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Peony and Parakeet

Fly to Your Inner World and Color the Emotion

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Painting the Best Work for the Show

This week, I present the main artwork for my solo show in June and talk about the pressure of painting the best work.

Juhla Neptunuksessa - Jubilee in Neptune, 90 x 140 cm, oil on canvas, by Paivi Eerola.
Juhla Neptunuksessa – Jubilee in Neptune, 90 x 140 cm, oil on canvas

This oil painting, “Juhlat Neptunuksessa – Jubilee in Neptune,” is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Pluto here, the Earth hereVenus here, and the Sun here!)

Painting the Best Work – Feeling the Pressure!

I have had terrible pressure to create my best work for the show. Especially the two big pieces on the back wall needed to reach the next level, not that I was able to define what that would be. So I couldn’t pre-process and plan the paintings in my mind. I had to trust the brush and the intuition and start painting.

Beginning a new painting and producing your best work. Painting in progress.

This size (about 35,5 x 55 inches) was also new for me, so I felt like being in a new territory. But several smaller paintings of the same series had already been made, so it was a continuum too.

Extrovert

Last week I talked about introverts and extroverts, and this painting definitely was an extrovert. From the beginning, it knew what it wanted and kept talking to me gently but determinedly, and all I had to do was listen to its spirit.

A detail of Juhla Neptunuksessa - Jubilee in Neptune, 90 x 140 cm, oil on canvas, by Paivi Eerola.

I felt like the painting gently carried me over a mystery of life and took me through the gates that I would not have dared alone. I don’t usually talk about the painting process in this mysterious way, but this time, it all felt pretty magical.

A detail of Juhla Neptunuksessa - Jubilee in Neptune, 90 x 140 cm, oil on canvas, by Paivi Eerola.

One part of me, the inner engineer, was wiping the sweat from the outside pressure, and the other part of me, the inner artist, couldn’t care less. She was only serving the needs of the painting.

A detail of Juhla Neptunuksessa - Jubilee in Neptune, 90 x 140 cm, oil on canvas, by Paivi Eerola. Quick strokes, but painting the best work.

I am very happy about the brush strokes – many of them have been created fast, but they still look pretty flawless.

Creating a Panoramic View

I wanted the two big paintings to be individual in identity but still share some parts when placed side by side. This way, the overall view of the gallery’s back wall could be panoramic.

Two oil paintings to create a panoramic view. By Paivi Eerola.
At Home in Pluto and Jubilee in Neptune side by side

To achieve this, I needed to finish the pieces so that they were placed side by side.

Whales in a Small Bond

My studio is a small room attached to our home, and the two whales were much too big.

Trying to paint the best work. Paivi Eerola and her big oil paintings.

But I managed anyway. In art, I don’t want to live a life where everything needs to be perfect before I can do something. I want to accomplish paintings like this right now and can’t wait for a better situation. And I love our home and working from home, so I just have to make things work. Fortunately, we have quite a lot of wall space in the other parts of the house so that the paintings can dry elsewhere.

Main Promotion Piece for the Show

The new painting is airy, but there are a lot of details too. I am very fond of this piece and feel relieved.

A detail of Juhla Neptunuksessa - Jubilee in Neptune, 90 x 140 cm, oil on canvas, by Paivi Eerola.

This painting is the artwork in all the promo material for the exhibition. See the press release here! Because the show is in Finland, the text is first in Finnish but scroll down the page to read the English translation.

Paivi Eerola and her oil painting for her first solo show.

My first solo show Linnunrata will be June 3-19, 2022 at Gallery K, Vantaa, Finland.

Is Your Painting Introvert or Extrovert?

This week, I talk about the personality of paintings. Some are extroverts, some introverts!

Kotona Plutossa - At Home in Pluto, 90 x 140 cm. Oil painting by Paivi Eerola.
Kotona Plutossa – At Home in Pluto, oil on canvas, 90 x 140 cm

This oil painting, “Kotona Plutossa – At Home in Pluto,” is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: the Earth here, Venus here, and the Sun here!)

Many Inspiration Sources

Earlier this year, I saw a documentary about Pluto, and it felt more familiar than many other planets that I have only read about. In the series, I imagine how the Milky Way could bloom and only take a small dose of the facts about the Planet.

Pluto’s ice volcanoes started the painting, but then I brought in more ideas. The central idea for this painting was home decor. I love mid-century modern houses and furniture, and many of the shapes have a similar feel.

A detail of Kotona Plutossa - At Home in Pluto. Oil painting by Paivi Eerola. An example of an introvert painting. Read more about introverts and extroverts!

Tricia Guild’s fabrics were another inspiration source. I have been her fan for decades and don’t even have to look at her photos to know what kind of florals she would like to bring to the painting.

Introvert or Extrovert? – Changing the Approach

Even if Pluto is a dwarf planet, this is my biggest painting so far. My style is detailed, and there’s a lot of space in 90 x 140 cm (about 35,5 x 55 inches). There were moments when I felt very unsure about how to proceed because when I asked the painting, it stayed quiet. “Can you hear me, Pluto?” I whispered several times. No response.

