Color the Emotion

Pick a few colors and create without stiffness.

Liberated Inspiration – Painting Freely

This week, I talk about liberated inspiration and share what I discovered about 8 years ago.

"Illallinen on katettu - Dinner is Served. A watercolor painting by Paivi Eerola.
“Illallinen on katettu – Dinner is Served”
>> See more pics at the Taiko art store!

Liberated Inspiration from 2015-2016

Recently, I have been thinking a lot about the years 2015 and 2016. Then I combined watercolors, acrylic paints, and colored pencils for intuitive still lives. At the same time, I thought about how complex the forms of nature are and how I could create a more finished impression with nuances.

I have those pieces saved in an album. Watch a short video of me browsing the folder! Here you can see only a small part of the pieces – the album is thick!

Liberated Inspiration

These last couple of pieces shown in the video have stuck in my mind. This one:

"Summer is Coming" a mixed media painting by Paivi Eerola, 2016.
Summer is Coming, 2016
See the blog post about making this!

And this one:

Harvest Still Life, a mixed media painting by Paivi Eerola, 2015.
Harvest Still Life, 2015
See the blog post about making this!

Both of these have a dark and romantic atmosphere that can be seen often in historical paintings, but there’s also liberated inspiration – meaning that no one dictates what that kind of painting should or shouldn’t have.

You can be inspired by what you have seen, but only pick the atmosphere from it.

Gerard van Honthorst, Supper with Lute Player, 1619-1620. I took the photo during my visit to the Uffizi Gallery in 2017.

I like this kind of inspiration the most. That you are inspired by something, but don’t take it too literally. Liberated inspiration boosts your enthusiasm but doesn’t tell what the final image should be.

I wanted a similar romantic yet liberated feel for this watercolor painting.

A detail of a floral watercolor painting by Paivi Eerola.

Imagine someone saying: “dinner is served” and bringing you to a table where good company and classical music would make the world look like it’s full of possibilities.

Painting Freely in Watercolor

It has always been important for me to paint freely without models and let randomness meet my imagination. In 2015, I developed a course called Liberated Artist. It was about creating a mess first and then solving it. It was a fun course.

I started this watercolor with a similar mess.

Painting freely in watercolor using liberated imagination. Painting in progress.

Then I switched to thinner brushes to finish the image.

Watercolor brushes for finishing.

I like the way the imaginative scenery, flowers, ornaments, and the table came all together into one image.

A finished watercolor painting that was painted without any models. See more examples of liberated imagination!

Coming Up: Liberated Artist Revisited

The Liberated Artist course is no longer available, but I got the idea to redo a small part of the course. In that, Päivi from 2015 will teach Päivi from 2024! I will follow the old instructions again, but like an experienced student, I also offer a bit of my current knowledge.

Here’s a sneak peek at the new mini-course called Liberated Artist Revisited.

A sneak peek at the new mini-course called Liberated Artist Revisited. By Paivi Eerola.

Liberated Artist Revisited will be published within a few weeks, but it’s likely to be a limited edition – only available for a limited time – so stay tuned!

Pleasures of Watercolor Painting

This week is about watercolor painting and the pleasures that can be found there!

Unelmille avautuneet - Opened to Dreams, a floral watercolor painting by Paivi Eerola.
Unelmille avautuneet – Opened to Dreams, 29,7 x 42 cm, watercolor

Getting Inspiration

Now I’ve been busy with a lot of different things – a new big art project, the new course Freely Grown, commissioned work, etc. Despite that, I stole some time and went to look at old paintings online – skillfully painted portraits of women in fancy dresses. They always make me want to paint, even though I prefer to paint plants and flowers instead of beauties.

Look at this painting of the Duchess Alexandra Iosifovna, painted by Franz Xaver Winterhalter in 1859!

Inspiration from portraits. Franz Xaver Winterhalter, Grand Duchess Alexandra Iosifovna, oil on canvas, a detail of a larger painting.
Franz Xaver Winterhalter, Grand Duchess Alexandra Iosifovna, oil on canvas.
A detail – only a part of the painting is in this image.

The colors, the brilliant brush strokes, and all the delicate and decorative details are so inspiring!

I used to think that inspirational images must be the same as what I want to paint next. So, if I wanted to paint flowers, then I would only look at flower paintings. But nowadays, I love to be inspired by something different. Then the inspiration doesn’t limit me. It doesn’t depict what I should do and how, but sets an atmosphere that I want to follow.

Love for Good Watercolor Paper

After getting inspired, I opened the closet of my studio, as if secretly from myself, and tore a clean sheet from the watercolor paper pad.

