Color the Emotion

Pick a few colors and create without stiffness.

Art Supplies and Emotions

This week, we ponder what kind of feelings and emotions our art supplies raise in us.

Do you remember these small paintings from a few weeks ago?

Four small oil paintings by the artist Päivi Eerola, Finland.
Four small oil paintings, 15 x 15 cm each.

I now got the fourth one finished, and I couldn’t resist taking a photo of them together. These are only 6 by 6 inches, and the small size enables me to study a style or an idea before making a bigger painting. So, in a way, these are like pages in an art journal – small art that is delightful to create and look at but that doesn’t fill a wall. It’s the first time I feel I can create quick experiments directly in oils. And this brings us to the topic of art supplies.

Crayons, Inks, and All the Possibilities

I have now painted on canvas in oil for over two years, and most of the other art supplies don’t inspire me so much anymore. I have all kinds of crayons, inks, and paint tubes that were purchased in a different mindset many years ago.

Playing with crayons.
Derwent Art Bars. See more crayon love!

Back then, a new supply meant a new beginning. Purchasing a box of crayons meant that I still believed in myself – that there was still hope that I will become an artist. See a video of me working with crayons – a blog post from 2017.

Created with Derwent Art Bars and Faber Castell Gelatos. By Päivi Eerola of Peony and Parakeet. See her post about art supplies and emotions!
Derwent Art Bars and Faber Castell Gelatos. >> See more crayon love!
Rising Star - graphite pencil, acrylic paints, oil pastels, from the class Innovative Portraits. Creating mixed media, choosing art supplies.
Rising Star – graphite pencil, acrylic paints, oil pastels, from the class Innovative Portraits

I like many of the pieces that I created back then, but now when I look at those boxes of crayons, the magic has gone away. All I can hear is the calling of my beloved oil paints.

There are two exceptions though.

Colored Pencils Are the Easiest Art Supplies

Colored Pencils bring me back to my childhood when I was drawing with my elder sisters, admiring what they did with them. For me, colored pencils were not just pencils, but dolls that had names. It was sad to see a doll that I loved get shortened and then finally thrown away!

Compared to oil paints, colored pencils have an advantage. There’s no preparation involved. When I paint with oils, I need to build the palette, clean the caps, select the brushes, protect the tabletop, etc. But with colored pencils, I can just grab a piece of paper or open another page in a journal and start coloring freely. When I am tired but still want to create something, it’s really nice.

Colored pencils on a journal. Choosing colored pencils as art supplies.
Autumn colorings from 2022, see the video where I talk more about colored pencils!

I have also liked to maintain my illustration skills, and colored pencils are great for that too. For example, see the newest course Doll World!

Watercolors Are a Great Teacher

I am also emotionally connected with my watercolor set. Even if I haven’t used it much lately, I feel that painting in a watercolor set my style. Many techniques that I use in oil were learned when I was painting in watercolor, for example, negative painting and building an image layer by layer.

Päivi Eerola, After Winter - Talven jälkeen, 38 x 28 cm, watercolor, 2019.
After Winter – Talven jälkeen, 38 x 28 cm, watercolor, 2019.

I also learned a lot about pigments and their behavior back then. It was a good learning experience to paint many pieces in a row.

Watercolor paintings in a studio. Choosing the art supplies that produce the best emotions.
Watercolor paintings from 2019.

I have several courses on watercolor, for example, Magical Forest for fairies and Floral Fantasies for floral still lives!

What about all those inks, crayons, and such, did I learn anything from them? Yes, of course, but when I look back, it feels like when I started to focus more on one media instead of mixed media, I also took a big leap forward in skills. My art went forward when I no longer tried to find a solution by changing the media but by growing the skill. I was also able to get a more emotional connection with the supplies and somehow that feels very important to me.

Oils vs. Acrylics as Art Supplies

Before oils, I painted in acrylics for some time. They are more practical. They don’t smell like wet oil does. The painting mediums have less odor too. They dry fast so painting is much faster, no need to wait for days before adding a new layer or making the finishing touches. Acrylics don’t require a similar kind of knowledge of pigments and painting mediums as oils do. In oils, you have to be careful with some pigments and the use of mediums because they may cause crackling.

