, like crafting?
I got the idea for this blog post from an interesting discussion that is running in my community Bloom and Fly.
The discussion started when a member wrote:
“I find that I have an interest in, perhaps, too many creative pursuits. I enjoy sketching, making journals, watercolors, acrylics, crafting, etc. I have observed that artists with a specific focus and dedication seem to be more successful and just plain good at what they do.
Of course, if one focuses on one ability, the hope is a gain in creative skills. Practice for purpose. So, should we know that in order to be very good at something, we must sacrifice other interests? Any thoughts?
I find that I have an interest in, perhaps, too many creative pursuits. I enjoy sketching, making journals, watercolors, acrylics, crafting, etc. I have observed that artists with a specific focus and dedication seem to be more successful and just plain good at what they do. Of course, if one focuses on one ability, the hope is a gain in creative skills. Practice for purpose. So, should we know that in order to be very good at something, we must sacrifice other interests? Any thoughts?“
Here’s my answer!
Sacrificing a Hobby? What’s Your Priority?
When you want to move forward, the essential question about every activity is: “Is this activity for relaxation or for moving forward” so, “Is this hobby or work?”
Having many hobbies is a good thing. I am a professional artist, and I love my many hobbies. For example, I quilt, scrapbook, make cards, spin yarn, knit, and cross stitch. I don’t do everything every week, but I do these regularly in my spare time, mainly in the late evenings and weekends. If I learn new things in my hobbies, it’s nice, but it’s not why I do them. I do them for relaxation, to keep the balance in life, and to stay healthy.
My official Instagram account is @peonyandparakeet, and there, I only share art-related stuff.
Separating your hobbies from your work is essential when you want to see your artistry more clearer.
I also have two beagles that need quite a lot of exercise and lots of house plants that need care. Like my other hobbies, they have never been things that I would sacrifice to become a better artist. I would find it very difficult to lead a happy life focused on art-making only.
But when you want to move forward in visual art, you need to redefine creativity and art.
For many people, a simple quilt is a work of art, a sign of creativity. I get that. But when you want to move forward in art, you need to raise the bar and stop treating every activity as if it would require creativity.
For example, if you don’t want to become a professional scrapbooker, decide that scrapbooking is not a creative activity for you. Yes, you learn self-expression and design from it, but treat it as a side bonus and define the meaning of the hobby differently. For example, I scrapbook because I want to get reminded of the good things that happen in real life – that everything is not about my imagination, but real life matters too. I want to take photos and get an outside view of my life. My paper crafting happens in a different space than art-making and with a different set of tools.
I don’t publish my paper crafting projects alongside my art. Sharing my art is work, and paper crafting is a hobby that’s reserved just for me. When I shop for crafting products, I am a consumer who enjoys buying pretty stuff. When I shop for art supplies, it’s much more serious. I check the pigments and the other quality factors and don’t feel like a shopper at all.
The results of my hobbies are not brilliant, but I reserve my critical eye for my art. If I someday do not enjoy the hobby, I just stop and do something else. That’s ok because it’s not my work.
Where Does Your Best Energy Go?
I save my best energy for creating art. It’s my priority and my work.
Many days are difficult, but that’s ok. I don’t expect to enjoy every moment. Even if I sometimes fiercely hate what I do, I will continue because, in the long run, it enables things that I want to accomplish in life.
Of course, like in every job, changes are needed if every single day is agony. But in general, I don’t expect things to go easily and effortlessly. I show up every weekday and create productions, not just single projects. Productions are, for example, a series of paintings that I will be exhibiting or a course that I will be launching. I try to think about my work as a series of things, not just single things that I throw to the world. I commit from three months to one year and don’t expect results immediately.
Series is always a big risk. Many classes have not sold as I expected them to, but some have been surprisingly successful. The same has happened with paintings. But the more I think of my work as a continuum or a curated collection, the more potential impact there is.
That’s also why I want to encourage you to make art journals, make a series of drawings to fill boxes of joy, and even take classes to commit to several projects.
Sacrificing Techniques: Drawing or Painting, Watercolors or Acrylics?
When you want to move forward in art, the most important question is not about the technique. It’s more important to consider what things you want to offer the world. If you think about this blog, would you really want me to focus on one technique, one theme, or one subject? And still, I have a clear focus that defines my offerings: I want people to get connected with their imagination.
Thus, when I fill my journals, it doesn’t make me feel less artist than if I make big oil paintings. My intention is the same – to inspire you to reach that inner child and use your imagination. Journal pages get published in my blog or classes and encourage you to create and imagine, and when someone buys a painting, it takes his or her mind from the wall to a different world.
In the work-oriented mindset, you don’t just create for yourself but build a path to serve others. This path can, of course, begin from your own enjoyment, but the longer you want to go, the more it will also involve others.
When you see artists focusing on what they do, remember that they are mindful of how they serve you. Their life can include all kinds of things and activities; they just don’t show that to you. You don’t need to sacrifice your other hobbies; you only need to stop thinking of art as something that you do only for yourself.
This, however, doesn’t mean that you would do art only for the sake of pleasing others. When you are at the beginning of an artist’s journey, you are not conscious of how you can serve people the best way yet. You need to create more art, grow your skills, listen to yourself, and regularly show up to the world. I have found my path by updating this blog, which is now over 10 years old. So I thank you for helping me find my mission as an artist!
“Great, But I Don’t Want Art to Be Work for Me!”
Of course, we can have goals in our hobbies too, and many times the development begins as a hobby. But isn’t it so that when we set goals, they include secret dreams? Being aware of these hidden thoughts and facing how much work it will require is a part of the artist’s journey. And yes, some sacrifice is then needed.
If I think about myself, becoming an artist has required more passion and work than I thought. For example, getting over rejections has been hard but necessary. When everyone said “no,” it was difficult to see the potential “yes” in my work.
But life is short, and this is what I have ever wanted to accomplish in this life. And now, I even see a new horizon and want to accomplish more. Again, it feels overwhelming, but I know that if I treat it as work – as my priority, I will have a chance. I will write more about that in the near future!
Art and Sacrifice – What Do You Hope to Accomplish?
This is my counter question to the original one. What does being successful in art mean to you?
I also like this question: “How does success appear in your environment?” It’s like a mini question that leads to the big one. For example, imagine how your home looks when you have accomplished what you hope to do. How have you organized the supplies? What’s on your walls? What is the overall style and atmosphere? Even – where do you live then?
Any thoughts? Please leave a comment!