This painting clearly was an introvert. I felt like I wanted to quit.

I recognize this syndrome – what I call Big Picture Syndrome – by its signs:

  • You feel the need to look at the piece only from the big picture perspective, as a quick stroke here and another there would magically make everything work. In truth, you don’t yet have a clue what the carrying theme for the piece is, and should discover it by making the details more inspiring.
  • You feel negative about your potential as an artist but try to convince yourself that the piece is good enough. That someone will like it. And at the same time, you know it’s only an excuse for quitting. The truth is that some pieces are harder than others. Some paintings are extroverts that begin to speak to you right away. And some are introverts that need more time to open up. No need to blame yourself for that. Just keep working and trying to figure out what the piece wants!

“Can you hear me, Pluto?” I asked after bringing in new ideas and adjusting colors and shapes. I was relieved when she answered shyly “Pluto hears.” And when I finished the painting, it felt like coming home.

A detail of Kotona Plutossa - At Home in Pluto. Oil painting by Paivi Eerola. An example of an introvert painting. Read more about introverts and extroverts in this blog post!

Listening to an introvert painting is always helpful for learning new things about yourself. I became more aware of how much textiles and fabrics inspire me and I want to show that more later too. If you only accept extrovert art, moving forward is more difficult.

Childhood of an Introvert

Another thing that came to my mind was this small crayon piece from about 40 years ago. ( Read more about this one here!)

A childhood crayon drawing by Paivi Eerola.

When I put it here, I am astonished at how similar these two pieces look. No wonder she was so shy, there are a lot of years between us!

A Finnish artist Paivi Eerola and her big painting "Kotona Plutossa - At Home in Pluto." She talks about paintings being introverts or extroverts. How do you know if your painting is introvert or extrovert?

Everything has changed, and nothing has changed over the years, isn’t that so? Introvert or extrovert – try it!

Preparing For the Solo Show

My first solo show Linnunrata will be in June, and it’s keeping me super busy! I still have a couple of paintings that are not finished, and there are lots of edges to paint, hanging wires to attach, and varnishing to do. My current plan is to show 18 paintings, and every single one still has something that I need to do before the show. And there are posters to design, marketing to do, a lot of work!

Linnunrata will be at Gallery K, Tikkurila, Vantaa in June 3-19, 2022.

Expressing Happiness in Art

This week, we look under ice and talk about expressing happiness!

Onnellisten maa - Happy Earth, an oil painting by Paivi Eerola, Finland
Onnellisten maa – Happy Earth, 70 x 120 cm, oil on canvas

What’s in the Name?

Here’s one of my latest paintings called Onnellisten maa. Like so many times before, I had difficulties translating it, but I came to a conclusion that the English name can be a bit different “Happy Earth” instead of “The Land of Happy Ones.” Maa is both earth and land in Finnish.

This painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. The painting represents the planet Earth and Finland, my home country. (See previous paintings: Venus here and the Sun here!)

The name Linnunrata also has a double meaning in Finnish. It’s not only the name of our galaxy but also means bird’s route or track. My paintings often have bird-like shapes and flying objects, so it’s a perfect name for the series and for the upcoming exhibition that will also have some older pieces.

Inspired by Ice

Here’s how the painting started – lots of wild strokes in icy greens.

A beginning of an intuitive painting.

These greens are composed of Titanium White, Raw Umber, and Nicosia Green Earth. The green is a new color that I purchased recently. It’s earthy, not bright at all, but wonderfully suitable for an intuitive painting inspired by our globe.

I also wanted to throw in some blue. At the beginning of April, thin ice covered all the puddles and reflected the sky.

Ice is cracking. Finnish spring.

Here’s how the painting looked after adding some Prussian Blue over the greens.

Painting in progress.

My puppy Saima found ice interesting too!

A beagle puppy on thin ice. Spring in Finland.

We in Finland are known for icy surfaces, not only in nature but in people too. Our most known celebrity must be a winning formula driver Kimi Räikkönen, also known as The Iceman. “Shut up, let me drive” was his regular message to the team when he was in the middle of the race.

But ice is never only ice. It makes us think about what’s under it. How does Räikkönen feel when he turns the wheel and pushes the pedals – pressure, joy, passion? What is the storm inside an icy person?

Expressing Happiness

Despite all the ice, Finland has been selected as the happiest country in the world again. It’s the fifth time in a row! With the painting, I wanted to tell what makes Finland the happiest. At the same time, I wanted to express what makes the planet Earth so special.

So, it was time to break the ice and bring in more colors.

Painting in progress, introducing more colors and expressing happiness.
In progress, now the color palette is wider.

The best feeling when creating art is freedom. We are free to express and discover.

When expressing happiness, seek signs of life. For example:

  • Could that spot move if I poke it with a line?
  • Could those two lines be connected and thus get wings?