Varnishing small oil paintings with Gamvar.
Varnishing small oil paintings. I do my best to build the layers of the painting so that it will last the test of time.

Despite all that worry, when I open my box of oil tubes, I feel different than if I pick acrylics.

The Emotions I Get When Painting in Oil

The oil paints connect me to the past. They take me to the time before I was even born.

Within seconds, I travel back to the beginning of the 20th century, meet the early abstract painters and impressionists, then continue my journey to the 19th century and meet pre-raphaelites, and move from them to those who wanted to capture the realism, and to those who were more romantics. Then again, within seconds, I go to the 18th century and admire all the floral still lives and women in beautiful dresses.

And at best, I continue the journey to the 17th and 16th centuries and see big paintings full of details. Then I also meet the masters that had the patience to make really thin layers and wait for each to dry before adding a new one.

This time traveling enables me to meet long-time friends like Wassily Kandinsky, Peter Paul Rubens, and Leonardo da Vinci and if I do some browsing before I start painting, I always find a new one that I want to meet and learn from.

Oil painting in progress. By Päivi Eerola, Finland.
One of the paintings that I will show you later this spring!

And now when I am painting for the upcoming Albert Edelfelt -themed exhibition, I also learn from him.

Kirsikankukka, oil on canvas, 15 x 15 cm, Paivi Eerola, Finland.
“Kirsikankukka” (Cherry Blossom), 15 x 15 cm, oil on canvas, inspired by Albert Edelfelt’s painting The Parisienne (Virginie)

There are many great artists today, but I feel that tracing what you love back to history is essential to artistic growth. I also get satisfaction from knowing that I belong to the chain of generations. Artists from the past, still live through me.

A small oil painting with thick edges. By Paivi Eerola.

Paintings In Progress

I have been painting quite a lot recently, and there are many more paintings in the queue.

Oil painting in progress.

These are in-progress pictures! I will show you the finished ones in the near future!

Oil painting in progress. By Paivi Eerola, Finland. See her post about art supplies.

I usually reserve a whole day for painting and try not to do anything else at the same time. If you want to follow a painting day, look for my Instagram stories where I usually post in-progress photos when I am testing the composition and such.

What are Your Favorite Art Supplies?

Miniature oil paintings by Paivi Eerola. The attic series.

Tell us what are your favorite art supplies at the moment!
It would also be interesting to know which supplies raise emotions in you
.

Revamp Art Journal Pages So That They Spark Joy!

An art journal page spread by Paivi Eerola of Peony and Parakeet. Mixed media art.

Here’s an art journal spread that I just finished. First, it was just a couple of old black and white drawings that – like Marie Kondo would put it – didn’t spark joy. But I used the old floral drawings as an inspirational foundation for the revamped spread. How and why revamp art? Keep reading!

Why Revamp Art?

The more confident I have become in creating art, the more I have begun to see the potential in my old art. Busy sketches, not so beautiful messes, and clumsy paintings and drawings all show the level of inspiration that still satisfies me. It’s the level of execution that I want to change. I want to tidy up some messes and add more expression and depth. I am certain that Marie Kondo would approve the idea of working with the old art journal pages. Isn’t it quite minimalistic compared to buying new journals all the time?

Revamp 1 – Change the Topic of the Page

Maintain the composition but change the topic of the page!

Here’s the spread before I started re-working it. It has a couple of carelessly drawn floral clusters.

An art journal page ready for revamping. By Paivi Eerola of Peony and Parakeet.

I changed most of the flowers of the left page to animals, added more details and shadows, and made the lines and shapes neater.

A detail of ink drawing by Paivi Eerola of Peony and Parakeet.

Then I used Derwent Artbars to color the line drawing.

Art journaling by Paivi Eerola of Peony and Parakeet.

Revamp 2 – Tear the Page and Make Collage Art

I made some more drastic changes to the other page. I ripped parts of the black and white drawing that had been glued there. Then I went to my boxes of joy – the boxes that hold my hand-drawn collage pieces – and picked this motif.

The background was painted with white acrylic paint. I worked in layers, glued some of the ripped pieces and doodled carelessly, then added more paint.

