How to Trust Yourself when Creating Art
When I begin creating art, I often have petty thoughts like: “I want to draw a flower” or “I want to create something pink.” Even if I create regularly many times a week, I am still bothered by the fear of failure. I know I have to handle that at as soon as it comes, preferably before the first brush stroke. Why? Wouldn’t it be fun sometimes to draw that single flower or create that pink square? I believe that if we give ourselves that kind of clear commands and simple tasks, we don’t really trust our creativity. The big question is always: do you trust yourself when creating art?
The Unpredictable Nature of Art
If you trust yourself, you can step into the world of unpredictability. Not knowing exactly what to aim for is a major factor when creating art. We can set restrictions and principles, but we have to leave space for unpredictability. It means that we are more creative if we do not have the clear picture of the result.
Setting Restrictions on Supplies
These are the art supplies that I gathered when I began making the collage of this post. Watercolors, acrylic paints, and fiber paste. I also picked a thick watercolor paper and cut it to a square. I chose the supplies but left behind the thoughts about what I was going to make.
Find what You Want to Express
My method is to browse art books just before creating art. I do it only for few minutes, and I try to pick art that really lifts my spirit, raises the bar, sparks my imagination. Usually, it is something from the history of world art. This time I browsed a picture book from impressionism.
So, do I advise you to get a book of impressionism? No. I advise you to name what spheres you want to reach when making art and pick images which resonate with that. They do not have to be the same style than what you want to accomplish. The more important is the feeling that they evoke in you. When I browsed the book of impressionism, I thought how art is above all the mundane things. How those artists who lived at the end of the 19th century have managed to describe the beauty in the way that is still understood. How the brush strokes, full of paint, were successfully set to represent weightless light. All that would be exciting to see in my piece too.
When the first watercolors hit the paper, I still had some self-doubt: I could not ever do anything like the great impressionists. I heard the sarcastic voice in my head: “Reborn Monet, yeah right!” But that sarcasm is the moment when I know I am almost there: I am almost leaving the rational side of me behind. Then I just need to wow to trust myself, stop seeing any desired images in my mind and start working fiercely.
Layering (With Some Moments of Self-Doubt)
I often start with watercolors because they cover the paper quickly. Even if I have the idea of creating some surface structure, I wanted to use watercolors first to get into the mood of uncontrolled splashes.
While waiting for the watercolors dry, I mixed some acrylic paint. Pastel shades like many impressionists used to choose. 
To get some interesting texture with the paint, I used a palette knife instead of a brush.
After playing a little with the palette knife and thick paint, I became clueless of how to continue. It’s important to recognize these moments. If you are not aware of these, your rational side takes the control and decides to do things you really cannot justify. Like: “Let’s use the rest of the paint to cover the surface evenly.” Or: “Let’s get some other colors and splash the paint here and there.” When you feel that you do not know what to do, don’t do the obvious. I might browse some pages of the book again to get back into the mood. Or change the media, the solution that I made this time. I doodled something not so important with the colored pencils just to realize I wanted to continue with watercolors and a thin brush.
When I got bored with colored pencils and watercolors, I opened the jar of fiber paste. Even if I often prefer to stay with the basic art supplies, fiber paste is something I like. It not only creates an interesting texture like watercolor paper, but it also works like a watercolor paper. You can paint over it with watercolors and create beautiful details to your work! 
Trying to achieve distinct variation in the surface texture, I used the palette knife again.
Then my mind was empty again, so I browsed few pages from the book again and then continued with colored pencils.
When I reached the next point of frustration, I decided to change to the watercolors and work with high speed. Working fast helps to get creativity flow.
Once the paper was covered all over, I started adding details. A white correction pen is great as it usually works on any surface.
Hand decorated papers are great for details. I picked some of my prettiest papers and began to cut them. The paper shown in the picture isn’t that great as an artwork, but it’s versatile for collages as it has a lot of variation.
Finishing
I felt that it was time to begin finishing the work. It is always useful to stop and think. I often put the artwork somewhere where I can look at it, like on the nearest bookshelf. Then I step away and try to figure it out where to lead the viewer’s eye. Here’s another step where you should not question your trust: It will be great! You just need to connect some dots and find the lost pieces of the puzzle. Like I did when I realized that there is someone in the picture. I added the faces and made the rest of the character more visible. Then some tiny adjustments to the composition and after that, the work was finished.
I think that this piece is aesthetically very much my style, but the impressionistic approach to the surface structure makes the work interesting.
Never underestimate the power of layering: this is my favorite detail, the white area showing the blank watercolor paper. It was created in the first phase, and it still exists in the end. If I had done the obvious and filled the paper with each media layer by layer, this little detail would not exist. So, cherish each stroke and trust your creativity! Focus on the feeling, not to the result! You are allowed to feel like a world-class artist even if you know you are not. Fly to the world of imagination!
This might also interest you: – Stretch Your Artistic Style
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Imitate Ceramic Art!
A strange cat in the shadows.
Too many apples for the tree to bear.
A blackbird complains: Dry mouth!
Still, it’s a paradise: my garden.
This is an art journal page where I wanted to achieve two things:
1) imitate Scandinavian ceramic artists of 1940-1960s
2) write a poem and illustrate it
Scandinavian Ceramic Art
Let’s start with the artists: Annikki Hovisaari from Finland and Lisa Larson from Sweden. They are women who made beautiful ceramic art in 40s-60s. Annikki Hovisaari died in 2004 but Lisa Larson is still alive and she has a website too.
Me and my husband own a couple of Annikki Hovisaari’s work. We have bought those from antique fairs.
I found out about Lisa Larson in Scandinavian Retro magazine nr 1/2014. You can also see the best work of hers by searching from Google with the search term “Lisa Larson tile”
When I examined the work of these two artists, it was clear that a white correction pen would be perfect to imitate the lines. I made a couple of small pages by combining the correction pen with acrylic paints and PITT Artist Pens. However I was not fully satisfied with the outcome. These did not have the liveliness in color that I wanted to achieve.
But after making these I realized how I would use the correction pen and what I would combine it with: watercolors! Here’s how you can create your own ceramic tile look!
1) Doodle with correction pen
2) Use watercolors for coloring
The correction pen works as a resist. You can watercolor over the white doodles. After painting add some water and wipe the paint off from the doodles.
3) Add contrast and draw thin black lines
When you are done with watercolors, don’t stop yet. Add color variation and contrasts to doodled shapes. You can also work with colored pencils when finishing if it feels easier. Finally, take a thin black marker and add thin lines in the center of white doodles or both sides of the doodles. These lines will make your work look sharper and more dimensional.
Here you can see the difference that finishing makes. At this stage, I have also added the poem. Actually, my process began by writing the poem. I have discovered that if I want more depth in journaling, it’s better to write it first.
Have fun with this simple technique!
More ceramic art inspiration and playing with simple shapes
>> Modern Mid-Century art journaling mini-course