Colored Pencil Doodling
This week, we are doodling wildly with colored pencils.
Free doodling is the most natural way for me to create. I can just start. No browsing the internet for ideas, no trying to think what to express. It only requires trust that something will appear – that a problem I wasn’t aware of gets solved, a key to a door that I didn’t notice is found, and a place that didn’t exist is born for everyone to explore.
Mindless Doodling
When doodling with colored pencils, I like to pick a pencil and start coloring mindlessly.
I often pick a neutral color and use a light touch so that I can later add layers on the top.
The mindless curves can go on top of each other, already creating a new layer.
When I get bored, I pick another color and do the same.
I try not to worry about how it looks because it’s just a warmup.
Enjoying Colors
When my thoughts begin to flow effortlessly, I add more colors. Now I color areas or spots over the doodles.
I also highlight some parts of the doodles with color.
I cover most of the blank areas so that the image becomes less busy.
Drawing Something Intentional
If I get stuck and feel discouraged, I draw something to cheer me up.
A heart is a message for myself: “Keep going; everything will be ok.”
Discovering by Shadowing
“What should I draw?” we often ask ourselves. I often push through by picking a fairly dark tone and shadowing around a random area.
I also like to color stripes, so I color and shadow them. It usually doesn’t take long when I feel the sense of new, exciting scenery.
Doodling All The Crazy Stuff
Recently, I have become more open to allowing all the things that don’t seem to make sense. I also have got more courage to put expression over prettiness.
The success of this kind of wild doodling is connected with the more traditional art skills. I have noticed that after doing the projects for the class Doll World, I have been able to include human shapes and characters more effortlessly for drawings and paintings.
Colored Pencil Doodling – The Result
I think that the finished work expresses that I am at a crossroads. I have a new exciting project on the horizon that you will find out more about soon. I am considering what old things to continue and what to abandon.
But I think that everything will be ok anyway because when I turn the spread upside down, the world still looks exciting and inviting.
More Intuitive Art Projects
My classes – Inspirational Drawing and Intuitive Coloring, go into this kind of free-flowing process in more detail. If you prefer watercolors to doodles, check Magical Forest for a similarly intuitive approach.
This small colored pencil journal is currently my favorite art journal. Check the class Fun Botanicum for a jump start for beginning colored pencil journal pages!
Birth of the Attic Paintings
What stories define you as an artist, and how could they inspire you to move forward?
“Satumaa” is a Finnish word that’s something like “fairytale land.” This painting is only 15 x 15 cm!
I call these miniature pieces attic paintings. Here’s the story behind them.
Päivi’s Attic
When I was a child, I dreamed about running a shop. My main interest there was in product development. I wanted to design things and offer an attractive selection. We lived in a wooden house with a big attic, and I established my shop there. It was called “Päivin puikko” – Päivi’s Needle and had a modest selection of hand-crocheted things.
I remember the joyful sound of footsteps on the staircase when my two sisters came to visit. They were a lot older than me and had coins with them too. When they admired the little handmade items on the table, the feeling of acceptance ran through me. One sister grabbed a long chain and asked how much it was. “Twenty pennies,” I said. “But this is so long,” said the sister, ” you worked hard for it, I give you fifty.” Sold!
Stories That Define Us
The stories where we experience big feelings define us. I realized that when I tried to figure out how much I have to raise the prices of my paintings. It was necessary as I have grown as an artist, and the general prices have come up too. But a little child in me said: “Don’t!”
“Why,” I asked.
“Because your paintings are already too expensive for my shop in the attic,” she whispered.
And yes, I couldn’t imagine selling my big paintings in that little corner. Yet, I wanted to have something for her too.
“Here’s what we do,” I said to the child. “I will raise the prices, but I will paint some small studies for you, only 150 EUR each.”
And that’s how these miniature paintings were born.
I call these attic paintings. The size is only 15 x 15 cm, and they are born from left-over paints. They are the same high-quality oil paints that I use for bigger pieces, but I often have leftovers on the palette after a painting session.
I am now much more comfortable with the higher prices when I have something for the attic – and for gift shops too!
Valkovuokko
The English word for “Valkovuokko” is “wood anemone.”
Mansikkapaikka
“Mansikkapaikka” is “a strawberry place” in English. I was thinking about wild strawberries here.
These small canvases work well for studies. It’s good now when I am practicing Albert Edelfelt‘s painting style for my upcoming exhibition in Villa Albert.
Mansikkapaikka is inspired by Edelfelt’s painting Ahomansikoita.
Satumaa
I like to paint sceneries that are overly romantic and full of fantasy.
Satumaa was inspired by an older painting called “Luvattu maa – Promised Land.”
Promised Land was so much fun to paint that I wanted to repeat the idea of using a limited selection of shapes and expressing plants traveling toward the light.
