Fly to Your Inner World and Color the Emotion
This week, I open the registration for the new class Doll World.
This fun class is about drawing human figures in adorable fantasy dresses. It will run from January to May 2023. You will get a new lesson every month.
This week we get inspired by spiritual and ornamental art and create a protector of good.
Halloween is not an official holiday in Finland, but we have All Saints’ day soon. I started gathering images for this blog post in the spirit of All Saints’ day, but soon realized that this kind of art has a special role in my life in general. There are times when I want to create art to protect all the good things in life.
In the small colored pencil drawing, I was thinking about the beauty of butterflies and created a protector for them.
At the same time, I created a protector for my sensitivity, and it feels good to have one in my box of joy as I call the collection of hand-drawn paper reliefs.
Back in 2011, when I wasn’t a full-time artist yet, I made this paper collage from hand-decorated papers.
I wanted to express the atmosphere of a sacred space. My hand-drawn lines were clumsy, but I cut the papers so that they look decorative. I painted icons as a child, so I made the woman’s face in that style. I still like this!
In 2018, I was practicing oil painting and explored all kinds of organic shapes. I first painted all kinds of plants and then changed the orientation, and added the madonna. (More about the process in this blog post.)
The frame of the painting has a real silver coating, and I think it fits the image beautifully.
We can paint and draw precious things that make us feel protected, like candles and crosses. I found these two gouache paintings from my archives today.
Ornaments can also be more imaginative, like these hand-drawn collage pieces.
You can compose paper pieces together so that they look like a talisman.
Now when we are entering dark days in Finland, I feel the need to have a protector of light.
This watercolor angel was painted for the class Magical Forest. I developed a method for it so that you first paint the angel figure freely by splashing colors and then add more definition by painting the dark background.
I think one of the most important protectors is the one who protects the child in us. I painted this icon in the early 1980s when I was about 10 years old. It was my second, and as you can see, I wasn’t very good at varnishing back then – too much linseed oil!
The teacher of the icon painting group, Irke Petterberg, helped me with the details of the faces. I wasn’t eastern-orthodox; I just happened to live very near the church and love art-making. It was wonderful to be accepted as a part of the group which consisted of adult painters. For me, religion felt like a gate to the world of imagination.
No matter the religion, let’s cherish the child in us and protect the good through art-making.
This week, I have a video blog post for you. I talk about this journal spread that I made for my colored pencil diary, but there are also more autumn colorings, art ideas, and inspiration for creating in the middle of life’s small happenings.
In the video, I am talking about colored pencils, the upcoming class about paper dolls and human figures, my friend’s artistic success, blooming orchids, Japanese woodblock print style and style development, and I also draw a Halloween pumpkin from start to finish. There are all kinds of autumn news and autumn colorings!
I hope this video inspires you to create and give some extra TLC to your colored pencils!
This week, we draw a coloring page and color it creatively.
This blog post is inspired by my artist friend Eeva Nikunen. She is a master at drawing coloring pages. She has many self-published books, and just recently, she drew the Alice in Wonderland coloring book for a famous British company Colouring Heaven. I especially love Eeva’s illustrations of men, and her drawing skills are superior, much further than mine. Of the two of us, she is more of an illustrator while I am a painter, but we both alternate with drawing and painting.
The Victorian era inspires Eeva, and I love it too. In 2020, I illustrated a book called Fairy Experiments for Thinkers and Tinkerers. It had over 60 Victorian-style line drawings and one simple coloring page as well. I have used a similar drawing style in the classes Animal Inkdom and Magical Inkdom.
I also like Art Nouveau and Alphonse Mucha‘s illustrations. See this old blog post from 2015 where I draw in Art Nouveau style!
The blog post has a short drawing video too.
Art Nouveau has inspired me to create a set of coloring pages for the e-book Coloring Freely. Here are some samples of them.
There are great programs for drawing coloring pages like ProCreate and Adobe Illustrator. I like these programs, but I like to keep drawing with pens and pencils too. So let’s look at how to draw a coloring page by hand!
I started with a pencil, and the focus was first on the pose. When I had a rough idea of a woman romantically entering a scenery, I drew over the pencil lines with a black drawing pen. I like to use ink pens because I draw better when I can’t erase the lines. It makes me concentrate more, and my hand becomes steadier.
The sketch for the pose is number 1 in the photo. I think many of you would just throw it in the trash and think that the project is a disaster, but the secret is to keep going by tracing the sketch to another paper.
When tracing the old lines, you will get more ideas and new energy for adjusting the drawing. My second sketch had more elements, and I also started thinking about the facial expression of the character. When I ran out of ideas, I just drew hearts. Then I colored the sketch a bit to think about what the general idea of the image could be.
I like to develop ideas by drawing and coloring, not by thinking only. Many say they have images in their head, but mine are often too vague or too traditional. Drawing makes me more inventive and detailed. So, in the third sketch, the hearts were gone, and the lady had a bag, a leaf skirt, and a circle behind her. As you can see from the picture above, I threw the sketch away, but then when I thought about the blog post, I dug it out from the bin for the photo!
Here’s the third sketch without colors and the final version that I drew after coloring the third one for some time.
The final drawing is about saying goodbye to summer and hello to fall. The bag symbolizes summer and the circle became a giant pumpkin. If you compare my lines between the sketches, they become more delicate and detailed towards the end. The first sketch is a clumsy thing, but by redrawing the lady several times, I was able to make the design more flowing. Straight lines became curvier and curves got more notches, making the shapes more interesting. By leaving some of the elements visible only partly, the image looks more coherent and less floating.
The thin and smooth marker paper makes tracing easy. I got to know it when I was studying as an industrial designer. Art supply stores sell it. For coloring, I prefer thicker paper, so I scanned the image and printed it on a brown drawing paper.
Unbleached paper allows me to color a bit more carelessly and playing with pastels and whites is more fun.
An inspiring coloring page is not too detailed. I like pages that have some detailed elements, like the bag in mine, but that also have plenty of space for additional ideas. Then the coloring page can be treated as a foundation for creative coloring. For example, my page has pretty empty hem, and I can have fun by coloring freely – creating color changes and motifs that make the design more rich and stylish.
I also like to color over the lines so that coloring extends the original design.
Compare the coloring page and the colored version below to see the additions made with colored pencils only!
With colors, you can also change the style of the drawing. I think mine looks quite Alphonse Mucha without colors, but after coloring, less so. I like coloring shadows and making the design less flat than what Art Nouveau had.
After finishing a drawing that was born pretty intentionally, I like to ponder what had initiated it. I found this photo on my phone, taken a couple of days ago. The two-colored leaves looked so beautiful and bittersweet to me that I had snapped a picture of them.
I am sad that summer is over but also acknowledge that summers and falls are not separate. One carries the other. It’s not fall’s fault that the summer is gone, and the present that the summer gave is dear to her.
I hope this post inspires you to draw a coloring page through multiple sketches and then creatively color it!
