Vermeer Girl With Heart – Draw With Me!
Draw a Vermeer girl by following my formula!
This drawing is a modern version of the painting “Girl with a Pearl Earring” by Johannes Vermeer. Here, the earring is not the center of the attention, but a heart and flowers steal the show. I have made a simple formula to draw and color the girl’s face, and then you can put your own twist on the head and add whatever decorations you want there.
Supplies
You can use colored pencils, watercolor pencils, watercolors, acrylic paints, oil paints – or any medium that has a possibility to create color mixes. My example uses colored pencils. For the face, you need three browns: one dark, one middle, and one very light brown. You also need a little bit red for the lips and black for some small details. White is optional. When working on white or almost white background, you can just leave the white areas uncolored as I do in my example. I do use a little bit white to blend the red of the lips into paper white.
I created my Vermeer girl directly on an art journal page. My art journal is Dylusions Creative Journal Square. Pick a journal or a paper that works well with your supplies.
Vermeer Girl – Shape by Shape Formula
To succeed you have to trust this formula. Don’t look at the original painting, follow the picture below only. Copy the shapes as accurately as you can, and don’t think about drawing a face. The girl will appear when you have all the puzzle pieces in place!
Start from the first picture and color the shapes so that they have sharp outline edges. Then blend the skin colors so that the transition from one shape to another is softer.
Starting the Drawing
If you want to put all kinds of fun stuff on the girl’s head, place the face on the left bottom corner. I marked the spot where I started the drawing with a green arrow on the photo below.
At first, the face doesn’t look like one at all. But this kind of abstraction will bring out the realistic look. Reality is always more abstract than we think.
Drawing Sharp Shapes
Human faces are very organic, so the shapes are too. Examine the curves of the formula in detail, and avoid straight lines. The more beginner you are, the more you are tempted to draw too straight, avoid that!
Once all the pieces are in place, the face makes sense. Take the image in front of the mirror to see if there are any distortions. If the mirror image looks wrong in some way, get back to the formula and check your shapes!
When you are satisfied with the sharp shapes, go to the second step of the formula: blending.
Vermeer Girl – Achieving the Old World Look
Old paintings have softness that our photo-oriented era doesn’t often express. We prefer sharpness over blurry. However, life is often blurry and your Vermeer Girl will look much more alive if you soften the edges of shapes, especially on the skin.
Color on the top of the shape with the neighbor color so that the shapes integrate and look less separate. Now you can also adjust the shapes a bit more freely. I lengthened the big dark brown shadow because my face became a bit longer than in the formula.
Small changes in faces can change the personality quite a lot. I think that’s fascinating! You can start from the Vermeer girl, but then end up with a character of your own.
Drawing Decorations
First, think about the size of the decorations: do you want plenty of small ones or only a few large ones. Beginners easily draw something between, but I think this portrait will look better if the decorations are either a bunch of small ones or a few large ones. I chose the latter and placed a couple of big flowers and a heart on her head.
I colored the decorations freely and used no references for these. I like the contrast between the face’s carefully constructed softness and the free coloring of the flowers.
I move on to color the background just before I am finished with decorations. This way I can still change them a bit if needed. The background often gives life to the whole image and brings in more ideas for the drawing.
Starting the Background
Not only the girl’s face is composed of shapes, the background can be like that too. The only difference is that now you can freely improvise the shapes. Start with one color and sketch by coloring!
Think about the streams of air and imagine how the girl moves when she is posing in front of you.
Building the Color Scheme
To make the portrait look unified, you need to repeat the colors. My background started as blue, but in the picture below, it has started to get more brown tones. The pinks of the flowers also blend into blue. Color several layers and use a lot of blending near the edges.
I added the surrounding colors to the center of the heart like it would be a mirror. This also helps in harmonizing the atmosphere.
You can also play with patterns: color small shapes inside a bigger one! When located in the background, the patterns can be subtle and muted, so that they don’t steal the whole show.
Finishing the Vermeer Girl
When you are close to finishing, look at the original Vermeer painting and see how she partly disappears in the background. Especially the dark brown in the neck area can be blended with the background.
Dark background looks great with the lit face. Vermeer girl with a heart makes a wonderful Valentine’s day page in any art journal!
I hope this project made you grab your pencils and other art supplies!
Hearts and Stories – Sign up Now!
Come to play with hearts and other simple shapes! We use colored pencils, felt-tipped pens, and watercolors. Sign up for Hearts and Stories!
Expressive Watercolor Flower Collage
This is a sequel to the previous post “Flower for Your Art Journal” where we painted a watercolor flower step-by-step and used it as a collage piece for an art journal spread. This post has more ideas. Now we will paint more flowers and leaves. I also share some tips for artistic expression so that your collage will be more than just a stiff collection of flowers.
