Getting More into Drawing and Coloring
This week, I share a method that is helpful when you want to get more into drawing and find your style. It is called “topic-spirit-story-abstract.” With this method, art can open to you step by step!
For me, everyday life experiences, illustrations, creative writing, and abstract art are all connected. If I take something away, the chain breaks and my expression stiffens. Most of my creative work follows this “topic-spirit-story-abstract” method. I don’t always have to draw a spirit, but recently I’ve spent time in such abstract dimensions when creating computer art that I have wanted to play with the spirits with colored pencils.
Start with Template!
When you want to practice the method, start by making a template! Divide the paper so that you have a part for the spirit and another part for more abstract coloring. You can just draw a line or be more creative and make a circle for the most figurative part, and several other divisions for more abstract ideas.
Do some intuitive coloring with a light touch as a warmup before proceeding.
Method: Topic-Spirit-Story-Abstract
After the warmup, find a simple topic that you want to explore.
Think about your recent experiences and find something small and concrete there.
In the example, my topic was a recent visit to a garden center. My husband bought me a beautiful venus slipper orchid there.
Second, imagine a spirit that symbolizes the topic.
Use your imagination – anything contains a spirit!
In the example, I was thinking about the venus slipper and how mysterious and exotic it looks for a Finn.
Third, let the spirit tell a larger story.
What other associations come to your mind when you think about the spirit? Think about literature, music, food, movies, places – what comes to your mind that enlarges the original topic. What is the world that the spirit can open?
In the example, I started thinking about the Queen of Hearts in Alice in Wonderland and Asian culture: sushi and rice bowls. I also had just browsed Kaffe Fassett‘s quilting books and thought about the richness that can be achieved with colors and simple shapes. I slowly enlarged the mixed yet curated world that I was able to reach through the spirit.
Fourth, explore more the abstract side of the discoveries through the story.
Play with the basic shapes and make decorative borders, ribbons, and patterns.
I find it easier to draw abstract motifs, ornaments, and patterns after finding the spirit than if I start from a blank paper.
Optional: Write the Story!
After making the image, I like to put stories to words. This helps me to get even more into drawing and makes my work as an artist more meaningful.
Art is like a venus slipper. It’s like a plant in the back corner of a garden center. Those who only look at traditional roses won’t even notice it. But whoever dares to bend over the shy plant and curiously fit her mind to the shoe, becomes a master in a game where basic shapes break everything and then build a new whole. This way, the beauty of art is limitless, and not only on the surface.
Here’s another example that I made last week. Here, the center is reserved for the quote from the story, and the spirit and the motifs are in the frame.
Art is a spirit in a pencil. A single pencil is nothing. It doesn’t cost much, takes up very little space, and you don’t even notice it if it’s at the bottom of your bag. But still, a pencil can connect us to art. When I was a child, I played with pencils while my big sister was coloring. Every pencil had a personality and while I was watching my sister draw, my herbs grow, and my teddy bear rest, I had no idea that those little moments would dictate my future. Art back then was only a spirit in a pencil. When art is a spirit in a pencil, we say yes to a journey that takes us closer to who we are. We say yes to expression that has no limits. This freedom is why I want to support creating.
Getting More Into Drawing Frames and Borders
Decorative art is a bridge between illustration and abstract expression.
Reality consists of both organic and geometric shapes. The question is: how can you bring both of these worlds into your art and use them in a creative way?
I hope you find all this inspiring and helpful to get more into drawing and coloring.
Designing Cross Stitch Patterns
This week, I have something very different than before: cross stitch!
Buy my first commercial design Primavera from my Etsy shop called Needle and Peony!
There are two main reasons for designing this pattern. The first is the need for creative play and the second that I couldn’t find anything like this from other designers: a fantasy woman’s facial portrait that wouldn’t be a huge project.
Playing and Drawing in the Stitchly App
My need for creative play comes from being very serious with art this year. I have spent a lot of time in programming computer art and I have been painting a bit too. It’s all great but I started to miss drawing, and especially, making something that is purely illustrative and not so abstract and artistically challenging.
So because I have had cross stitching as a hobby almost all my life, I bought an app called Stitchly and started drawing there – on lunch breaks and such, a few stitches at time. First I just doodled freely with the Apple pen to get to know the app.
Stitchly is easy to use and with the pen, drawing is fun and the squares get filled nicely. Of course, you can also import a photo and let the app create the chart automatically. But to make the image look realistic enough, the stitch count needs to be high and the design … well I don’t think it would be a design anymore, just a pixelated photo. So, when I design, I like to draw with the pen and if I use references, I only use them as inspiration and draw every square myself.