An art journal page in progress. By Paivi Eerola of Peony and Parakeet.

Revamp 3 – Paint Over a Part of the Page

I wanted to include a hand showing how I currently play with my art. I took a quick photo and used it as a reference.

An art journal page in progress. By Paivi Eerola of Peony and Parakeet.

See how similar a page from my first art journal from 2010 is!

Old and new art journals by Paivi Eerola of Peony and Parakeet.

Have you documented your creative play? How you do it and how it makes you feel?

Art journaling and drawing collage pieces by Paivi Eerola of Peony and Parakeet.

Revamp 4 – Cover a Page with a Piece from the Archive

Before I finished the spread above, I re-vamped another spread. This one only had some doodles on the right page, and then a drawing inspired by Mark Rothko glued on the left one.

An art journal page spread by Paivi Eerola of Peony and Parakeet.

I found an old hand-drawn collage and glued it on the right page. In 2010, the collage was disappointing to me. I wanted to find my style and as a fashion illustration, the image looked clumsy.

However, it seems now that I wasn’t able to translate the message of the image correctly. Now, the piece makes me smile – there I am, sitting and handing the things that have always been inspirational to me: jewels and bags! I just wasn’t able to draw them like I did last October so I didn’t realize that they are the key elements for my visual voice.

My collage was saying: “You should draw more bags and jewels, Paivi!” What does your old art speak to you now?

Revamp 5 – Add a Decorative Frame

During the years, I have made quite many of Mark Rothko inspired drawings, see this blog post! I love detailed drawings, and no matter how skillfully I would try to replicate Mark Rothko and other minimalists, I was never satisfied with the result.

Drawing a decorative frame on an art journal. By Paivi Eerola of Peony and Parakeet.

I wanted to hug the idea though and make a decorative frame around the old abstract.

This way I am saying that the level of inspiration is there – Mark Rothko really makes me want to create whenever I look at his paintings. But the level of execution that I enjoy and am best at is something totally different.

This spread really sparks joy to me now, and I also couldn’t resist playing a bit with the collage pieces.

Playing with hand-drawn art by Paivi Eerola of Peony and Parakeet.

Isn’t it amazing how similar the style can be after so so many years, and after spending so long time trying to figure it out!

Playing with hand-drawn fantasy art by Paivi Eerola of Peony and Parakeet.

Here’s to Mark Rothko!

Playing with hand-drawn fantasy art by Paivi Eerola of Peony and Parakeet. A decorative cat.

I am loving playing with the old art journal spreads, building the bridges between the years. If you separate inspiration from execution, does it make you look at your art in different eyes?

Playing with hand-drawn fantasy art by Paivi Eerola of Peony and Parakeet. A decorative cat.

The Idea For This Blog Post Came from These

a) One of my notebooks mixes writing and drawing so that randomly scribble, doodle, and write there. It’s a private journal, and I didn’t want to publish its pages but the more full it has got, the more I have realized that when the sketches and writings are not organized chronologically, and I can revamp the pages repeatedly, they naturally produce new ideas.

b) Mackie d’Arge, a wonderful fellow artist from the USA, has shown her beautiful art in my art community Bloom and Fly. She has made many pieces by rebuilding and revamping her old artworks. It has given me the idea of looking at the potential of my old art and what could be made from there.

c) My classes Animal Inkdom and the upcoming Magical Inkdom are all about playing by drawing. I have wanted these classes to be fun, so they have made me include humor, fantasy, and play in my artistic process as well. They have made sure that my boxes of hand-drawn collage pieces stay filled even if I would “shop” there all the time! In Magical Inkdom, we will also draw decorative frames. >> Sign up Now!

Little Assistants – How Pets Help with Art Making

Surreal Stella, a sketchbook page made with Derwent Artbars and waterbrush. By Paivi Eerola from Peony and Parakeet.

I work at home with two dogs and four birds. My husband leaves early in the morning and then there are only us, the gang of seven. One of my little assistants is a beagle called Stella, a very cute little angel to every human but I think she would describe herself as a hungry hunter and would order a very different portrait than this one!

