Before and After – Which Painting Style Do You Prefer?
This week, I share a revamp of a small painting and talk about painting style.

Here’s my newest piece that I am quite fond of. But wait! This isn’t totally new, but a revamped one.
Husband Didn’t Approve
Earlier this month, I made a small painting that didn’t get approval from my husband.
– “Unfinished,” he said.
– “No, it’s just loose and abstract,” I claimed.
But soon after, I considered adjusting something a little. My husband has good taste, and I appreciate his opinion. Like most Finns, he is brutally honest, and often that’s what I want to hear, even if it would hurt a bit.

But what to do with this one? Maybe just make a couple of clumsy shapes a bit curvier. But after having a wonderful conversation about conventionality with a friend who is also an artist, I felt that I could do it – go from one extreme to another.
Several Levels of Style
During the last couple of months, I have been trying to define my approach to art as levels of some sort – when should I go abstract, when do I want to make illustrations, and when my style needs to be decorative or design-oriented.
I have always thought that these levels are connected to what supplies I use. Like this:
If I paint, I am more abstract.

If I draw, I go in the illustrative direction.

And if I embroider, it’s just decorative work for relaxation.

But it shouldn’t always have to be like that. The opposite could happen too.
Untraditional Use of Supplies – Mixing Levels of Style
Last summer, I started to do slow stitching – random simple stitches on fabric. Surprisingly, what first felt like decorative needlecraft started to produce abstract art. This piece is not traditionally decorative at all.

And many of my recent images in colored pencils have been quite abstract and painterly, like this spread from my colored pencil journal.

The art world is full of presumptions based on supplies.
Colored pencil artists replicate photos.
Watercolorists throw water on the paper and wait for the landscape to appear.
Abstract painters do it for interior design.
Decorative is reserved for folk artists.
And so on!
But I have come to the conclusion that supplies don’t define the levels of my style. I can freely choose how much I want to show each level of style in one piece.
So, we can break what’s expected and do what we want!
Inspiration from Many Styles
The same unrestricted approach applies to inspiration.
I went to Sinebrychoff Art Museum to see floral paintings, but the most inspiring piece was a traditional textile – what??? When I looked at the photos taken from the exhibition, it felt like a dirty secret.
There were many old masterpieces in oil, but a small traditional textile captivated me.

“How can I be so inspired by that?
I shouldn’t think about that anymore.
At least, don’t tell anyone!”
But my creativity has a mind of her own when it comes to inspiration. If I look at my Instagram saves, sometimes I like to see old palaces or churches, and other times I find simple and rural terribly inviting. I love old portraits, but I am not particularly fond of painting humans myself. I consume all kinds of kitsch – banal florals, round-eyed dolls, plastic horses – like crazy, but I also love modern and straightforward that’s not similarly pretty at all.
And now, my creativity told me to revamp that abstract painting and go wild with decorative strokes.
“Take it to the Kitsch goddess,” she shouted.
“No one will like it,” I heard myself saying. But then it hit me that maybe we could do it together. I asked my inner Kandinsky: “Would you go decorative with me?” He nodded quietly but without hesitation.

And so it happened that Mrs. Decorative, Mr. Abstract, and Miss Illustrative all painted together. It was a lot of fun!
Which One Do You Like Best – Before or After?

Which painting style do you prefer? It would be interesting to hear, leave a comment!
I have no regrets and my husband approved too. While I am waiting for the painting to dry, I glance at it frequently, smiling.

The painting follows a tradition but still feels like a breakthrough. I can now see further and wider. I could mix different painting styles in one big piece and bring a wider variety of inspiration into one work. So often, I have tried to move to the next level in technique, but now it feels that I need to level up artistic thinking!
News from My Little Studio
I have lots of painting work to be done in April. My private exhibition in June is still half-empty, but that’s partly a happy problem. My paintings have sold well, and I have a new prestigious gallery representation. The gallery is called Gumbostrand Konst och Form. I think it’s a great fit for my art because they also sell design pieces. Here’s my page on their website.
My home feels like a work in progress.