Arches hot press watercolor paper.
Arches Hot Press watercolor paper

One hundred percent cotton, aah! So soft, thick, and ready to receive color. Good paper is expensive, but I paint better when I know in advance that I don’t want to waste a sheet.

Painting and Doing Other Stuff at the Same Time

When I steal time to paint, watercolors are an easy choice. Especially in the beginning, I can do one coat quickly and then let it dry for hours while I do other work.

Pleasures of watercolor painting - starting with a mess.

I can add details little by little, and the pauses often just clarify the idea of ​​the subject of the painting. And when you paint slowly from light to dark, you can always fix it with the next layer.

Pleasures of watercolor painting - proceeding layer by layer.

I often have my iPad nearby and listen and watch something at the same time while I paint.

Watercolor painting in progress.

Luxury Combined with Minimalism

When finishing, it’s pleasurable to take just a little color on the brush, and often near the pan, if it has spilled there. I also check the corners of the palette, where unused paint easily remains. When the color is activated on paper, even a small amount becomes a treasure and an experience!

Painting in progress. Flowers in watercolor without references.

I always buy good artist-quality watercolors one pan and one tube at a time and use them right up to the end. If I buy a tube, I squeeze a small amount into a pan to dry and this way, use the tube in small portions. I love this kind of union of luxury and minimalism – definitely one of the pleasures of watercolor painting to me!

Watercolor painting and supplies.

Finally, I wash the brushes carefully. Washing with water is enough for most brushes, but I often use soap to make sure that all the color has come off. With clean brushes, it’s nice to start a new painting again when I find time.

From Detail to Detail

Here are some pictures of the details.

A detail of a floral watercolor painting by the artist Paivi Eerola.

I like to paint a lot of subtle details, and I love the warmth that yellow has.

A detail of a floral watercolor painting by the artist Paivi Eerola, Finland.

Signing the piece before the final finishing touches makes sure that the signature fits with the rest of the composition.

Pleasures of watercolor painting. A detail of a larger piece painted by Paivi Eerola.

I hope this blog post inspired you to pick watercolors and paint freely!

P.S. Freely Grown – You can still hop in!

Freely Grown - an online art class about painting flowers freely

>> Sign up here!

Painting Flowers Freely with Watercolors

This week, I share thoughts about my new course Freely Grown, and about its central idea of allowing the painting to grow freely.

Freely Grown 4. A watercolor painting by Päivi Eerola, Finland. Finished with colored pencils.

I’ve been in a really good mood lately. I have two great sources of joy. The first is that a new period in my life will begin this month when I start a year-long half-time grant period for digital artwork. Another source of joy is the new course Freely Grown, which I started making in the summer and whose material I have now been finishing.

Freely Grown

This course has been like a friend to me and I hope it will be like that to you too. Like paintings, courses also have their own character. This course is both playful and goal-oriented. I usually look for a suitable course name for many months, but this one gave me its name right away and I haven’t even thought about alternatives!

I’ve been so enthusiastic about the subject of the course that the abundance of plants is appearing in the work planner too.

Decorating a planner with colored pencils. Drawing plants.

Painting Flowers Freely

I am really inspired by the idea that a plant can grow freely. I don’t think it has to be a wildflower at all. Even if a plant grows in a flower bed, the gardener can let it sprawl. Similarly, our lives can have certain routines and restrictions, but still, imagination can grow freely.

When the brush spins and twists on the paper, it’s wonderful to indulge in its play. The painting can also grow freely.

Starting a watercolor painting. Splashes and paint.

I like to consider that a painting is an independent party, not so much an extension of my own self. When I relax a little about what I want and let the painting suggest a direction, a new kind of pleasure is offered, even an adventure!

Painting flowers with watercolors. Painting freely and intuitively.

A surprising thing in this painting was that the largest flower suggested turning away from the viewer. I wondered if I could let it do that. Would the setting look impolite?

But when I study old flower paintings, their natural charm is that the flowers stretch out in every direction. So why couldn’t we let our flowers grow freely where they want?

A still-life by Jean-Michel Picart, oil on canvas, 1600-1682
Jean-Michel Picart, oil on canvas, 1600-1682

Only when the painting was about to be finished did I realize that the flower turns towards the light as if to welcome a new era! When you give the painting freedom, you always get more than if you strictly control it.

Working on a flower painting. By Paivi Eerola, Finland.

I think this A3 size (11.7 x 16.5 inches) is really nice because it’s big enough. It’s hard for the flowers to look expressive if they are very small.

