Color the Emotion

Pick a few colors and create without stiffness.

Painting Roses and Their Spirit

This week, we get inspiration from roses – their spirit, resilience, and decorative beauty.

Ruusun henki - The Spirit of The Rose, 22 x 25 cm, oil on canvas. By Paivi Eerola, Finland.
Ruusun henki – The Spirit of The Rose, 22 x 25 cm, oil on canvas

With this post, I want to encourage you to expand the use of decorative art. You can add decorative elements to any art style! See another example in the older blog post: From Decorative to Expressive Art

The Spirit of the Rose Stays Alive in The Fall

Roses surprise me every fall. When other flowers have given up weeks ago, roses still make buds and continue to bloom. Not as galore as in summer, but they try their best on cold nights and cloudy days. The spirit of the rose is born from warmth and light, but once it’s up, it doesn’t quench easily.

Autumn rose.

In our garden, roses are more my husband’s thing – I collect peonies! But in the fall, I have to admit how superior roses are, queens of the garden, one could say. When the colorful leaves take over the scenery, even the most modest rose flowers stand out simply because they are different in colors and shapes.

Paivi Eerola and her small rose painting.

It reminds me of how resilience and beauty are connected. So mere persistence in creating makes your art beautiful.

Expressing with Small and Decorative

This painting is a small one, only 20 x 25 cm (approximately 8 x 10 inches). When I was a beginner in painting, the small size felt easier. But nowadays, I prefer big canvases, and if I want to create something small, I usually grab my colored pencils, not brushes. But on the other hand, I like the challenge that the small size gives.

Painting roses in oils.

When painting roses in a small size, I need to have an extra focus on the quality of brushwork. Even the tiniest strokes should be elegant, especially if the painting is called ”The Spirit of the Rose.”

A detail of Ruusun henki - The Spirit of The Rose, oil on canvas. By Paivi Eerola, Finland.

Decorative paintings often look very static, but I like to add movement with lines. At best, my small paintings are like short classical musical pieces with a clear melody, lots of short violin strokes, and clever piano tunes in major. It often helps me if I define the desired outcome by other art forms like music or movies.

A rose painting by Paivi Eerola, Finland.

But decorative art has its limitations. The spirit of a rose is not visible if you only paint one kind of rose and if all that you paint is roses. Add flower variations, how the flowers affect their surroundings, and how the surroundings gather around the flowers. Add elements that resemble the living spirit, and let colors interact too so that the roses are not separate but part of the living scenery. So, painting roses is never just about roses, it also expresses how you see the world.

Painting Roses – Decorative Flowers of Decodashery

Even if single floral motifs are often not so expressive, I am fascinated by the techniques of decorative art, especially folk art. A couple of years ago, I noticed that I need practice with the brushstrokes. I wanted to learn to paint in a decorative style and then combine that with a looser and more abstract approach that I already had in my style toolbox. I think that style should not be a matter of narrowing down but expanding, and I felt that more experience in decorative painting was something that I could benefit from. So I made a course called Decodashery and painted flowers after flowers to improve my strokes.

Painting roses - handpainted roses in watercolors and acrylics, from the online course Decodashery
Decorative roses in watercolors and acrylics from the class Decodashery

You see, preparing for the course requires deep understanding. A teacher isn’t only someone who masters the technique but one who can also break it into pieces and explain it. And by doing that, the skill becomes more stable and versatile. So, you can create quicker when knowing how things are constructed, and it’s easier to adapt the technique to your own liking. In the classes, whether you are a student or a teacher, the resilience grows, and the spirit of the rose becomes stronger: ”There’s still time to bloom, and I will do it!”

Drawing Roses and Flower Girls – New Course Is in the Making

This fall, I have not only been painting a new series but also developing a new course.

A rose-covered box full of handdrawn figures.

Its working title is ”Doll World,” and it’s about drawing human figures. I think it’s a skill that enables us to do illustrations that captivate the viewer and something that we all would like to do for fun too. We will draw flowers as warmups and decorate the dresses with colored pencils. I plan to run the class next year and open the registration next month. So stay tuned!

The Electrical Life of Any Artist

This week I have a consolation post for any artist!

Flying Cats illustrated by Paivi Eerola. Read her article about the electrical life of an artist!
Cats and wings made for the class Magical Inkdom

We start from a movie and then let thoughts fly from top to bottom and come back up.

The Movie – The Electrical Life of Louis Wain

Just a couple of days ago, I watched an inspiring movie called The Electrical Life of Louis Wain. It’s a story about the illustrator Louis Wain (1860-1939) who got famous for his cat drawings. Louis Wain’s life was full of misery, he was poor, responsible for five unmarried sisters, lost her wife to breast cancer soon after the marriage, made bad business decisions, and suffered grief and mental illness.