Gathering Inspiration

First, I take the dogs out for a walk. I solve most of my work-related problems and make plans in this private morning meeting, happening inside my head.  In the afternoon, there’s another walk, but that’s not as productive as the one in the morning.

I always carry a phone with me so that I can take photos if I happen to see something inspirational and artistic. As a result, I have a lot of pictures that are not so great or meaningful to memory keeping and such, but that look abstract art to me.

Photographing light and gathering inspiration for art.

This winter we have got quite a many snow storms. In February, it had snowed a lot during the day, so before we left our front yard, I was already taking photos of this mad whiteness that we were trying to overcome.

Snowstorm in Finland.

We had been wading for some time when I realized that I had lost my keys in the snow while taking photos. After a lot of sweat, and stepping back and forth, I finally found the keys in the middle of “the road.” During a year, there are many days in Finland where everyone else than dog owners have their meetings indoors.

Taking Healthy Breaks

On a workday, my dogs hang around quite a lot.  They have learned that if I set something on the floor, it’s not for them to lay down on.

Photographing art and having a pet around an art studio. Read more about the life of an artist who has pets!

They try to be patient when waiting for daily treats but maybe see their role as interrupters who force me to have short breaks now and then. Cosmo, the old one, is the leader who decides when to stop my work, and Stella quickly joins him.

Cosmo and Stella, Paivi Eerola's pets.

These breaks don’t always seem so healthy and fun to me. I am often in a very concentrated mode and find a soft touch of a nose just annoying. But who could resist these faces?

Getting Genuine Encouragement

The birds – four budgies called Henrietta, Citronelle, Dynamite, and Bonneville – see my work differently. They want to join me and encourage me when I am at my best. It means that every time I record videos, and they sense the excitement in my voice, they start chirping: “Go on, you are doing great! Oh Paivi, you are so inspiring!”

Paivi Eerola's fours budgies. Read about her life as an artist working from home.

Hearing the birds is a contradictory thing. My birds don’t lie so if I don’t hear any sounds when I am speaking, I know that my enthusiasm doesn’t show and I have to fix that. But despite the walls, the mic picks up the high-note sounds easily. So I have to stop recording, go to the library room to ask them to be quiet. Sometimes nothing else helps than darkening the room and adding a cover on their cage. It often feels cruel, especially after seeing them happy and excited first. So many of my videos have bird sounds in the background, and I hope that you forgive us!

Paivi Eerola's art studio.

Having Pets as Models

Cosmo and Stella are very proud of their modeling skills, and they think that the reward they need for every minute is very moderate too. However, it’s often cheaper for me to take a photo and use that as a reference.

Cosmo and Stella, Paivi Eerola's pets. Read how she describes her life as an artist working from home with pets.

Unfortunate for them, but I don’t often paint dogs. But this month, when the monthly theme of Bloom and Fly is stretching the imagination and adding surreal elements to art, I wanted to express how cute Stella is in my eyes.

Paivi Eerola's art studio.

Learning Leadership Skills

My position as the leader of the pack has strengthened during the past years. We all wait eagerly for my husband in the afternoons but I am often the one my pets turn with their needs. My husband loves them as much as I do, and it hasn’t always been this way. But the time spent with them matters, and it gives me the sense of satisfaction when I don’t have to leave my pets alone.

Paivi Eerola and her beagles. Read how she works from home with her pets!

This year, leading an online community has been new to me. In fact, when I left my day job in 2014, I thought that I would be just making self-study classes and taking care of the pets! There’s a false sense of independence built in the art making because most of the creating happen alone. But after running my first workshop, I realized that I can help more when there’s more interaction.

With the community, it has dawned on me that the role of a leader doesn’t mean that I have to know it all. We are all learning from each other. It’s a liberating thought, and it doesn’t only empower the leader, but the members as well.

We often have intentions to create a certain kind of art or share our art but postpone it because we feel that we need to figure it out by ourselves first. Some of the things that I have postponed are diving deeper into watercolor painting and develop more ways to use art for self-exploration.

A Detail of "Surreal Stella", a sketchbook page made with Derwent Artbars and waterbrush. By Paivi Eerola from Peony and Parakeet.

But the truth is that when you have the support, changes start to happen. You get structure and kindness that gives you courage. There’s no need to struggle alone or wait until you are ready. The life is not so long after all.

