Finishing a Watercolor Painting
This week, I have a video about finishing a watercolor painting.
See more pics on the Finnish art store Taiko’s website!
Painting Freely and The Challenge of Finishing
I paint watercolors freely without models or reference photos. It’s exciting to see what appears on the paper and to examine random spots trying to find flowers and plants, which are my favorite subjects. I believe that if I manage to create favorable conditions, the plants will start to grow naturally on paper.
When painting flowers freely without references, it’s easy to omit the details. But I think that the details make the finished look. Everything doesn’t have to be sharp and intricate but focus on those parts that you want to catch the viewer’s eye.
Making a Color Chart
My watercolor set has colors from many different manufacturers. I use artist-quality colors and always as pans. If I buy a tube, I’ll squeeze the paint into the pan. I like to use a color chart. The colors look darker when wet and on the pans as well. And there are differences in how pigments behave.
My grid follows the order of the pans and I add the names of the pigments below the color samples. A part of the colors are in a separate box waiting for their turn to get to the 36-pan set. I make notes on them at the end of the chart. The color chart prevents me from buying several similar pans (that happened too many times before I made one!) and helps with memorizing which colors are my favorites.
Start Freely – Finish Slowly!
There are watercolor painters who wet the paper, draw a few brushstrokes on it and the painting is finished. I work on the same painting for several hours and slowly approach the result layer by layer. It requires patience, but on the other hand, I can always paint on fine-quality cotton paper because my approach is less experimental.
I love that the painting doesn’t immediately shout but first whispers timidly. Each painting is unique and I like to spend time getting to know it. In doing so, I will not only learn something about the painting or myself but about humanity and nature in general.
I want the result to look natural, although there is also a lot of decoration in my paintings. I love ornaments – swirls, decorative lines, and shapes, and my favorite historical style is Baroque. It is easy for me to see the luxury of baroque in plants. As a child, I imagined palaces and halls around me when walking in nature. Life in a remote small town in the 1970s was modest, but I got by with imagination.
Finishing a Watercolor Painting – Watch the Video!
In the video, I have footage from the finishing phase. There you can see that when proceeding little by little, you can add all kinds of things even in the final stages. It’s common for me that a shape is just a circle at first, but then I add notches to it and make it a leaf or a flower. Watch the video!
Freely Grown – Using Colored Pencils for Finishing
If you are new to watercolor painting, working with thin brushes can feel challenging. It’s then easier to use colored pencils for finishing a watercolor painting. I have a course called Freely Grown where you learn step-by-step how to make a layered watercolor painting and finish it with colored pencils. All this is done freely without models and by focusing on techniques, so your work has the same steps, but the result will be completely unique.
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Motion Art – Ornamental Land
This week, I have a short video artwork that has motion and sound. It’s been made as a part of the big project that I am working on. I have received a grant for it from The Finnish Cultural Foundation.
This is my first video artwork that also has audio. I recorded bird sounds and other natural sounds earlier in the spring and composed the soundscape from those recordings.
The 3D shapes are modeled in the 3D modeling program called Blender, and I have programmed the movement in C# programming language. Everything except the audio was put together in the Unity game engine. I added the soundscape in the video editing program called DaVinci Resolve. These are all pretty complicated tools, and it has taken time to learn them. If you are interested in the process, watch my video: “From Painting to Digital 3D Art” where I tell about the first half of the grant project.
Motion Art – Working with New Media
The big project is called “Unknown Land,” and I call this video artwork “Ornamenttien maa” which is “Land of Ornaments” or “Ornamental Land” in English. It has been a challenge to transfer my drawing and painting style to a new media, but I think I am getting closer and closer. What do you think? Does it look like my work?
Creating movement and sound has been new to me, and I will also add interaction to the final piece.
Even if I have spent a lot of time on my computer called Turandot (named after my favorite composer Giancomo Puccini‘s opera), I am not leaving painting and drawing. You will see my digital artworks from time to time, but there will be a lot of other content too. For an artist, working with one medium can help with other. My main inspiration always starts from drawing what ever I create.
