How to Add Depth When Coloring Freely
This week, we will color freely on a watercolor background and learn about adding depth to our colorings. I am using regular colored pencils, but you can also use watercolor pencils.

My drawing is inspired by the garden and the ornamental shapes of the plants, insects, and birds. So, let’s go deep in the garden and create lushness!
Quick Start with Watercolors
Blank paper can feel intimidating, but if you fill it first with watercolors, coloring is fun.
I was going through my paper pads when I found an unfinished watercolor painting.

It was just a background with random spots but the paper was smooth, just perfect for colored pencils. I think the paper is Arches Aquarelle Hot Press, nice and sturdy, 300 gsm/140 lbs thick.
I picked up my pencils and started drawing and let my inspiration come from the painted shapes.

I drew flowers, leaves, swirls, and all kinds of odd organic shapes that I would then later adjust.
Add Depth – Expand the Outlines!
When you draw, don’t just outline, but broaden the lines to form larger areas. For example, a black outline can be broadened so that it gradually gets lighter (“shadowing”) or so, that it remains dark and solid but expands to a larger and exciting shape.

Dark and light should have clear differences so that you can point out separate areas: here’s dark, here’s light, here’s dark again, and so on.
Adding Depth is a Slow Process
When you are working without any references, you are on an adventure! What first looked like a flower, can become a butterfly after a while. Art is a shy fairy and it takes time to attract it.
In this intuitive coloring style, adding depth is a process where you slowly brighten or darken different areas. Start with a transparent layer, then add another one. When you have areas that haven’t been worked on with colored pencils yet, you can also use watercolors for layering.

Compared to accurately replicating a photo, this kind of free coloring may first feel much faster. But if you aim for depth, it’s not!
Add Depth – Find the Spirit!
At some point, your piece feels full and finished. But at this point, let me ask you a question:
Have you found the spirit of your piece?
Have you found something soulful that seems too gentle for this world?
Or is there something that cuts your heart and feels painful?
The depth in art is not only visual but something that evokes emotion.

In my piece, I discovered a spirit in the right upper corner. It’s not a flower or anything recognizable, but I felt it strongly.
After you have found the spirit, give more visibility to it. Make it so that it impacts the overall piece.
You Are the Sun
In your art, you are the sun. First, you can bring warmth to the piece by adding yellow. If you have areas that still take in watercolors, add a yellow wash over the greyish tones and let the warmth in.

Second, remember that you really are the sun. So, you can decide how the light travels and where the shadows are. You don’t need to calculate how the shadows should go like there would be one correct solution. Start deciding who deserves the sunshine, and who doesn’t! Who gets more color, and who will stay more in the shadow?

In nature, there are all kinds of reflections, and I find them artistically inspiring. Look at this photo that I took today from our garden pond!

Playing with light, shadow, colors, and reflections is a lot of fun when you are creating freely. Remember that there’s no “shadow judge”, only “sun goddess” – you!
Add Depth – Force Yourself to Choose the Winners
Some people think about the composition all the time when they are creating, but I try to push that urge away as long as I can. You may have a lot of stuff on paper, but if you only highlight your favorites, balancing is easy. The problem is that you really have to choose!
Here, I have turned the paper upside down to get a different view of my work. That yellow flower looks very pretty, but the yellow butterfly shape near it is maybe even more attractive. Decisions, decisions!

When I was at this point, I thought this was finished.

But when you want to add more depth, you want to reduce the competition for attention. I wanted to make the spirit in the upper right corner and the yellow butterfly clear winners even if it meant I pushed back many pretty things.

For example, the pink rose got toned down.
Room for Imagination
Things that are further away are blurry, like whispers, and things that are close, are sharp and louder. If everything shouts, and nothing whispers, the viewer will likely turn away. And vice versa, if everything only whispers, the viewer easily walks by.

If depth is lacking, you look at a wall and can’t see further. Depth is not only the impression but the imagination. With depth, you begin to imagine what more could be there. That’s especially why I want to add depth to my art whatever the subject is.
Learn more about watercolors and colored pencils together: See my course Freely Grown!
Colored Pencils – Ornamental Approach
This week, we take an ornamental approach to colored pencils! We will color freely, but so that we don’t start with a blank paper.

This is the piece I am creating in the video. The process is fun and the result is ornamental.
Ornamental Approach – Watch the Video!
To get started, you will need drawing paper, pencil, eraser, ruler, and round templates, for example, plates or lids will do.
I hope this kind of ornamental coloring inspires you to start and keep going!
Joy of Nature in Colored Pencil
This week, we learn from nature and bring its joy to our colored pencil art.

It makes me sad how colored pencils are used only for replicating photos, and how little there is room for free expression. Nature grows freely, so why not give our art the same opportunity? I hope this post inspires you to do more intuitive coloring!
Joy of Nature: Patchwork
Think about nature sceneries as crazy quilts that have fabrics and seams! The fabrics are larger areas and the seams are lines. Patchwork has short seams, so keep your lines quite short too.

When you walk in nature, stop, and see the quilt by searching for the mesh of trees and bushes. Observe how twigs cross over each other and form nature’s patchwork.

Then when you start coloring a blank paper, focus on building the asymmetric and abstract style quilt, rather than thinking about trees and such.

