Let’s Draw a Winter Angel
This week, we draw a winter angel step by step!
The angel begins with a simple outline sketch. The hands and feet are hidden behind the dress, so it’s easy! The skirt is big so that you can treat it as a blank canvas for winter scenery.
Step 1 – Make an Outline Sketch
Pick an A4-size or US letter-size paper and a regular pencil.
Draw a horizontal center line and then another line that divides the upper part in half.
Place a head right above the upper line and draw a simple body and a long hem.
Add a circle for the halo behind the head, some marks for facial features, wings, and curves to divide the upper body into two parts.
Erase the sketched lines so that you can see them only vaguely. Compare the wings in the picture above with the next picture. After erasing, the pencil sketch is visible only barely.
Step 2 – Add Foundational Ideas
Change to colored pencils. Start with the face and color lightly. Get connected with the character that you are drawing. Add some skin tone and hair. You can also draw facial features, but do it with a light hand, aiming for a connection rather than perfection at this stage.
With neutral colors, add ideas for a winter feel. I draw fur on the top part of the dress and then sky and trees on the skirt.
Step 3 – Color Beyond the Outlines
Get more creative by breaking the outlines. Think about the air that rises from the cold and circulates around the dress. Imagine winds, polar lights, and layers of snow, but also immaterial things: thoughts and feelings and their liveliness.
You can now use more colors but keep the coloring light and progress gradually layer by layer.
Step 4 – Add Details by Coloring
Go through the angel many times and add more details and shadows at every go.
The more details you add, the more your imagination grows. For example, the wings can have decorative motifs.
Make the angel more interesting by adding more asymmetry.
Draw elements like ice so that it’s placed differently on the two sides of the angel.
Step 5 – Cut Out and Finish
Cut the angel out of the paper and make final adjustments, especially near the cut-out edges. Now it’s also the time to make final adjustments to the facial features.
I added more decoration and cut a notch to the halo so that it’s like a glamorous hat.
Step 6 – Play with the Winter Angel!
Combine other items with the doll, and enjoy making the settings! I like to pull out stuff from my boxes of hand-drawn elements – boxes of joy, as I call them!
I drew this little Christmas Girl one evening when I was too tired to do anything else. I think it looks lovely with the winter angel!
Doll World – Sign Up Now!
Come to draw more dolls and other beautiful items for your box of joy!
Doll World begins on January 1st, 2023. Watch the video and sign up here!
Fall or Fairytale? – Creating Your Forest
This week, I talk about the colorful bridge that art can build between real and unreal.
This is my latest oil painting called Forest of Wishes. My fall is filled with those – wishes! Wishes that can’t be fulfilled.
I wish winter would only last a day or so. I wish there would be regular life for regular people – not war, not suffering, not lack of anything. And while I am thinking about these melancholic thoughts, it feels like my creativity ignores them and lives in a fairytale. I want to draw you in this fairytale too. I hope these pictures inspire you to create and make life more magical!
Hello Fall – Hello Colors!
In art, colors can make a fairytale. My oil painting brought this older watercolor piece to mind. Like “Forest of Wishes,” this one uses blue in a similar way: to create a connection with the viewer. It’s a reminder that blue can be strong and soulful and approach the viewer, not just stay still in the background.
There’s also a video of painting this!
This painting started with the reference photo, but once the painting process got further, the expression replaced it. And splattering with a brush is a lot of fun!
The Magic of Growth
When I look at our garden, the wonders of summer become visible when trees prepare for fall. They have grown a lot, for example, this monkaburi – a pine tree that we planted a few years ago. Back then, it felt like it would take forever for it to form a gate over our heads, but now it already has a branch that grows over the path.
The magic of growth also happens when filling a blank paper or a canvas. First, there’s very little life, but by adding more colors, shapes, and layers, we can grow a forest.
Sometimes the forest comes in one piece, and other times in many little pieces.
The same applies to artistic growth: sometimes it happens quickly, other times more gradually. I like to break the rules of being a serious artist only and allow play to show me the magic.
I want to learn from Saima, our youngest beagle. She is obsessed with the ball, but when we mention that to her, she seems to laugh: “It’s only a hobby!” At the same time, fetching the ball seems to be both her passionate work, but also a tool for imagining and playing.
Fall Fairytale
In the forest of wishes, we want to use a different mirror for ourselves – not to see the limitations but imagine the potential. It’s an exciting place that has many dangers as well.
Going deep can take us deep down, but when combined with play, the humor steps in. Here’s my wish for a winter that would only last one day!
Ask: “Is it the fall or is it a fairytale – real or unreal?” And then answer: “Today it’s a fairytale, a colorful escape!”
Art can truly add magic to our lives. I feel that life isn’t real without the unreal.
What do you think?
Discovering a Character by Drawing
This week is about illustrating characters and discovering those that feel personal.
Have you ever wanted to draw a face or a figure that would really touch your heart? I don’t only mean something that looks pretty on paper but someone that begins to speak to you when your eyes meet.
Starting from an Animal Figure
In the class Magical Inkdom, I mention the word “kissanukke” when we are drawing cats. Kissanukke is “cat doll” in English, but somehow I think it’s much funnier in Finnish. Say: kissanukke! The word is just hilarious.
