Watercolor Inspiration – 5 Ideas and Techniques

Watercolor is a medium where I really want to grow my skills this spring. It’s so versatile and much quicker than oil painting, for example. It can be easily combined with drawings and and … Well, I think if you follow this blog, you also love watercolors! Here’s some watercolor inspiration!
1) Watercolor Bookmarks – A Small and Fun Project
Who wouldn’t like to get a hand-painted bookmark? Watch the video with practical tips for watercolor painting!
2) Illustration in Watercolor – Use a Drawing as a Starting Point
If you like to draw, pick one of your sketches and use that as a starting point. My drawing from last Inktober is very detailed, but I enjoyed painting it!

Here’s my setting. I kept the sketch visible most of the time but allowed my painting to evolve too. I didn’t use any pencil to copy the drawing, I just started painting with pale colors and made adjustments layer by layer.

Here’s the finished painting. When I drew the sketch, I wanted the person to look like she’s contemplating, and wasn’t quite happy with the face. But here, I was more successful the facial features. Colors also add to the expression.

What I really liked
3) Watercolor Sceneries – Play with the Level of Abstraction
Mastering watercolors is impossible without making most of the happy accidents and allowing abstract elements build the image. Try how abstract you can and want to go!
These images are from my class Watercolor Journey. The first landscape is quite realistic and representational. It’s easy to see that there are trees and the sun.

Here’s a more abstract version of the same project. Trees are not so clear anymore and the sun is more vague too, but on the other hand, it’s not as static as the previous one.

Which of the two do you like more? How far do you want to go in your paintings?
4) Intuitive Painting – Loosen Up by Starting with Three Photos
If you like to solve mysteries, here’s a project for you! Pick three photos and use one for each of the three first layers. Watch the video for more detailed tips and instructions!
I definitely did not see that there would be a fish in my piece when I started!

With watercolors, the art of seeing can be sometimes more important as the art of painting!
5) Watercolor Collage – Join my Class Animal Inkdom!
I have also used watercolors several times in my class Animal Inkdom. In Module 3 where we explore the underwater world, watercolors are a natural choice. For example, in this collage project watercolors have a central role. You will learn ways to draw fun and unique sea life animals, and make