Attic Paintings – Expansion of Style and Love for Plants
I placed “Mercury Temperatures” with the attic paintings to see how the small ones go with the bigger ones.
My love for plants and yearning for nostalgia and fantasy are well presented in both, I think!
My husband and I are enthusiastic about plants, especially decorative ones. Our home is like a flower shop now when I have got some bouquets for my birthday and when orchids are blooming.
When I think about the shop in the attic, I wonder how I could not see its influence earlier. The stories that define us can prevent us from growing. But the stories can also be the key to solutions that enable growth and change.
What do you think?
Art and Familiar Things – Inspiration from Sounds and Surroundings
This week is about getting inspiration from familiar things like songs and the sounds of the surroundings.
I live in an area built in the 1960s. I love the mid-century modern tile houses and their old-fashioned gardens with apple trees and bush hydrangeas. One year, at the end of May, apple trees were blooming like crazy, and when I took the dogs for a walk on a sunny afternoon, I heard a family having a graduation celebration, singing beautifully in a choir. I felt I could touch the air and see the melody traveling on it, flying like a swallow, carelessly yet skillfully.
Visualizing Familiar Sounds and Songs
A similar kind of inspiring sight happens when I hear Aretha Franklin singing “Say a Little Prayer.” In the chorus, the choir sings the melody, and Aretha just throws in some sounds. It’s like she is the background singer there, except she’s not. The timing of the single notes is perfect, and their sound is powerful. I see her singing as lines that are effortless without being worthless, ornamental without being traditional.
See this post from 2014 for tips for using music as inspiration: 5 Ways Music Can Improve Your Art
When an old house is demolished, and that happens too much nowadays, they destroy the garden too. I see this constantly happening in our area, and it’s heartbreaking. I don’t look at the surroundings like a property developer but as an artist who seeks visual music. I want to see the old-fashioned songs: lines that are born when birds fly over the scenery, curves that butterflies make on the flowery fields, shadows that scream, and sunspots that quietly fade away. All that sound and movement creates music that inspires me to paint!
Northern Splendor – Seeing Familiar Things as a Fantasy
Usually, I have gone on an adventure to faraway unknown regions when painting, but in this series that I am working on, I’m in Finland, where gardens and nature alternate. I paint the light of northern summers and connect that with architectural ornaments.
In this painting, I imagined how a French couple from the 19th century visited Finland.
They then saw how the palaces and churches of Central Europe do exist in Finland too, but all this splendor is in nature instead of buildings.
My dream is to paint like Aretha sang – like it would all be careless strokes, yet so intentional and so creatively put that they break the surface of what’s ordinary and familiar.
Read That, Watched That, But Can It be Renewed?
I am currently working on a painting for a group exhibition. My theme is Alice in Wonderland!
It’s a tale that has been heard so many times. How to break through it? Exciting!
What familiar things inspire you?
Art and Sacrifice – Must an Artist Drop Other Interests?
This week, I respond to a question about creative focus: when we want to move forward, should we focus on doing one thing and abandon other creative activities, like crafting?
I got the idea for this blog post from an interesting discussion that is running in my community Bloom and Fly.
The discussion started when a member wrote:
“I find that I have an interest in, perhaps, too many creative pursuits. I enjoy sketching, making journals, watercolors, acrylics, crafting, etc. I have observed that artists with a specific focus and dedication seem to be more successful and just plain good at what they do.
Of course, if one focuses on one ability, the hope is a gain in creative skills. Practice for purpose. So, should we know that in order to be very good at something, we must sacrifice other interests? Any thoughts?
I find that I have an interest in, perhaps, too many creative pursuits. I enjoy sketching, making journals, watercolors, acrylics, crafting, etc. I have observed that artists with a specific focus and dedication seem to be more successful and just plain good at what they do. Of course, if one focuses on one ability, the hope is a gain in creative skills. Practice for purpose. So, should we know that in order to be very good at something, we must sacrifice other interests? Any thoughts?“
Here’s my answer!
Sacrificing a Hobby? What’s Your Priority?
When you want to move forward, the essential question about every activity is: “Is this activity for relaxation or for moving forward” so, “Is this hobby or work?”
Having many hobbies is a good thing. I am a professional artist, and I love my many hobbies. For example, I quilt, scrapbook, make cards, spin yarn, knit, and cross stitch. I don’t do everything every week, but I do these regularly in my spare time, mainly in the late evenings and weekends. If I learn new things in my hobbies, it’s nice, but it’s not why I do them. I do them for relaxation, to keep the balance in life, and to stay healthy.
My official Instagram account is @peonyandparakeet, and there, I only share art-related stuff.
Separating your hobbies from your work is essential when you want to see your artistry more clearer.