I have created this spread in Dylusions Creative Journal Square. The paper that I have used for collage flowers is Fabriano Accademia Drawing Paper (200 gsm/94 lbs). My watercolor set is a mix of artist quality pans from different brands. I have finished the spread with colored pencils. You can see these in action in the video of the previous blog post. The previous post also has the basic step-by-step instructions for painting a layered-looking watercolor flower. Let’s now look how you can do more and expand the basic idea!
Get More Variation – Grow Flowers More Naturally!
Instead of painting a separate flower by outlining it right in the beginning, grow a flower from the background!
Paint from the edges to the center.
Add more layers.
While you wait for each layer to dry, you can paint more basic flowers as instructed in the previous blog post.
When you can almost see a flower forming in the center, you can start painting petals on it.
Maybe you can also find smaller flowers near the big one, as I did.
Cut out the big flower but keep the background too. We will use it for leaves.
Add finishing touches to cut flowers with colored pencils.
Get More Variation – Paint Leaves!
Use the background for leaves.
Leave some background visible between the brush strokes to get veins. The thinner the veins, the more elegant the leaf looks!
Let’s Pause and Talk About Colors
Ï only made one pink flower for my collage. Other flowers have different colors. If you look at the finished piece, the pink flower really pops up because it’s so different. The green flowers may look unnatural when you have them as collage pieces but in the final piece they look like cousins of the green leaves and the result is natural.
When you want to build expression, some flowers have to be less important than others. That’s why you can use any color for both flowers and leaves. For example, you can have blue flowers and blue leaves. These are secondary elements to the focal point.
Get More Loose – Let Watercolors Make Some Flowers!
Put most of your energy to make the main flower, as beautiful as you can. You can then paint other flowers very loosely. Namely, some flowers can be more in the background and because flowers are very 3-dimensional things, their outline is often asymmetric. Think about a peony, for example! It has many layers of petals and they point in different directions.
With a fairly broad brush and quite a lot of water, paint multicolored spots and call them flowers.
You can add some brush strokes on the spots to make the flowers a bit sharper. However, these loose flowers are much less detailed, see my selection below.
Before attaching the flowers and leaves, add color to the background.
Get More Expressive – Paint a Multicolored Backround!
Backgrounds with only one color are boring, and not only for the viewer but for the maker as well. Different colors form different areas and when attaching the flowers you have much more fun deciding where to put which flower.
I let my background guide me: yellow flowers in the yellow area, green flowers and leaves where the similar tones are, and the pink flower in the center that has the warmest tones. This creates the effect of lighting – the flowers and the background are exposed to the light of similar tone and that makes them look less separate.
Watercolor Flower Collage and Colored Pencils
With colored pencils, you can easily add curvy stems and other delicate lines and darken the surroundings of the focal point so that it catches the eye right away.
Notice that you can also push some flowers further back by coloring over them with background colors.
My blurry and loose flowers get green tones. And I also add yellow to the background to push it visually closer to the flower.
Drawing curvy stems makes the collage flowers look less stiff.
You can also add more subtle details to the background by coloring over it with very similar colors that it already has.
Some green details are a little lighter, some little darker, and that’s makes them visible but not too much – the pink center flower has no competitors.
Next-Level Watercolor Flower Collage with Tension
I know that using dark colors is hard for many. These times need light and you want to make bright art, I get it. But light needs darkness to shine. I always finish my work so that it has the tension between the so-called good and the so-called bad. It has sharp and bright details, traditional beauty, safe and tame areas. But also dark colors, unclear, sometimes even scary-looking wilder parts. This tension makes the collage natural because life is like that.
I hope this post inspired you to create more watercolor flower collages!
Flower for Your Art Journal – Step by Step Video
Let’s pick watercolors and colored pencils and make a flower for your art journal! Scroll down to watch a step-by-step video!
This flower can be a rose or a peony or any round and layered species. For me, it’s not so important which flower it is, but what kind of personality it expresses. Here I aimed for a soft but unapologetic character. Every flower you create will become a bit different, and soon you’ll have a collection!
Flower for Art Journal Page – Watch the Video!
The instructions for the flower and all the inspiration for using it on a page is in the video below! We’ll start with watercolors to make the foundation for the layered look and then add more sharpness with colored pencils. Some patience is required because you need to let the watercolors dry between the first steps.
In the video, I encourage you to adjust the center of the flower, the flower’s sould. Find a look and personality that appeals to you!
Including the Flower in Art Journal
In the video, I also show how you can use the flower with almost any background and make a spread for the flower in the spirit of Freely Grown.
I hope this week’s video and the last week’s blog post about picture prompts inspire you to art journal and create art in general!
