Fantastic Watercolor Sceneries
This week, we explore watercolor sceneries. Landscapes have always been an uncomfortable theme for me, but despite that, I consider myself to be some kind of landscape painter. Even this digital watercolor painting is a landscape.

Here I mixed the memories of the sunny days of the last fall with the eager wait for the upcoming blooming season.
What Do Landscapes Mean to You?
I think that landscapes are relevant to any growing artist. It is important to look at your relationship with basic themes such as:
- human or animal – portrait
- inanimate object – still-life
- nature – landscape
Of these, I have the closest relationship with the landscape, and through that, I also have a special relationship with places.

Even if I take photos of interesting sceneries, I am not at all enthusiastic about copying the landscape as it is. I’m a romantic who sees even the ugliest grass field as an exciting jungle. I often crouch down to explore the world from the perspective of a modest plant, where everything looks big and grand.

The landscape can also be a stage for an event. When I looked out the window of my room as a child, I was saddened by the fact that nothing was happening in the small area of detached houses. However, I paid attention to the house visible on the hill and how its roof seemed to change color in different lighting and in different seasons.
This kind of slow dynamics characteristic of the landscape is fascinating because when we paint we are not prisoners of time. We can fill the view with all kinds of activity. Various colors and states of one object can be gathered and everything can be lifted into flight and movement.

By thinking about what a landscape means to me, I have built a bridge to my childhood and enabled creative play.
From Traditional Landscapes to Expanded Sceneries
Even if I now see playfulness in landscapes, it took me a long time to realize that traditional landscape painting can be expanded. You can choose to express a real place, but make a completely own interpretation of it.

For me, watercolors have played a key role in this realization. In 2018, I started making small panorama paintings, in which I painted holiday travel memories, picking up details here and there from the photos as if reconstructing the place.

See this post to read more about these watercolor panoramas!

I also had a small sketchbook where I made watercolor sceneries, some realistic, some fantasy. See this post to watch a video about keeping a watercolor diary!

And of course, I also made the course Watercolor Journey from my insights.
In this course, you travel between imagination, memories, and reality. >> Buy here!
The Journey Continues
At the moment I am painting a small ditch, from which I have grown a beautiful landscape on a large canvas.

In the painting, a lot is happening and nothing is static or insignificant.

In art, the only limit is our imagination. It doesn’t matter where we live, in our paintings we can make it the place we want to travel to next!
Art and Familiar Things – Inspiration from Sounds and Surroundings
This week is about getting inspiration from familiar things like songs and the sounds of the surroundings.

I live in an area built in the 1960s. I love the mid-century modern tile houses and their old-fashioned gardens with apple trees and bush hydrangeas. One year, at the end of May, apple trees were blooming like crazy, and when I took the dogs for a walk on a sunny afternoon, I heard a family having a graduation celebration, singing beautifully in a choir. I felt I could touch the air and see the melody traveling on it, flying like a swallow, carelessly yet skillfully.

Visualizing Familiar Sounds and Songs
A similar kind of inspiring sight happens when I hear Aretha Franklin singing “Say a Little Prayer.” In the chorus, the choir sings the melody, and Aretha just throws in some sounds. It’s like she is the background singer there, except she’s not. The timing of the single notes is perfect, and their sound is powerful. I see her singing as lines that are effortless without being worthless, ornamental without being traditional.
See this post from 2014 for tips for using music as inspiration: 5 Ways Music Can Improve Your Art

When an old house is demolished, and that happens too much nowadays, they destroy the garden too. I see this constantly happening in our area, and it’s heartbreaking. I don’t look at the surroundings like a property developer but as an artist who seeks visual music. I want to see the old-fashioned songs: lines that are born when birds fly over the scenery, curves that butterflies make on the flowery fields, shadows that scream, and sunspots that quietly fade away. All that sound and movement creates music that inspires me to paint!

Northern Splendor – Seeing Familiar Things as a Fantasy
Usually, I have gone on an adventure to faraway unknown regions when painting, but in this series that I am working on, I’m in Finland, where gardens and nature alternate. I paint the light of northern summers and connect that with architectural ornaments.

In this painting, I imagined how a French couple from the 19th century visited Finland.

They then saw how the palaces and churches of Central Europe do exist in Finland too, but all this splendor is in nature instead of buildings.

My dream is to paint like Aretha sang – like it would all be careless strokes, yet so intentional and so creatively put that they break the surface of what’s ordinary and familiar.
Read That, Watched That, But Can It be Renewed?
I am currently working on a painting for a group exhibition. My theme is Alice in Wonderland!

It’s a tale that has been heard so many times. How to break through it? Exciting!
What familiar things inspire you?
Expressing Winter Memories
This week, I have a new winter-themed painting, and we talk about the many approaches for expressing winter and memories of any season.

Here’s my newest painting called Winter Night’s Poem. This time, the Finnish name is much more beautiful: Talviyön runoelma. I wanted to give the painting a poetic name – like Shakespeare’s play “A Midsummer Night’s Dream – Kesäyön unelma” but something more wintery. So I come up with the Finnish name, which sounds so romantic (if you know Finnish that is!), and then translated it to English as accurately as possible.
I painted this piece for the local artist association’s winter-themed art exhibition. Winter sceneries aren’t really my thing, but I wanted to take the challenge. I started by exploring Japanese woodblock prints and made a small colored pencil study that is more like a fall scenery, but that has similar abstract elements than in the final painting.

I talked more about this colored pencil piece in October’s video blog post.
Winter Memories
I found it challenging to get emotionally connected with the theme. As Finn, I do know winters. They are cold and dark, and there’s not much that I enjoy about them. As a child, I lived further north, and winters were even colder and darker. Here’s a picture of me in 1974 when I was 5 years old.