At the Play - an Exciting Moment. A cat illustration by  Louis Wain.
A cat illustration by Louis Wain

And yet, Louis’s cat drawings were fun illustrations full of liveliness and details.

The Two Undertones of Any Day

The movie felt strangely therapeutic. Maybe partly because it expressed so well what I had been thinking lately: how life has both melancholic and uplifting undertones and how important it is to recognize and make room for both of them.

For Louis, life had two separate sides – the harsh reality and the wonderous world of imagination. I think that many of us can relate to that even if in our lives, the melancholic and uplifting undertones would spread more evenly. If I think about my artist life, there have been so many rejections that where I am now is a small miracle. And if I think about the future, more small miracles are needed to move forward.

Here’s a short video about my journey so far.

This video was published on my Instagram account first, so the proportions were optimized for that.

Those Who Believe in You

In the end, you only need to have one person who believes in you as an artist. Many times you can be that person for yourself. Like Louis, the world of imagination has the power to keep the uplifting undertone going.

A detail of the drawing called "Blue". By Paivi Eerola. Read more about her points on the electrical life of any artist!
A detail of the drawing “Blue” from 2019.

But for me, there have been times when a small miracle has been needed – that someone else brings me up. When Louis found supporters in the movie, I thought of mine. They are a part of my electrical life story. Who could be yours?

It wasn’t easy to contact any of them – ask, apply, and reach out just after losing the belief and energy, but doing that has pushed me forward. Sometimes they have been friends, but many times strangers who have given me a chance to connect with their audience. In the art world, and especially in the fine art world, people are hesitant to accept outsiders. But once you get one door open, some others will open up too. The number of your supporters will grow step by step.

Opening Up for Small Miracles

In the beginning, art was something I did in secret. If I didn’t believe in my art, I simply stopped creating for a while. But the more I created, the more I wanted to find connections with other people. First with others who create, and then more publicly. After going public, stopping is much harder because you start to see wider: There must be someone who says yes.

Doll illustrations by Paivi Eerola.

I see that the melancholic and uplifting undertones are wrapped around each other like two plies in a yarn. By expressing both of them, not only a person but also her art becomes stronger – more touching and captivating. It’s then easier to make small miracles happen – have positive electricity as Louis Wain would put it.

What do you think? Have you seen the movie?

P.S. If you want to turn back the clock and learn from 6-years-younger Paivi, here’s your chance! Planet Color, is retiring on Sept 30, at midnight PDT.

Planet Color, a painting class for beginners.

If you are a beginner in painting and want to use acrylic paints more, for example, in your art journals, check this class! Planet Color is now more than 50% OFF before it goes away! >> Buy here!

How Your Personal Story is Related to Your Art

This week, I share how my newest painting was born. At the same time, I talk about how the artist’s personal story affects the outcome.

Unelmien kevät - The Spring of Dreams, 40 x 50 cm, oil on canvas, by Paivi Eerola, Finland
Unelmien kevät – The Spring of Dreams, 40 x 50 cm, oil on canvas

My paintings usually reflect the current season. But now, when there’s a fall in Finland, something springy appeared on my canvas. I call this one “The Spring of Dreams.”

Observing a Flower – Engineer’s and Romantic’s Approaches

Last spring was beautiful. The apple and cherry trees were blossoming.

Apple and cherry trees blossoming.

And with the early summer came wonderful irises.

Purple irises in the garden.

I often take photos in the garden and examine the plants. As a former engineer, I try to see how they are constructed. Not how the petals are attached and such, but how the light constructs the flower, adding its own brushmark to it. As a romantic, I try to see a face of a flower. I look at it like it would be an animal or a human – like it has a name and a history. I am not searching for its eyes but trying to sense its needs and dreams.

This way, I don’t need to copy photos but can paint freely and intuitively. Then when random shapes begin to look like a lighted plant, I try to give it what it wants, even if it’s often a species that doesn’t even exist.

The Fight Between Too Stiff and Too Messy

However, the painting process is not always as straightforward as it sounds. Often the engineer adds something stiff, and the romantic wipes it off. Then the romantic makes a mess, and the engineer tries to clean it.

Wiping off paint. Painting in progress. Bringing in the personal story.

The engineer in me likes to build things with a brush: “There’s a chair, look!”

A detail of an abstract painting in progress.

The romantic in me likes leaves and swirls more.

Artistic Direction and Setting Guidelines

To stop the fights, I gave an artistic direction that set challenges for both of them: “We will be making a dreamy floral that has purple. The painting should fit a modern, feminine home that has some rustic elements as well.” Both the engineer and the romantic understand had a common understanding of style when picturing a space where the painting should fit. When I use this method, I choose a location in my home or a picture in an interior design book, or a photo found on Instagram.