I also have two beagles that need quite a lot of exercise and lots of house plants that need care. Like my other hobbies, they have never been things that I would sacrifice to become a better artist. I would find it very difficult to lead a happy life focused on art-making only.
But when you want to move forward in visual art, you need to redefine creativity and art.
For many people, a simple quilt is a work of art, a sign of creativity. I get that. But when you want to move forward in art, you need to raise the bar and stop treating every activity as if it would require creativity.
For example, if you don’t want to become a professional scrapbooker, decide that scrapbooking is not a creative activity for you. Yes, you learn self-expression and design from it, but treat it as a side bonus and define the meaning of the hobby differently. For example, I scrapbook because I want to get reminded of the good things that happen in real life – that everything is not about my imagination, but real life matters too. I want to take photos and get an outside view of my life. My paper crafting happens in a different space than art-making and with a different set of tools.
I don’t publish my paper crafting projects alongside my art. Sharing my art is work, and paper crafting is a hobby that’s reserved just for me. When I shop for crafting products, I am a consumer who enjoys buying pretty stuff. When I shop for art supplies, it’s much more serious. I check the pigments and the other quality factors and don’t feel like a shopper at all.
The results of my hobbies are not brilliant, but I reserve my critical eye for my art. If I someday do not enjoy the hobby, I just stop and do something else. That’s ok because it’s not my work.
Where Does Your Best Energy Go?
I save my best energy for creating art. It’s my priority and my work.
Many days are difficult, but that’s ok. I don’t expect to enjoy every moment. Even if I sometimes fiercely hate what I do, I will continue because, in the long run, it enables things that I want to accomplish in life.
Of course, like in every job, changes are needed if every single day is agony. But in general, I don’t expect things to go easily and effortlessly. I show up every weekday and create productions, not just single projects. Productions are, for example, a series of paintings that I will be exhibiting or a course that I will be launching. I try to think about my work as a series of things, not just single things that I throw to the world. I commit from three months to one year and don’t expect results immediately.
Series is always a big risk. Many classes have not sold as I expected them to, but some have been surprisingly successful. The same has happened with paintings. But the more I think of my work as a continuum or a curated collection, the more potential impact there is.
That’s also why I want to encourage you to make art journals, make a series of drawings to fill boxes of joy, and even take classes to commit to several projects.
Sacrificing Techniques: Drawing or Painting, Watercolors or Acrylics?
When you want to move forward in art, the most important question is not about the technique. It’s more important to consider what things you want to offer the world. If you think about this blog, would you really want me to focus on one technique, one theme, or one subject? And still, I have a clear focus that defines my offerings: I want people to get connected with their imagination.
Thus, when I fill my journals, it doesn’t make me feel less artist than if I make big oil paintings. My intention is the same – to inspire you to reach that inner child and use your imagination. Journal pages get published in my blog or classes and encourage you to create and imagine, and when someone buys a painting, it takes his or her mind from the wall to a different world.
In the work-oriented mindset, you don’t just create for yourself but build a path to serve others. This path can, of course, begin from your own enjoyment, but the longer you want to go, the more it will also involve others.
When you see artists focusing on what they do, remember that they are mindful of how they serve you. Their life can include all kinds of things and activities; they just don’t show that to you. You don’t need to sacrifice your other hobbies; you only need to stop thinking of art as something that you do only for yourself.
This, however, doesn’t mean that you would do art only for the sake of pleasing others. When you are at the beginning of an artist’s journey, you are not conscious of how you can serve people the best way yet. You need to create more art, grow your skills, listen to yourself, and regularly show up to the world. I have found my path by updating this blog, which is now over 10 years old. So I thank you for helping me find my mission as an artist!
“Great, But I Don’t Want Art to Be Work for Me!”
Of course, we can have goals in our hobbies too, and many times the development begins as a hobby. But isn’t it so that when we set goals, they include secret dreams? Being aware of these hidden thoughts and facing how much work it will require is a part of the artist’s journey. And yes, some sacrifice is then needed.
If I think about myself, becoming an artist has required more passion and work than I thought. For example, getting over rejections has been hard but necessary. When everyone said “no,” it was difficult to see the potential “yes” in my work.
But life is short, and this is what I have ever wanted to accomplish in this life. And now, I even see a new horizon and want to accomplish more. Again, it feels overwhelming, but I know that if I treat it as work – as my priority, I will have a chance. I will write more about that in the near future!
Art and Sacrifice – What Do You Hope to Accomplish?
This is my counter question to the original one. What does being successful in art mean to you?
I also like this question: “How does success appear in your environment?” It’s like a mini question that leads to the big one. For example, imagine how your home looks when you have accomplished what you hope to do. How have you organized the supplies? What’s on your walls? What is the overall style and atmosphere? Even – where do you live then?
Any thoughts? Please leave a comment!