And when a creature is born, let him live in peace! Don’t force him to look like a certain species, but let him be unique in his world. I often aim for the impression of an uncharted area where a human, the viewer, enters for the first time.

Expressing happiness. A detail of Onnellisten maa - Happy Earth, an oil painting by Paivi Eerola, Finland

I also try to express impact so that the painting makes sense. So, make the movement in one corner cause something else to change. And when you introduce a new color, do it gradually so that it doesn’t only flourish. There should be a beginning and an end to its path.

Expressing happiness. A detail of Onnellisten maa - Happy Earth, an oil painting by Paivi Eerola, Finland

These two needs are not only what a painting or a drawing hopes to have. They are also important for humans. We want to feel independent and free and still impactful and connected so that life moves forward. I think Finland has been successful in both.

A Finnish aritst Paivi Eerola and her oil painting.

Now, most ice has melted, and our spring has started. Some say that Finnish people change when the summer comes. They see us stop to look at the sun and even smile sometimes!

Painting and teaching are my ways to express happiness.
How have you spread happiness through art?

How to Freely Express Sunshine

This week is about the sun! Let’s dive deeper into how to express sunshine when you want to create freely without reference photos. My example is an oil painting, but you can apply the tips to any supplies.

Runaway Sun - Karannut aurinko, 70 x 120 cm, oil on canvas, by Paivi Eerola
Runaway Sun – Karannut aurinko, 70 x 120 cm, oil on canvas

Here’s my newest painting that begins the new series where I explore the stars and planets of the Milky Way. The subject of the first one is, of course, the sun! I named the painting “Runaway Sun” – “Karannut aurinko” in Finnish because I wanted to express sunshine in a dynamic way.

Closed or Open?

Often we paint or draw the sun as a static yellow spot in the blue sky, but I feel that the sun is different. It’s not a closed circle but a very open one. It’s radiating and moving, making things appear and disappear.

Studiodog in the sun.

The painting was only a green mess when I took the picture above. “Oh no, the photo of Stella failed badly!” I thought when looking at it. But then, bad photos are the best. They challenge us to see what the world really looks like. Here, the sun has swallowed Stella and entered the room like a giant animal, so it’s not a little closed spot at all.

Isolated or Impactful?

The sun is the star, and the earth belongs to its solar system. The earth could be seen as a toy and the sun as the one who plays the game.

Studiodog with her toys.

But in our art, the sun often has very little effect on its surroundings. We isolate the sun and keep it far away. For example like this:

Stereotype of a sunshine drawing

But the sun impacts everything. It travels in the scenery like a runaway that goes here and there, but it’s impossible to catch as a single being.

Painting in progress at a small studio

When my painting progressed, it got strong differences between light and darkness. The sunny look requires shadows too!

Is the Sun a Thing or a Person?

Art is only a technical skill as long as you think about drawing or painting things. But if you treat the elements as living beings of some kind, the game changes. When your paper or canvas is filled with people or animals, not just shapes or flowers, everything gets more exciting and it’s easier to express sunshine too.

Painting with yellows, expressing sunshine

So, ask: Who is this person called Sun? How does she impact everybody in this piece?

A detail of Runaway Sun - Karannut aurinko, 70 x 120 cm, oil on canvas, by Paivi Eerola

Some will love it, and some will escape from it.

A detail of Runaway Sun - Karannut aurinko, 70 x 120 cm, oil on canvas, by Paivi Eerola

Yellow or White Sunshine?

Some people get any yellow for the sun, and some select their yellow carefully. But I think that one yellow is never enough, and without white, the sun doesn’t shine.

Expressing sunshine - a detail of Runaway Sun - Karannut aurinko, oil on canvas, by Paivi Eerola

I usually work with a limited set of colors, but I change the tubes every session. So, if I use Indian Yellow in one session, for example, I switch to Lemon Yellow in the next. I do the same for other colors as well. When I create new color mixes from different base colors, my paintings will get a huge variety of tones and look more natural.

I try to always mix some color to most whites so that the variety of pastel tones is present too.

Expressing sunshine - a detail of Runaway Sun - Karannut aurinko, oil on canvas, by Paivi Eerola

I also add color to blacks or make my own blacks. Browns and blues make wonderful darks!

Does It Express Sunshine? Test!

I like to do a test for all my paintings where I lay them on the table, walk away from the room, and then get back.
I wrote about the test in this blog post too.

Oil painting on the table with a signature. By Paivi Eerola of Peony and Parakeet.

By resetting my mind, I try to get an immediate impact of how the painting affects the surroundings and whether it’s captivating enough. The sunny painting should draw attention and warm the room.

Here’s my little studio one night with other paintings that are still in progress.

Paivi Eerola's small studio filled with paintings in progress.

The paintings are too big for my little studio, but I have decided to manage!

Sunshine to Your Weekend!

I hope this post inspired you to bring more sunshine to your art!

Paivi Eerola and her painting Runaway Sun - Karannut aurinko.

Happy Easter!

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