Bloom and Fly – Don’t wait until you are more skillful, join the community now!

Intuitive Painting with a Reference Image

Intuitive painting with a reference image – can it be possible? Let me show you how!

Madama Butterfly, an intuitive painting from the sketchbook of Paivi Eerola from Peony and Parakeet

Here’s a painting from my sketchbook. It’s called “Madama Butterfly.” My reference image was this Renaissance painting called “Flora” by Tiziano Vecellio, 1515-1520. I took the photo last summer when visiting Uffizi Gallery, Florence, Italy.

Flora by Tiziano Vecellio. Uffizi gallery. Photo by Paivi Eerola from Peony and Parakeet.

There are very little similarities in these two pieces. The pose is fairly similar, the composition and the facial features have some similarities, but that’s it. The style, the theme, and the technique are all different.

Tiziano Vecellio's painting Flora, and a painting from Paivi Eerola's sketchbook. See how she used the reference for the painting!

The Supplies And the Setting

I like to do fairly quick paintings on my big A3-sized sketchbook. For this sketchbook, I often use Derwent Artbars, a water brush, and Faber-Castell Gelatos because they are easy to layer and I am more relaxed than when working with tube paints. I use acrylic or oil paints for canvas paintings, and working with them is more serious. This time I wanted to demonstrate a concept or a method rather than creating a 30-hour painting.

Derwent Artbars, Faber-Castell Gelatos, and a waterbrush ready for making a sketchbook page.

1) From Intentional to Intuitive Painting

The first idea was to pick the pose and the composition loosely from the reference image and then add geometric shapes to fill the space.

First steps of an intuitive painting that also uses a reference image. By Paivi Eerola from Peony and Parakeet.

After sketching the foundation of the figure, the triangles, rectangles, and circles were fun to paint without looking at the reference at all. I painted the face roughly, and then I used the reference image as a guide. But because at this early stage, I didn’t know what I want to express and what kind of person the figure could be, I didn’t bother to spend time perfecting the facial features. At this point, my painting resembles cubistic pieces from the early 20th century.

2) Changing the Style

When creating art for the sketchbook, I like my style to be a bit more illustrational than when I make bigger paintings. Even if I love cubism, I wanted my piece to be a bit more current.

Making an intuitive painting by using a reference image to some parts. By Paivi Eerola from Peony and Parakeet.

Nowadays, illustrations often use geometric shapes but rather than triangles or rectangles, the shapes are often round, and scallop edges seem to be a bit hit. So I started changing the painting by altering the shapes. This routine work gave me plenty of time to connect with my inner world and work intuitively from one association to another. I tend to be both nostalgic and romantic, so I thought how portrait painters often spend time with the clothing even if they are just a shell. Why not use it as a canvas for the memories, the ideas, and the achievements of the person?

Changing an artistic style by changing angular shapes to round shapes. Example by Paivi Eerola from Peony and Parakeet.

3) From Intuitive to Intentional

After rounding hundreds of triangles and rectangles, I realized that I was painting Madama Butterfly, the opera that I just saw last Saturday! I finished the face after this realization and adjusted other elements so that they fit with the theme.

Madama Butterfly, an intuitive painting from the sketchbook of Paivi Eerola from Peony and Parakeet

More Intuitive Inspiration from Opera

This is not the first time I have been intuitively inspired by opera!

>> Tosca

"Tosca" by Paivi Eerola from Peony and Parakeet
Tosca, 2015

>> The Phantom of the Opera

"The Phantom of the Opera" by Paivi Eerola from Peony and Parakeet
The Phantom of the Opera, 2016

>> La Traviata

"I Am Listening", a hand-drawn art journal page by Paivi Eerola from Peony and Parakeet
I Am Listening, 2015

>> The Marriage of Figaro

Opera, a mixed media collage by Peony and Parakeet.
Opera, 2014

And there’s also a video about
>> Kaija Saariaho’s Emilie

More About Simple Shapes

>> What to create from simple shapes – 6 ideas

Self-study classes:
>> Planet Color – release your mind by focusing on color!
>> Modern Mid-Century – put a modern twist to simple shapes!

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