Come to draw and paint with us in Animal Inkdom! You will get the published lessons (including Module 3) immediately after the registration, and you can start drawing and painting right away. Sign up for Animal Inkdom here!
Watercolor Wisdom – 6 Techniques that You Need to Try Before Giving Up!
This week I am writing to you who have always liked the idea of using more watercolors but whose experiments don’t often last long. Try these techniques to keep going and not giving up!
1) Doodle with a Brush
Dip a thin brush into the paint and start doodling! Add more paint to some areas so that the thickness of the line varies and evokes new shapes.
I have also used acrylic paints for finishing this piece called “Netfishing.”
2) Doodle with Masking Fluid
I don’t often recommend purchasing more art supplies to boost the motivation, but with watercolors, I highly recommend buying masking fluid. For example, Daniel Smith has a masking fluid that comes with handy applicators. You can just pick the bottle and start doodling. And while you are doing that why not fill the whole paper with them! Then add several layers of paint and remove the fluid gradually.
I have also used golden acrylic paint and colored pencils in this piece, called “Three Churches of St. Petersburg”.
3) Add Geometric Shapes to a Scenery
If all the elements are realistic, defined and “make sense,” you are underestimating the potential of watercolors. An easy way to push beyond the conventional is to add geometric shapes to a realistic theme, for example, to a scenery.
You can also paint vice versa: start with the geometry and then make it look like scenery.
4) Leave Blank Spots to Express the Light
Think about your painting as a collection of layers. Paint 6-10 layers so that every layer is a bit smaller than the previous one. Leave blank spots when painting the first layer. Focus on tiny details in the last layers. Let every layer dry before adding a new one.
5) Add Muddy Colors to Make the Brights Shine
Don’t be afraid of dark areas. If your work looks unfinished or the colors don’t shine no matter how much you add them, the solution is to add more really dark areas.
There are a lot of browns, greys, and blacks in these two small sceneries which make the color glow!
6) Pick One Dominating Color, but Use Many Tones of It
When applying paint on paper, add small drops of other colors too. Use the transparency of watercolors to get new tones: add watery paint, let dry, repeat!
“Oban,” a small town in Scotland that left an impact on me. I could have painted the sky solid blue, as well as the water, but adding more variation of the color makes this painting.
Watercolor Journey – More Watercolor Wisdom for Self-Study!
The pictures and tips of this blog post are picked from my class Watercolor Journey. In this class, you will learn how to use the techniques and the imagination to express energizing sceneries. The fun thing is that these sceneries can be either realistic, or imaginative, or anything between. Sometimes the scenery is born with the technique. Other times painting is more about reconnecting with a happy memory. I have tried to make the videos as inspiring as possible so that you and your watercolors become a better match after each one.
>> Buy Watercolor Journey!
Facebook Live Watercolor Painting
Here’s the watercolor painting that I painted yesterday on Facebook Live while chatting away. You can find the recording on Peony and Parakeet’s Facebook page, go to Live Videos!
I had a wonderful audience, and many have posted their versions too in the thread, so it’s definitely worth checking out!
Watercolor Journey begins on July 1st!
My online class Watercolor Journey will begin on Sunday, July 1st. If you want to fall in love with watercolors, you don’t want to miss this class! Sign up here!
Watercolor Panoramas to Express Travel Memories
I try to have a wide range of topics on this blog, but now I am posting watercolor sceneries again! (See the last week’s post). I have quickly become addicted to them! It all started with buying Daniel Smith watercolors and realizing that many members of my community Bloom and Fly love watercolors. I try to grow my skills in most of the media that the members use. Then I can give advice that’s not only great in theory but also works in practice.
Not So Traditional Landscape Painting
A lot of reasons were needed for landscape painting because so far, it has been one of the most boring genres of visual art to me. I haven’t ever been the kind of person who travels with a tiny watercolor kit and sits down near the sights to paint the surroundings. I do usually carry a camera – often just my phone – when traveling or walking in nature but never before have I understand the fascination of the traditional landscape painting.
But last week, I realized that because art is freedom, I can be as wild and expressive as I want. That made the landscape painting a fun game. It gives me the opportunity to re-live the travel memories, get lost in the process, and then come out with a piece that’s like a souvenir from that creative experience.
Watercolor Panoramas – Playing with Expression
This time, I was not painting just one piece like last week, but five small panoramas at one go. I carelessly chose the reference photos for the last part of the process. I will talk about the process later in this post, but let’s talk about the expressive ideas first.
A) How Would The Place Currently Look?
When painting watercolor panoramas, it was interesting to see what travel memories come to mind and how they got merged with the current life.
When we were in the Scottish countryside in 2014, it was a sunny day in June. The heat felt very similar to Finland’s summer. It was pleasant, not suffocating at all, and remembering it made me ponder how the spring would look there now – perhaps quite similar to Finland too.
This was the photo that I used as inspiration when finishing the painting.
B) The Chain of Memories