I find this kind of “patchwork coloring” a lot of fun. Many call this mark-making, but I like to think about creating a patchwork instead. Marks are a more abstract term but textiles connect me to the creative world that is full of ideas.
Joy of Nature: Harmony
Despite its patchy structure, nature sceneries have harmony that our art often lacks. When you walk in nature, step back to admire the big picture and point out the areas by their dominating colors. You could think that the sky and earth both have a few quilts: patchwork areas that mostly have similar colors.

So, when your paper has all kinds of patchwork, compose larger areas by coloring over them so that they get a stronger identity in color. For example, you can have a couple of green areas, a dark area, a more neutral brown area, and one with very light colors.

So, first, you start coloring gently with a wider color scheme and then add larger unified layers over the colorful patchwork.
Joy of Nature: Spirit
I like to think that light is nature’s spirit. When you walk in nature, seek for this spirit. You miss the spirit, if you only point out the big concrete things in the scenery like bushes, trees, water, and sky. To see the spirit, you have to step into the abstract world and look for the light: odd shapes on the trunks of the trees, pattern play on the leaves, and in general, all kinds of small reflections.

For me, it’s helpful to think that the spirit has twins. One is the light and the other is the shadow. When you want more light, you will also get stronger shadows.

Light and shadows add contrast and scatter. When you add them to your piece, it becomes less harmonic, but also less boring.
Joy of Coloring Small
Recently, my colored pencil pieces have been quite small, and the paper has been divided into smaller pieces.

Coloring can be a bit like weeding: you can do it little by little.

First, the result is nothing, but it will bloom over time.

Colored pencils beat other supplies when we are creating this kind of small joyful art.

Here one A4-sized paper has two pieces of colored pencil art. So, you can take short walks or long walks to express the joy of nature in colored pencil.

Mother Nature is the best art teacher. That’s why most of my classes are about what I have learned from her.
Getting More into Drawing and Coloring
This week, I share a method that is helpful when you want to get more into drawing and find your style. It is called “topic-spirit-story-abstract.” With this method, art can open to you step by step!

For me, everyday life experiences, illustrations, creative writing, and abstract art are all connected. If I take something away, the chain breaks and my expression stiffens. Most of my creative work follows this “topic-spirit-story-abstract” method. I don’t always have to draw a spirit, but recently I’ve spent time in such abstract dimensions when creating computer art that I have wanted to play with the spirits with colored pencils.
Start with Template!
When you want to practice the method, start by making a template! Divide the paper so that you have a part for the spirit and another part for more abstract coloring. You can just draw a line or be more creative and make a circle for the most figurative part, and several other divisions for more abstract ideas.

Do some intuitive coloring with a light touch as a warmup before proceeding.
Method: Topic-Spirit-Story-Abstract
After the warmup, find a simple topic that you want to explore.
Think about your recent experiences and find something small and concrete there.

In the example, my topic was a recent visit to a garden center. My husband bought me a beautiful venus slipper orchid there.
Second, imagine a spirit that symbolizes the topic.
Use your imagination – anything contains a spirit!

In the example, I was thinking about the venus slipper and how mysterious and exotic it looks for a Finn.
Third, let the spirit tell a larger story.
What other associations come to your mind when you think about the spirit? Think about literature, music, food, movies, places – what comes to your mind that enlarges the original topic. What is the world that the spirit can open?

In the example, I started thinking about the Queen of Hearts in Alice in Wonderland and Asian culture: sushi and rice bowls. I also had just browsed Kaffe Fassett‘s quilting books and thought about the richness that can be achieved with colors and simple shapes. I slowly enlarged the mixed yet curated world that I was able to reach through the spirit.
Fourth, explore more the abstract side of the discoveries through the story.
Play with the basic shapes and make decorative borders, ribbons, and patterns.

I find it easier to draw abstract motifs, ornaments, and patterns after finding the spirit than if I start from a blank paper.
Optional: Write the Story!
After making the image, I like to put stories to words. This helps me to get even more into drawing and makes my work as an artist more meaningful.

Art is like a venus slipper. It’s like a plant in the back corner of a garden center. Those who only look at traditional roses won’t even notice it. But whoever dares to bend over the shy plant and curiously fit her mind to the shoe, becomes a master in a game where basic shapes break everything and then build a new whole. This way, the beauty of art is limitless, and not only on the surface.
Here’s another example that I made last week. Here, the center is reserved for the quote from the story, and the spirit and the motifs are in the frame.

Art is a spirit in a pencil. A single pencil is nothing. It doesn’t cost much, takes up very little space, and you don’t even notice it if it’s at the bottom of your bag. But still, a pencil can connect us to art. When I was a child, I played with pencils while my big sister was coloring. Every pencil had a personality and while I was watching my sister draw, my herbs grow, and my teddy bear rest, I had no idea that those little moments would dictate my future. Art back then was only a spirit in a pencil. When art is a spirit in a pencil, we say yes to a journey that takes us closer to who we are. We say yes to expression that has no limits. This freedom is why I want to support creating.
Getting More Into Drawing Frames and Borders
Decorative art is a bridge between illustration and abstract expression.

Reality consists of both organic and geometric shapes. The question is: how can you bring both of these worlds into your art and use them in a creative way?

I hope you find all this inspiring and helpful to get more into drawing and coloring.