From Artist’s Focus to Artist’s Between

This week, I challenge you to question what the word “focus” means to you as an artist.

I thought a lot about the artist’s focus when painting this piece. This was one of the last paintings to be finished for my exhibition.

Artist’s Focus

Have you ever said this:
“I want to find my focus in art.”

Although I want to direct my energy wisely as an artist, something in that statement has always bothered me.

For me, the essence of art is not narrowing, but expanding – not isolating but inviting. The artist expresses not only herself but humanity in general. And as humans, we are rarely completely serene or focused. We seldom belong to only one group, one era, or one world. We are often one foot in one field, one foot in another.

When we create, could the inspiring word be more like “between” than “focus?”

Focus is nice and pretty, but is it art?

Inspiration from Albert Edelfelt

In this series of paintings, my inspiration was the Finnish master painter Albert Edelfelt (1854-1905). For the painting of this post, I took ideas for the color scheme from this pastel work by Edelfelt. This piece is currently displayed at the Albert Edelfelt Exhibition in the Ateneum Art Museum in Helsinki.

While studying the colors, I thought about the end of the 19th century and the intelligent look of the woman. Wasn’t this also “between” rather than “focus?” Between a man and a woman, if you think about the relationship between the model and Albert. Between being a model and having her own thoughts, if you study a woman’s gaze. Between representation and abstraction, if you observe lines and shapes.

Abstract art began shortly after Edelfelt’s death. He probably already felt its presence, felt that he was between two worlds.

From Artist’s Focus to Artist’s Between

I decided to throw myself fully into being between two worlds in this painting.

“Between” is an uncomfortable state of being, so this painting couldn’t contain only easy and beautiful. “Between” is a bit like walking in nature and then bumping into apartment buildings. Or when you’re admiring clear water in a pond and your eyes fall on the filters. Focus can then only exist if you close your eyes. Not very eye-opening, eh?

This painting has two different styles and although it is small in size, I feel that it reveals the secret between what I do and what I think.

I noticed at the opening of the exhibition that I don’t like to talk about this work, because I find it somehow intrusive. Often when the paintings are created, they are nice characters, a bit shy and sensitive, but fun company. This one is straightforward and doesn’t hide its contradiction.

However, there is a lot of power in the contradictions and lack of focus. I want to continue to challenge myself to draw artistic inspiration from it.

Do you also feel that you are between two worlds?
In art-making, could you replace the yearning for “focus” with the embracing of “between?”