Picture Prompts – Creating Art Journal Pages with Hand-Drawn Animals
This week, we use small collage pieces as picture prompts for art journal pages.
First you pick a small image, a hand-drawn squirrel or wolf in my case, and use that as inspiration for the rest of the page. You will need paper, colored pencils, and a pen for journaling. I also used felt-tip pens for the details that I wanted to highlight and graphite pencils for quick sketching. I attached the animals to the page with double-sided tape. My journal is Dylusions Creative Journal Square. (Affiliate link to Amazon.com).
Open Your Box of Joy and Select the Animal!
We will use hand-drawn animals as picture prompts. You can, of course, use any image, but I suggest starting with animals.
I save my hand-drawn collage pieces in boxes that I call boxes of joy. These little drawings are born from the joy of drawing. I have cut them so that they can be used as collage pieces.
I started drawing these small separate little things in 2018, and have been creating them ever since. It’s so easy to pick a paper scrap and draw something simple, and then get enthusiastic about adding decorations and colors to it. I have several online courses where we draw these: Animal Inkdom, Magical Inkdom, Decodashery, and Doll World.
My animals are mostly drawn for the courses Animal Inkdom and Magical Inkdom, and I love them so much, that I have also printed copies of some of them. I have many boxes to choose from and I love to both use them and re-fill them.
For the first page, I selected a squirrel because it has pink and orange, and those have been my favorite colors recently.
After selecting the animal, use its colors to color a small part of the page! Just color some layers freely (like in the course Intuitive Coloring). Don’t glue the animal yet, wait until you draw more and the story unfolds.
Picture Prompts – Go Beyond the Obvious!
We have a big nut bush in our garden and squirrels love it. So, my first thought was to draw some nuts for the squirrel. But that would be too ordinary and not fun at all. What if this squirrel would chase after Faberge eggs while others collect peanuts?
I love drawing decorated eggs. In Doll World, we draw a big egg, but this time I wanted the eggs to be small so I could fit many on one page.
I made the eggs a bit different in size to make the page more interesting.
Static vs. “What If …”
When using the animal as a creative picture prompt, you want to find the story – not only the connection between the starting idea and the additions but also something surprising that keeps the inspiration going. If you only draw the ordinary, the picture easily becomes static – nothing is happening. Go for the extraordinary! Change the rules of reality, change the roles of the objects, make the animal speak – by drawing, you can create a world of your own. Ask: “What if?”
When I drew the first egg, it felt like just any object, but when I drew more of them, my imagination started working. Maybe the squirrel could sit on the biggest egg? And maybe the eggs could have a bigger role than to be just a decoration.
What if the scenery that I colored inside the biggest egg would leak into the surroundings?
I wrote: “A palace was born, hot summer days came here, the queen (the squirrel) had a party, and all things good and beautiful came up.”
Then I drew more and completed the page inspired by the journaling.
This is a story about an impractical squirrel who collected Faberge eggs instead of nuts and wasn’t much like other squirrels. But her eggs didn’t stay small. They grew and opened and created a place for her to live in.
“Isn’t that a story about every artist,” I realized after the page was finished.
Flying Wolf Art Journal Page
Let’s pick another animal and make the second page!
This wolf is the first little collage piece that I drew in 2018, so it’s time to give her a home. Decorating the animals was one of my core ideas for Animal Inkdom, so I can now color freely so that the decorations will continue to the background too.
Again, I am using the colors that the animal has: blue, black, and pink. This way the collage piece doesn’t look separate from the rest of the page.
I wanted the wolf to fly, but not with furry wings. Could the wolf be partly a butterfly?
With the wolf, I felt a connection to my North Karelian origin. With the butterfly wings, I celebrated being a woman and loving delicate beautiful things.
This wolf didn’t feel like a lonely one. So, I added a small butterfly and another bigger that is showing only partly on the right edge.
Back in 2018, my wolf didn’t fly yet, but it’s flying now! The more you draw, the more you can imagine!
Picture Prompts – Step by Step
- Pick the animal.
- Use the animal’s colors and patterns to get started.
- Ask: “What if …”
- Answer by drawing and journaling.
New in Development!
I have been making a new course that has a working title “Hearts and Stories.” I have already drawn quite many pieces for it. I collect them under a plastic plate that fits the side table of my studio. There I can see the whole collection at the same time, and think about what’s missing and how I will proceeed.
These drawings make me smile. My goal is that you too will smile when the course is running!
I want to be the advocate for drawing, because:
- If you only think, your imagination has limited capacity.
- If you only paint, you will stop playing and eventually run out of creative ideas.
- Drawing is important for any artist and for any human being.
What do you think?