Colored Pencils – Ornamental Approach
This week, we take an ornamental approach to colored pencils! We will color freely, but so that we don’t start with a blank paper.
This is the piece I am creating in the video. The process is fun and the result is ornamental.
Ornamental Approach – Watch the Video!
To get started, you will need drawing paper, pencil, eraser, ruler, and round templates, for example, plates or lids will do.
I hope this kind of ornamental coloring inspires you to start and keep going!
Artist’s Life – Starting New Media Art
This week, I share my latest new media art and thoughts about my career as an artist. This is a sequel to the blog post called Beginner’s Video Art that was published last month.
Unstill Still Life – Video Art
The video above is my latest artwork “Unstill Still Life.” I have done this largely by programming. I have developed generative algorithms that create and alter shapes. I have designed the individual shapes with a 3D modeling program called Blender. The models and the code are put together with the Unity Engine which is a software environment for developing games.
Inspiration from an Old Painting
With the artwork, I participated in the Finnish National Gallery’s Web3 community Alusta challenge called “Nature and Nourishment.” The Finnish National Gallery has many copyright-free images and the organization encourages artists to use them for creating new media art.
I have taken inspiration for the colors and surfaces, as well as the concept itself, from Fanny Churberg’s 1876 painting “Still Life with Vegetables and Fish.”
I love old paintings, so this challenge was made for me. It’s so interesting to examine the brush strokes and think about the 3-dimensional shapes that they are related to. And I have so much to learn in making generative art, that I need small challenges to keep heading forward.
I Will Continue Painting, But …
I am still going to continue painting traditionally but I also want to start a career in new media art. I want to bring back my skills in programming from the years when I was a software engineer and use those for creating art. I also have a degree in Industrial Design that helps a lot with 3D modeling. The grant that I received from The Finnish Cultural Foundation has enabled me to develop my style in new media.
But all this is not only exciting but hard too. Do you know that feeling that comes when you have to start life over again? There is enthusiasm in the air, but also some “oh no”.
Building a CV
For a full-time artist, most opportunities are based on a CV.
That was not a problem when I graduated in software design in 1996. I thought: “I have plenty of time to grow my CV.” Then, when I graduated as an industrial designer in 2009, life seemed to be halfway over, but I was able to get quite a decent CV by combining some old and new projects.
When I started working as a full-time visual artist in 2014, I didn’t think about CVs at all at first.
The picture above is from 2015 when most of my art was in art journal pages.
But when I moved forward in painting, the reality hit me – it was very hard to get accepted to exhibitions and organizations without a CV. Mine was practically blank at first, and it has taken a lot of time and effort to add rows to it.
The picture above is from last summer at the exhibition organized by The Albert Edelefelt Foundation. See more pics in this blog post!
New Media Art – New Career?
And just when I thought that life was almost over at the age of 55, this new media digital art came into my life and it hit me – I’m a beginner again with an empty CV. So, I need and want to participate in challenges, competitions, and exhibitions, to get accepted again. And I want to believe that I still have time to create this new kind of art, not only paintings.
Some leaves of the big plant are connected to an invisible virtual camera that moves around and sends a mirror image to them.
I learn new things about generative art every day and I am amazed that I have been given this long life to experience it. Gratitude is the overriding emotion that emerges from this new beginning. I am lucky in what I have seen in the development of information technology and what I have been able to develop and be involved in developing in the past. I want my future CV to tell the story of a girl who wanted to become an artist as a child, who fell in love with computers as a teenager, and who finally has the artistic vision and the technical tools to combine the two.
Looking Back Enables Seeing Forward
If you have been following my blog for a while, you must have noticed that my blog posts are often self-reflective like this one. Visual art-making needs self-reflection too. It’s useful to go back and see how things have changed to make future changes and take steps forward.
With the newest course Liberated Artist Revisited, I invite you to paint with me – to follow directions from Paivi many years ago, and then create more with the current Paivi. At the same time, you can ponder, how your art-making has changed and will change.
Liberated Artist Revisited is a limited edition – only available for purchase until the end of March 2024! >> Buy Now!