However, I have one special winter memory. Earlier this year, in one of the weekly emails, I wrote about Avicii‘s music and how it brings the memory to my mind:
When I hear A Sky Full of Stars, I am a little girl on a cold Tuesday evening in Eastern Finland. After participating in an icon painting group, I walked down the snowy hill looking up. The starry sky was blue-black, I realized. Not black like for those who glance carelessly or blue like for those whose skies were always blue. Working with colors had made the world look more beautiful.
I also remember getting an idea for a poem that I later wrote down. It was something about the starry sky. And there was a melody too. The sight, the words, and the sounds all formed this beautiful winter memory. And isn’t it so that memories are full of sensations of all kinds? Why should we then paint only what we see?
But then I heard myself saying: “Paivi, remember that it’s a winter-themed exhibition. It has to look like winter!”
How Does Winter Look Like?
In 2013, I made this hand-drawn collage for Christmas cards. It has a decorative approach to winter. Snow, hearts, berries, pastel colors – they all form a light-hearted and entertaining take on winter.

An even more obvious choice would be to paint a realistic winter scenery with snow, trees, and such. Here’s a watercolor painting from 2018:

My idea was to paint both fall and winter into the same piece. This is a class project from Watercolor Journey where we paint all kinds of sceneries in watercolor.
Winter in a Poem
But the more I thought about winter, the more connection I felt with the abstract side of it. I didn’t want to just paint an empty-looking scenery in black and white. I wanted the lights and darks to have a rhythm.

My favorite poet Eeva-Liisa Manner has a winter poem that I have read hundreds of times because it was in a little poem book my family had. For a small child, the content felt strange, but the more I read it and the more I grew, I fell in love with its rhythm. The poem doesn’t rhyme, it’s free verse, very modern. But still, when I read it, I feel the rhythm, and when it ends, it feels like you have listened to a song, not read a poem. The words have been thrown into the air, carelessly, and yet, it feels like everything has a purpose. It’s like every word would have fought to get into to poem, and after accepted, they are ready to fly beautifully, each on their turn, and then to get mixed up even more elegantly in the reader’s mind.
Maybe you too, love poetry and have experienced the same. The words glow like jewels and have a long effect even if the time spend on the reading, is just a minute or two. Isn’t that what we aim for in visual art too?

Wonders of a Winter Night
More than thinking about realistic scenery, I approached the painting with a poetic mindset. I imagined the sounds and rhythm of a winter night and visualized those. I trusted that the result will look wintery even if the painting is abstract.

I also thought about how things move, and one of my favorite details is the curvy black wind that blows snow.

Carelessly painted ice-like objects are on the top, and the sound of ice is visualized below them.

Probably the childhood memory of the winter night has stayed with me because it’s a little bit scary to walk alone in the cold and in the dark, under a few street lights only.

The color scheme was one of the challenges. I didn’t want the painting to look off-puttingly cold. Instead of only using blue and white, I brought a wide variety of tones but so that most of them are quite dark or pale.

Fortunately, winter is not here yet, but usually, we have the first snow in November. So the garden scenery will change soon!

I hope this blog post inspired you to express winter or any season that you have fond memories of!
Fall or Fairytale? – Creating Your Forest
This week, I talk about the colorful bridge that art can build between real and unreal.

This is my latest oil painting called Forest of Wishes. My fall is filled with those – wishes! Wishes that can’t be fulfilled.
I wish winter would only last a day or so. I wish there would be regular life for regular people – not war, not suffering, not lack of anything. And while I am thinking about these melancholic thoughts, it feels like my creativity ignores them and lives in a fairytale. I want to draw you in this fairytale too. I hope these pictures inspire you to create and make life more magical!
Hello Fall – Hello Colors!
In art, colors can make a fairytale. My oil painting brought this older watercolor piece to mind. Like “Forest of Wishes,” this one uses blue in a similar way: to create a connection with the viewer. It’s a reminder that blue can be strong and soulful and approach the viewer, not just stay still in the background.

There’s also a video of painting this!
This painting started with the reference photo, but once the painting process got further, the expression replaced it. And splattering with a brush is a lot of fun!
The Magic of Growth
When I look at our garden, the wonders of summer become visible when trees prepare for fall. They have grown a lot, for example, this monkaburi – a pine tree that we planted a few years ago. Back then, it felt like it would take forever for it to form a gate over our heads, but now it already has a branch that grows over the path.

The magic of growth also happens when filling a blank paper or a canvas. First, there’s very little life, but by adding more colors, shapes, and layers, we can grow a forest.

Sometimes the forest comes in one piece, and other times in many little pieces.

The same applies to artistic growth: sometimes it happens quickly, other times more gradually. I like to break the rules of being a serious artist only and allow play to show me the magic.

I want to learn from Saima, our youngest beagle. She is obsessed with the ball, but when we mention that to her, she seems to laugh: “It’s only a hobby!” At the same time, fetching the ball seems to be both her passionate work, but also a tool for imagining and playing.
Fall Fairytale
In the forest of wishes, we want to use a different mirror for ourselves – not to see the limitations but imagine the potential. It’s an exciting place that has many dangers as well.

Going deep can take us deep down, but when combined with play, the humor steps in. Here’s my wish for a winter that would only last one day!

Ask: “Is it the fall or is it a fairytale – real or unreal?” And then answer: “Today it’s a fairytale, a colorful escape!”

Art can truly add magic to our lives. I feel that life isn’t real without the unreal.

What do you think?