Last week, I wondered why I think about that word so often. Maybe it’s a hint I should draw cats again. So, I picked a big smooth watercolor paper and a pencil to sketch a huge cat. I wanted to go big because I wanted the cat’s face to be large enough for working on facial features. I adjusted them for a long time with a pencil, and then with colored pencils. I wanted this kissanukke to be more than a doll – a living thing that speaks to me.
I love to use thick and smooth watercolor paper with colored pencils even when I don’t use water for the drawing.
When the paper is big, it’s easy to dive deep into details and let them make the drawing more whimsical than the original sketch.
What’s Behind the Animal?
When Kissanukke was born, I asked her: “Who are you?” She said: “I am a hunter, and I can bring you anything you want!” I smiled at her: “What a magical cat you are, with the golden egg and all!” “I had two,” she said, “but the other one got missing when I tried to catch the geese. And I am no cat but a lion!”
Of course, she is a lion – how did I not see that before! I used to be a big fan of Joy Adamson and her lion Elsa as a child. No wonder my inner child has kept asking for cats!
Discovering Through a Different Pose
So, I thought, let’s draw another leijonanukke – lion doll – for the child. This time, I changed the pose so that the character would only need to glance sideways and wished that a shyer creature would appear.
“Are you a hunter too?” I asked when discovering the new character. “No, I am an orchid whisperer! Shhh!”
One of my orchids just stopped blooming, and I am eagerly waiting another to bloom. So, there’s a need for her too!
Whisperer is smaller than Hunter. The small size also makes her look less finished in the pics. If you need to provide a hand drawing in a digital form, always draw larger than the asked size. The result looks neater that way.
Discovering a Human Character
This week, I went to the studio and gathered all the courage I got. “Hunter,” I said, “could you bring me a human that really touches my heart.”
And that’s how this little country girl came out – a true nature child!
I didn’t use any references when drawing the girl and the cats. A reference can help us draw what’s expected but not what comes out naturally. References are great practice, and during the years, I have been practicing with them too. For example, in the class Innovative Portraits, we draw faces and use references creatively. But when discovering a character that feels like a soul mate, references become disturbing. Then it’s all about the connection with your inner self, traveling back in time for inspiration and forward in imagination.
Digital Pencil Work
I drew the girl on my iPad with Apple Pencil and the program called Procreate. I got these fancy tools as a birthday gift from my husband in February but have been waiting for the right moment to get to know them.
So far, I have mostly been using a simple digital brush called “Peppermint” that imitates a graphite pencil.
I will blog more about Procreate later, so it would be interesting to hear if you have used it. Also, if you have any questions, please let me know! However, if you are not into digital tools, don’t worry, I will keep on drawing with real pencils too!
Adventurous Art is Like an Action Movie
This week, I show you my newest painting and talk about the adventurous side of art.
I am not a big fan of action movies. I love their beginnings when the sun shines, and everything is fine but leave the sofa when something terrible happens. Then things get out of control, cars get faster than they should be, people lose their relaxed look, and the life that appeared so organized first falls apart. Some fly up towards the darkness while others fall down. Nothing is like it should be. Everything requires movement and action in that disturbed world.
However, when I paint, I always end up in an action movie. So for me, a painting can only start by facing fears. It’s like carefully opening the curtain and trying to adjust the mind to tolerate the rough surroundings first, then find the beauty and spirit in them.
Facing the Fears – Starting a Painting
For years I searched for my artistic voice from things I loved. But ironically, I found my tone in the things that feel appalling. So, like a young man who sits down and picks the next action movie from Netflix, I go to my studio, fill the palette and hear the opening notes.
Unlike the man, I have never wanted to be an action hero, and still, I sail against the storm with only a few brushes as my companion. Before the first high point of the movie, the man thinks he should do something different, clean the dishes, or read a good book. And similarly, I question if this profession of mine is sensible at all. After all, it’s only the paint that I maneuver when the others keep the world going.
But then, like the man, I get immersed in the adventure. He is no longer a young bloke without the skills of an action hero, and similarly, I am no longer a middle-aged woman. There’s this dangerous jungle, and we are on a mission to clear the mess and make justice.
Telling the Story Under the Surface
Like in an action movie, the violent and cold setting hides another layer – vulnerability. The story behind an action hero is always heart-breaking. He has lost or left a loved one or protects someone he values.
At best, the painting is not only full of action but brings up what’s behind the sharp strokes.
Dealing with Distractions
Just when the movie reaches the climax, something mundane happens.
The young man’s phone rings, the washing machine peeps, or the dog wants to go out. “Just when everything began to unfold!” I shout with him.
But sooner or later, we return to the movie, enjoy the freedom, and finally reach the happy ending. When the adventure is over, our minds are a bit empty, but that is what action movies do. They take you to another place and reset your mind.
Creating Adventurous Art is About Producing Too
Being a painter is still a little different. Instead of only passively watching, you are also actively creating. While enjoying the freedom, you also produce it. You design the environment, act on all the roles, and direct the plot. It takes time to learn all that.
However, I feel that the best adventures are revealed by painting.
When flowers can then be the actors, not just silent models, a flower painting is far from boring.
What do you think? What does adventurous art mean to you?