I also like that you can have a custom palette in Stitchly. I have made a palette that has all the DMC colors from my stash, so I can also check the real color when designing.
Drawing and Stitching Faces
When people begin drawing in adulthood, they often start with faces. Eyes, mouth, nose too. Facial features create a connection to the person born on paper. It’s also fun to draw hair and add decorations there.
So, one day it hit me that even when doing cross stitches, I can get company from the character I am stitching. However, couldn’t find a cross-stitch pattern that was a reasonable size and where the character was naturally asymmetrical, but still sparked the imagination.
My stitching time is lonely time in the evening. I clean the studio if I have been painting, and then pick extra glasses and while stitching, watch other cross stitchers’ videos on Youtube, so Flosstube as we cross stitchers call the channels.
So when I wanted to stitch a facial portrait of an imaginary person, I decided to draw it in Stitchly. After making the chart, the fun started – I was stitching my own pattern!
Primavera can be stitched in the colors I suggest in the pattern, but since there are only 11 colors, it’s easy to change them as you like.
Although Primavera means spring, by changing the colors you can associate a different season or different theme with the character. The decorations are designed to be so general that they don’t limit the character you create.
The hair has three colors of different darkness, the skin has four. The hair band has two colors close to each other. It is easy to change the accent colors of the mouth and eyes, and also the colors of the decorations.
You can buy the pattern for Primavera in my Etsy shop!
Needle and Peony
It feels nostalgic to have something on sale at Etsy again! Long before I became a full-time artist, I opened the Etsy shop called Kukkilintu, then later changed the name to Peony and Parakeet. That little shop had a major impact on my career and life. Most of my customers lived outside Finland and I started communicating more and more in English.
Maybe some of the current readers of this blog were my customers over ten years ago when I sold folk bags (currently available as a knitting pattern), handknitted doll clothes, hand-decorated papers and cards!
Now I changed the shop name to Needle and Peony and intend to add some charts over time. Maybe some slow stitching ideas also, as I have some of them too. Last week, I set up an Instagram account called @needleandpeony to show my cross stitch projects – also what I have stitched from other designers.
My other instagram accounts are @peonyandparakeet for fine art, @paivipeony for quilting, and @paivipioni for knitting.
Which Design Should I Do Next?
While designing Primavera, it hit me that I have a pile of drawings that I have made for classes and that could be turned into cross stitch patterns. When I browsed them, I couldn’t decide what to choose next, so I now ask you – what would you like me to design next? I have picked 5 drawings to choose from, leave a comment and let me know which one is your favorite! Which one of these would make a great cross stitch design?
A) Angel
See how I drew the angel in 2022: Angel Drawing for the Inner Child
B) Girl
This flowel girl was drawn for the course Doll World.
C) Cat
This cat was drawn for the course Magical Inkdom.
D) Leaf
This folk leaf is an older design, from 2015. See more: Art Quilts in a Modern Way
E) Horse
This fantasy horse was drawn for the course Magical Inkdom.
Tell me your favorite of the five – A) Angel, B) Girl, C) Cat, D) Leaf, or E) Horse?
Support me in the cross stitch design journey, here’s the link to purchase Primavera!
Kaunosielu – Painting and Drawing Sensitivity
Kaunosielu is a Finnish word for which I don’t know an English equivalent. It means a dreamer who loves beauty, but the word has an ironic undertone. This romantic soul, alienated from everyday life, cares little about taking care of practical matters and frequently stops to admire the beauty around her.
I’ve been thinking about people’s yards in my neighborhood a lot lately. The new houses have a small lawn area, a wooden patio, and a row of white cedars. These homes are advertised as “easy-to-maintain yards” in real estate ads. And yet, it often happens that when time passes, a few violets or a peony bush appear. It makes me believe that we all are “kaunosielu people” who have a sensitive heart and eye for beauty.
So my Kaunosielu painting is dedicated to that part of you who stops after seeing something beautiful. This topic was challenging for me because I usually express movement. Here, however, it’s all about staying rather than leaving and looking rather than running away.
Inspiration from Pastel Drawings
I am making a series of paintings for an exhibition called “In the Mood of Albert Edelfelt” and I have browsed a lot of Albert Edelfelt’s (1854-1905) works. Surprisingly, his pastel drawings fascinate me the most. Look at this woman, for example – or rather – her dress!
I see a similarity with flowers in old portraits. The outfits are pleated like the petals of flowers and the lines form interesting patterns.