The little studio space has unfinished paintings, and big blank canvases are waiting in the library room.
I also have a new online class going on – Fun Botanicum!

It’s so wonderful to see work from the students and have conversations about art. It makes all the other work less lonely, and I feel blessed to lead the lovely community. Especially now, when most of my spare time is spent worrying over the world situation, it feels good to be connected and also, serve others.
You can still hop in, sign up here!
Roaming Instinct – Why Not to Limit Artistic Inspiration
This post is about artistic inspiration and spirituality and enabled by Arts Promotion Centre Finland. This is the seventh blog post of the project, see the first one here, the second one here, the third one here, the fourth one here, the fifth one here, and the sixth one here!
My second big painting is called “Roaming Instinct.”

This painting and the previous big one have been really significant to me.

Regular practice and the big size have helped me to relax and let go – break the glass between the inner and the outer world, as Wassily Kandinsky would say.
Can There Be Too Much Artistic Inspiration?
As long as I have created art, I have been inspired by a variety of things. It has often felt like it’s too much.
Here are some:
- old portraits in fancy dresses
- houseplants and their pots
- midcentury-modern interiors
- colorful kitsch
- primitive dolls
- dressage horses
- English country gardens and cottages
- Tibetan yaks
- base jumping
- mountain climbing
- skateboards
- graffitis
- physics
- outer space
- mathematical algorithms
The list is ongoing and overwhelming!
I think this is not exceptional at all. The world is full of artistic inspiration. Like animals, we have a roaming instinct to explore further. No wonder they say that the hard choice for art-making is to choose what inspiration to pick.

But recently I have felt like I don’t have to pick. No matter what I paint, I can bring it all together. If I paint a flower, it can look like a nomad, or a mountain, or a furry animal, or a space station, I don’t have to define.

Every element can have a strong identity and the overall scenery can have a strong sense of location even if I can’t name it. Some people say my paintings are underwater sceneries, others see outer space. For me, they can be both, and yet neither. I feel I am delivering more than what can be labeled.
Finding Your Artistic Voice/Style/Spirituality/Identity – Whatever You Call It!
I have created art for a long time expecting to become better at what to pick and why. I assumed that art would make me know myself better and yes, it has. But it’s surprising that now when I am painting, it doesn’t really matter who I am and how I get inspired. My art is not to limit or to focus but to integrate.

When I started the project, one of the goals was to get clearer about my spirituality. My question was: “Can a former engineer create spiritual art?”
At the moment, I find it difficult to separate physical from the spiritual. All material things seem to have a spirit and everything immaterial seems to have a figure. When I paint, they mix and merge, and after a while, the painting seems to have a mind of its own. It tells what it wants, and my job is to obey.
Does this make sense? What do you think?
All In – Finding Uncommon Inspiration
This week, I share my biggest painting so far, and talk about computer games and all the things that should not inspire but that do!

Here’s the last painting of the series that I have been working on this year. It’s called “All In.” The Finnish translation “Kaikki peliin” is perhaps even more suitable because there’s the word “peli” – the game. In this painting, I made every element look like it moves – like in a computer game!
I Am Not a Gamer
No, I am not! Actually, I am the last person who should be talking about computer games because I don’t play them at all. But I have seen some commercials on television and Youtube, and they make my heart beat faster – that’s the tribe where I belong! Despite I hate seeing violence, and don’t usually even watch action movies. Action upsets me. In general, I prefer everything cute and pretty.

My Imagination Loves Games
But when I paint, I am not just an artist with all kinds of brushes and tubes. I become a nerd who tries to find the fastest processor and the best graphics driver for rendering 3D from her brain. It no longer matters what kind of art I should create and how art should be created. I change to a guy who moves from one level to the next, always seeking more monsters, more excitement, more points.

Because I don’t play the games, I should not even know how it is like. Yet, I feel I do. Namely, in my twenties, I chose computers over art. I felt I belonged to the world of introverts who built systems – worlds of their own. And now, when I paint, my paintings bring me back to the same setting – how to build a world that operates like a fast-moving game, with many layers and levels.