Coloring on Watercolor Painting

When I finish with colored pencils, I aim for the colored parts to continue painting naturally.

Creating flower art. Finishing a watercolor painting with colored pencils.

Here you can see a close-up of the coloring. I always leave watercolor visible too.

Painting flowers freely. A detail of a watercolor painting finished with colored pencils. By Paivi Eerola, Finland.

I’ve done a lot of colored pencil stuff in the last couple of years and the number of pencils has reduced. But it’s fun that every now and then I can buy an out-of-stock color and introduce a new arrival to the old pals.

Painting flowers freely with watercolors and then finishing the painting with colored pencils.

I love this abundance of flowers – born by painting freely, without reference pics!

Watercolor flower paintings by Paivi Eerola

I hope you will come to the course!

Freely Grown >> Sign up here!

Start with Something – Following Picasso and Edelfelt

This week, we are using inspirational art as fuel for our own art. I show how I created my own version of Albert Edelfelt’s masterpiece by following the advice given by Pablo Picasso.

Paivi Eerola, Kohtalotoverit - Friends by Fate, oil on canvas, 2023. Inspired by Albert Edelfelt's painting Ruokolahden eukkoja kirkonmäellä - Women of Ruokolahti on the Church Hill.
Kohtalotoverit – Friends by Fate, 30 x 40 cm, oil on canvas.

“Friends by Fate” is a small painting, but one of my favorites from the series that I made for the current exhibition. Because the title of the exhibition is Taiteilijat Edelfeltin tunnelmissa – Artists in the Mood of Edelfelt, I wanted to make my versions of some of Albert Edelfelt’s (1854-1905) artworks. For example, I made this one, and this one. “Friends by Fate” uses Albert Edelfelt’s painting “Women of Ruokolahti on the Church Hill” as inspiration.

Albert Edelfelt, Ruokolahden eukkoja kirkonmäellä - Women of Ruokolahti on the Church Hill,129 × 158 cm, oil on canvas, 1887. Owned by Finnish National Gallery.
Albert Edelfelt, Ruokolahden eukkoja kirkonmäellä – Women of Ruokolahti on the Church Hill, 129 × 158 cm, oil on canvas, 1887. Owned by Finnish National Gallery.

This is a very famous painting in Finland. Even if Albert Edelfelt painted a lot of portraits of wealthy people to finance his profession, he became known for pieces like this that depict ordinary folk.

Start with Something!

I have always been intrigued by this Pablo Picasso’s (1881-1973) quote:

“There is no abstract art. You must always start with something. Afterward, you can remove all traces of reality.”

In my opinion, this applies to any art, not just abstract. You can always start with something and then make your own version.

For example, even if there are people in Albert Edelfelt’s painting, it doesn’t mean that my version has to have them.

Oil painting in progress. Creating an abstract composition inspired by Albert Edelfelt's work and getting inspired by Picasso when he says: You must start with something.

Start the painting with a similar composition, but then slowly let it grow in its own direction.

Oil painting in progress. Inspire by Albert Edelfelt's artwork and the sayings of Pablo Picasso.

In my version, the flowers and plants replace the women, and the location is different too. I was thinking about the area where I live and how people gather together on a summer evening.

Oil painting in progress. Finishing the details.

There was quite a lot of work in the details. Albert’s work is not clumsy, so I wanted mine to be well-finished too.

Following Picasso and Edelfelt

I love to paint so that flowers and plants are the characters of the painting. I feel I can combine my sense of humor with my yearning for beauty.

A detail of an oil painting called Kohtalotoverit (Friends by Fate). By the artist Paivi Eerola, Finland.

Flowers have given me a secret language that I can use to express anything. With this realization, I feel more and more drawn to the boldness of Pablo Picasso, the re-creator of Diego Velázquez’s 1656 masterpiece “Las Meninas”.

Others have seen what is and asked why. I have seen what could be and asked why not.

Albert Edelfelt was also appreciated in his lifetime, but he didn’t have the confidence that Picasso had. He wrote to his mother:

” I fear nothing else than that I become a raté – a half-talent and an unhappy person.”
(Free translation from Finnish)

This kind of seriousness is what I recognize too: puolilahjakkuus – half-talent – who would like to be that! But still – or maybe because of that, it’s good to embrace playfulness when creating art.

Päivi Eerola and her painting inspired by Albert Edelfelt's work.

Like Edelfelt, you can recognize the fears and set the bar high.
But then, act like Picasso – Start with something and then ask: what could be and why not!

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