I also started using chalk brushes in the ProCreate app. Here is a digital pastel drawing: peonies and strawberries.
I have done oil pastel work for the course Innovative Portraits, but now I dug out the soft pastels.
Soft pastels are more chalky than oil pastels and maybe a bit more difficult too because, unlike oil pastels, soft pastels also need fixative.
This is just a small notebook and a small piece but I like to practice between bigger paintings.
Kaunosielu on Canvas
My painting Kaunosielu is painted in oil, but it is close to pastel artworks in terms of color scheme and the use of lines.
The painting is inspired by a lovely pastel drawing by Albert Edelfelt called “At the Window.” I was lucky enough to see this work authentically in the Albert Edelt exhibition of the Ateneum Art Museum. This piece is 68 x 62 cm, so it’s quite large for a work drawn on paper. And look at that frame!
I was especially fascinated by the composition, and as soon as I started my painting, I felt that now it was coming: Kaunosielu! I had been planning to do a piece called that for a long time.
I wanted to incorporate haziness and vagueness into this painting, but at the same time use strong variations in darkness. With the big differences in color value, I wanted to create a sense of presence similar to Albert Edelfelt’s paintings.
When I took this photo in the morning sun, it felt like the moment stopped and two Kaunosielus came into the picture.
This photo shows so well how darkness and light go hand in hand.
This Week’s Challenges for Your Art-Making
- Empathize with the kaunosielu personality: Examine what it means to be an impractical but sensitive sielu – soul!
- Examine old portrait paintings. Dind the similarities between flowers and luxurious dresses.
- Be bolder with contrasts. Enhance your expression by combining pastel colors with really dark blues and browns.
- Experiment with soft pastels or oil pastels or mimic their effects with other art supplies.
I hope all these tips inspire you to start creating!
Watercolor Fairies – Painting the Magic of Nature
I’ve been going through my art supplies lately and reflecting on my path as an artist so far. In recent blog posts, I’ve featured drawings, but now we’re moving on to watercolors. This post is about painting watercolor fairies and the wilderness around them.
Watercolor Surfaces – Aquabord vs. Paper
I love thick watercolor paper, but I made a special find in my stash: a hard base meant for watercolors. I bought it years ago but had forgotten it. But now I had to try this Ampersand Aquabord!
Watercolors have a built-in sense of surprise that keeps me interested in the work. Still, you can also do accurate and illustrative details. I like to use a lot of water at the beginning and less at the end. Even if Aquabord is surprisingly absorbent, I prefer the effects that a good-quality paper creates. But maybe this is the thing that would need more practice. It is said that to get to know a certain paper, tens of experiments are needed.
When the painting progresses I move on to negative painting, so paint the background in such a way that I leave the shapes from the previous layers exposed to maintain the brightness.
Aquabord turned out to be more convenient than paper in keeping the painting light. It is easy to wipe off color with either a rag or a dry brush. But even if lifting color is harder on paper, I still would prefer watercolor paper, especially 100% cotton, because it feels so wonderful! However, for beginner watercolorists, Aquabord is great because you can erase and start over!
Watercolor Fairies
About four years ago, my watercolor set was a close friend, and I thought I was at my best in watercolor painting. One of my favorite subjects in watercolor was fairy-tale characters – spirits of nature that rise from the surrounding greenery and have the sensitivity of a butterfly. It was also fun to come up with names for them!
When painting a watercolor, a character can appear by accident. It’s fascinating to see who comes up as the round shapes of the plants encourage the spirit to emerge.
Even though nowadays I mostly paint with oil, I still want to step into wild nature with a brush and listen to my intuition. Watercolors have taught me a way to first splash freely and then finish with intention.
Magical Forest with Watercolor Fairies
I have also made a watercolor course about this kind of intuitive nature painting: Magical Forest.
Magical Forest combines light with hope, trees with spirituality, water with flow, and wilderness with curiosity.
Flower or Fairy?
In this work on Aquabord, I first thought that the weird purple flower could be enough of a character. But after looking at the flower for a while, I felt that someone was squatting under it.
And it wasn’t a shy spirit either, but quite lively.
I even painted hands for her.
The butterfly flew there too as if by accident!
What Makes a Fairytale?
In my opinion, a watercolor painting with a fairy tale character can leave a lot of guesswork. The mystery is allowed! There may be abstract shapes that only describe the atmosphere rather than anything else.
When the shy watercolor fairies started appearing in my art in 2019, they represented the part of me that is needed for making art. Now my artist fairy is more confident and cooperative and is not afraid to appear when called.
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