Barcelona was my husband’s suggestion in 2009. I wasn’t excited until I remembered Mies van der Rohe’s Barcelona Pavilion. And of course, the pavilion was also the first thing that came to my mind when I painted the panorama. But I also remembered Catalonia’s National Art Museum, Gaudi’s architecture, the mountains that surrounded the valley, the sea views, a lot!
The long chain of memories and locations started from this (not so artistic!) snapshot showing Barcelona Pavilion.
C) The Emotional Experience
Last summer, we visited Palazzo Pitti in Florence, Italy. The place has inspired me ever since. I remember entering the museum and seeing the first room filled with chandeliers. It was a hot and relatively quiet evening in Florence, but my mind was buzzing. It’s like I was trying to get exposed to as much art and beauty as I could.
Here’s the photo that I had in hand when finishing the watercolor panorama above.
D) Being Far, Seeing Far
When being far away from home, it’s possible to see the life from a different perspective. It’s like rewriting some parts of the personal story. In the brilliant Palazzo Pitti, I had the same experience than when visiting Hermitage Museum in St. Petersburg, Russia: I should trust my points of view more, and not hold back. When I looked out of a window of Palazzo Pitti, it didn’t matter what other people saw there. I saw what I saw, and that’s true to me.
Here’s the reference photo that I almost deleted when I came back from the trip because it wasn’t so pretty. While painting, I realized that good reference photos are not only those which show the best scenes. The ones that remind from the best moments are also worth saving and painting.
E) Highlighting What Matters
While traveling in Italy last summer, we visited Vatican Museums too. Some of the things that stuck in my mind were the huge maps on the walls and the incredible number of tourists. While painting, I thought how the old maps could be seen as symbols for the curiosity to know the globe.
The statue of the reference photo (Arnaldo Pomodoro’s Sphere within a Sphere) expresses the complexity and fragility of the world. I made it dominate the scene in the watercolor panorama and made it look a bit like a round map. To me, it’s much more important than the buildings!
Watercolor Panoramas – My Process
The idea for panoramas was accidental. I happened to find oblong pieces when going through the watercolor papers. I often like to paint a square, so I had cut away the excess of a blocked paper. I don’t usually work in this small scale. However, using a thin water brush most of the time, made it quite easy.
For the colors, I used a mixed collection of watercolor and gouache paints.
1) Background – Traveling to the Mind
The fact that I didn’t use any reference photos until in the end, made the painting fun. The first layers were splashing and blending. I had no idea about the scene or the location that would appear on paper!
I took a photo of the backgrounds and then another one when the paintings were finished. Can you recognize which belongs to which?
2) Doodling with Watercolor and Masking Fluid
After I had painted the background, I started doodling. Working with five watercolor panoramas at the same time was handy. I could work with one painting while others were drying. I used both pigments and masking fluid for doodling. Some backgrounds had watercolor doodles first. Others went straight to masking.
At this point, I started thinking about a reference photo that could suit the painting. For some panoramas, I found the picture quickly. But there were a couple that raised no memories at all, so I just doodled this and that!
After the masking fluid had dried, I was having fun again. I splashed the paint and enjoyed the wonders of watercolor.
After the topmost layers had dried, I removed the masking fluid. Here’s “Scotland.”
3) Finishing the Painting with a Reference Photo
When aiming for an expressive and loose image, the reference photo is more like an inspiration photo. I can glance at it, pick some ideas and elements from it but I don’t follow it to the detail. I let my associations and memories override the photo and build an inner vision of the place. (My class Inspirational Drawing guides you to master this process more in detail.)
Why I Have Never Learned Watercolor Painting from the Books
Some elements of the panoramas are more abstract, some more recognizable. It’s important to cherish the abstract nature of art when making room for expression.
I must confess that during the years that I have experimented with watercolors, I have found the books and videos difficult to comprehend and adapt. Watercolor tutorials usually follow the reference photos very carefully. To me, it doesn’t make sense. I need to know “the code” – the logic and the principles behind the image, not just the image. After you’ve got the code, you can express much more!
As an artist, I have always been more interested in what something expresses than how it looks. I have often felt disappointed by the lack of the expression part in tutorials, so I try my best to focus on the expression when teaching others.
The Magic of Finishing Touches
To me, the most challenging step in creating is finishing. The first two steps are usually just happy happy happy, but then there is a danger that the project becomes sad sad sad.
The watercolor panoramas were quite easy to finish, but if I have bigger struggles, I use the camera for the whole creative process. Then I take a photo of my work and look at it in several ways, enlarge it, make it smaller, etc. It’s fast and makes the finishing much easier than just staring at the actual piece. In May at Bloom and Fly, I will show how to use a camera and other digital tools to make the most out of your art, even if the actual creating would happen manually.
The Summer Season (July-August) of Bloom and Fly is Watercolor Journey
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