Abstract floral painting in progress. By Paivi Eerola, Finland. Read more about her personal story.

When I was studying industrial design, these kinds of simple and concrete guidelines were called design drivers. Design drivers are different from design principles. Design principles are general guidelines to make your image more expressive and aesthetic. Design drivers are project-based and loosely define the outcome.

A detail of Unelmien kevät - The Spring of Dreams, 40 x 50 cm, oil on canvas, by Paivi Eerola, Finland. Setting design drivers for art and how they relate to your personal story.

Design drivers prevent me from painting this and that, but I try to make them so general that I can get creative and freely express myself. For example, the requirement to use purple in a painting is not a big limitation.

Personal Story and Art Projects

Behind design drivers, there’s a more general foundation, an artistic vision. My paintings always lean toward the past and have a historical feel. As an artist, I want to combine the past and the present in an uplifting way, creating a fantasy of immortality for the interior space. Because I lost both of my parents at a young age, I never thought I would live old. This way, my artistic vision, and personal story are connected.

Paivi Eerola and her oil painting Unelmien kevät - The Spring of Dreams. Read more about her personal story and process of making abstract florals.

I claim that art-making has many layers. It’s not only about the process, techniques, or assignment. The artistic vision and the personal story matter as well. You always have a chance to bring them in, whether you are painting or drawing. For example, if a course sets the starting point, the creative challenge is how to include your artistic vision and story in the projects. This time, rather than listing things you love, go deeper and think about your struggles. How do they define what you want to achieve in art?

Adventurous Art is Like an Action Movie

This week, I show you my newest painting and talk about the adventurous side of art.

Yön kuningatar (Queen of the Night), 80 x 100 cm, oil on canvas, by Päivi Eerola, Finland.
Yön kuningatar (Queen of the Night), 80 x 100 cm, oil on canvas

I am not a big fan of action movies. I love their beginnings when the sun shines, and everything is fine but leave the sofa when something terrible happens. Then things get out of control, cars get faster than they should be, people lose their relaxed look, and the life that appeared so organized first falls apart. Some fly up towards the darkness while others fall down. Nothing is like it should be. Everything requires movement and action in that disturbed world.

However, when I paint, I always end up in an action movie. So for me, a painting can only start by facing fears. It’s like carefully opening the curtain and trying to adjust the mind to tolerate the rough surroundings first, then find the beauty and spirit in them.

Facing the Fears – Starting a Painting

For years I searched for my artistic voice from things I loved. But ironically, I found my tone in the things that feel appalling. So, like a young man who sits down and picks the next action movie from Netflix, I go to my studio, fill the palette and hear the opening notes.

Creating adventurous art. Starting a painting - studio view.

Unlike the man, I have never wanted to be an action hero, and still, I sail against the storm with only a few brushes as my companion. Before the first high point of the movie, the man thinks he should do something different, clean the dishes, or read a good book. And similarly, I question if this profession of mine is sensible at all. After all, it’s only the paint that I maneuver when the others keep the world going.

Creating adventurois and intuitive art. Brushwork.

But then, like the man, I get immersed in the adventure. He is no longer a young bloke without the skills of an action hero, and similarly, I am no longer a middle-aged woman. There’s this dangerous jungle, and we are on a mission to clear the mess and make justice.

Telling the Story Under the Surface

Like in an action movie, the violent and cold setting hides another layer – vulnerability. The story behind an action hero is always heart-breaking. He has lost or left a loved one or protects someone he values.

Painting in progress. The diversity of strokes.

At best, the painting is not only full of action but brings up what’s behind the sharp strokes.

Dealing with Distractions

Just when the movie reaches the climax, something mundane happens.

Studio dog.

The young man’s phone rings, the washing machine peeps, or the dog wants to go out. “Just when everything began to unfold!” I shout with him.

Studio view. Painting in progress.

But sooner or later, we return to the movie, enjoy the freedom, and finally reach the happy ending. When the adventure is over, our minds are a bit empty, but that is what action movies do. They take you to another place and reset your mind.

Creating Adventurous Art is About Producing Too

Being a painter is still a little different. Instead of only passively watching, you are also actively creating. While enjoying the freedom, you also produce it. You design the environment, act on all the roles, and direct the plot. It takes time to learn all that.

Painting adventurous art.

However, I feel that the best adventures are revealed by painting.

Yön kuningatar (Queen of the Night), a detail. Abstract art by Päivi Eerola, Finland.

When flowers can then be the actors, not just silent models, a flower painting is far from boring.

Päivi Eerola and her oil painting Queen of the Night (Yön kuningatar).
See the gallery of my recent artworks

What do you think? What does adventurous art mean to you?

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