This is not what I would have expected. If someone said to me: “Hey Paivi, you should paint game sceneries. Make your own games!” I am pretty certain that a couple of years ago my answer would have been: “You must be kidding. I am a feminine romantic who hates that stuff!”
The Adventure for Uncommon Inspiration
But art is an adventure. It’s not only a journey to a variety of techniques and skills but also an exploration that includes the darkest corners of your mind.

In 1980s, I was a girl who sat in a local library on hot summer days, browsing big books of old art. My dream was to become an artist, but knowing that it would not be safe or easy, I said I wanted to be an English teacher. Between the art books of the library, I saw young boys browsing computer magazines. I went to the shelf after them and knew that I also belonged there – to that group of nerds. And when I saw a computer for the first time, my heart beat fast like for the best painting of a museum.

Making a series of paintings has been quiet and hard work. I have had lots of self-doubts and melancholic moments between the sessions. But when I paint, it’s all good. My paintings say: “Tell me what you want and we will give it to you!” And often, I don’t know what to reply, but they seem to know anyway. Like I never told them how nerd I am, but they shamelessly reveal everything and apologize for nothing.

We talk a lot about being unique as artists, but what about if a part of the solution is just to find inspiration that feels uncommon to us. It could be something that we try to get rid of but never seem to manage to do. Or something that we find appalling but still strangely captivating.
What could be your uncommon inspiration? Could the art that you create be a little different from the art that you like to consume? What do you think?
Artist’s Wishes and How Art Answers to Them
This week, I share a new painting and talk about artist’s wishes and goal-setting, but also about relaxation and self-listening.
Restless Heart

During the past few weeks, spring has changed to summer in Finland. More colors have appeared in the garden, and there’s a color burst on canvas too. “For the readers of my blog,” I thought. “They love pinks, reds, and turquoises!”
Painting a Series and Learning to Breathe

This spring, I have had an ambitious goal of painting a series of 9 canvases in oil, and I am coming to an end. There will be only one more after this piece.

When I started the series, I entered a crossroads, and it was hard to see into the future. But after spending a lot of time in the studio and taking long walks, I have learned to breathe in a new way. Instead of exhaling only, I have learned to inhale too.

My focus has been more on receiving, not so much on producing. This change of direction has given me new motivation for life.
A Beast Called Creativity – Or Is It a Pet?
For years, I was afraid of dying before I learn to paint. I have no children, and I wanted to create an artwork that would continue its life after I am gone. But now, I realize that my dream of leaving a legacy was improperly put. It defined the success that depended on other people. But creativity is a wild beast that doesn’t understand money, prestige, or hierarchy. It’s like my dog Stella. She loves me no matter what my title is. And she always tries her best to do what I want from her.

I don’t think that the incapability to define my goal is unusual. Isn’t it so that often when we want to pursue art, we point to someone else’s work and say: “That’s how I want to paint, that’s who I want to be.”
Paul Cezanne and the Art of Wishing
On these warm and sunny days, I have been pondering why I paint, how I paint, and why it suddenly feels so good. “Take the painting outside, Paivi,” I heard a whisper. “Is this about Cezanne?” I asked.

Paul Cezanne (1839-1906), a french impressionist, has said: “When I judge art, I take my painting and put it next to a God-made object like a tree or flower. If it clashes, it is not art.” I have found this definition distressing and demanding but also practical. I have used it many times to check if the painting is finished or not.

Cezanne or not, I followed my inner voice and took the painting out several times. First, I had stress about insects and other flying objects. But then I heard my inner voice answering the question – why my paintings are full of movement and why I always want to add some uncontrolled restlessness.

The answer is: The liveliness is the level of immortality that my creativity can produce.

My images express the eternal life that I have yearned for!


Artist’s Wishes – A New Door
Now I see a new door. I can ask anything, and my creativity will do it for me. The only reservation is that the answer may be unexpected.
You, too, have this door. And you, too, have a restless heart that tries to understand your wishes.

Artist’s Wishes – What Do You Think?

What do you think? How does your art match with your wishes? I am always looking forward to reading your comments!