Out in the Open – Feelings from the First Solo Show
This week I talk about my first solo show called Linnunrata (The Milky Way)
and share thoughts and feelings that being out in the open has evoked in me.
Here’s one of the last paintings that got finished for the solo show.
Click the image to see it bigger!
I started it in April when there were too many water puddles in Finland.
Water World
Water blocked roads and filled fields. It was frustrating and ugly and at the same time, magical and beautiful! I realized that I could watch the mud or look further and see the sky and the trees. Their reflections created a miraculous underwater world.
Just like the planet Uranus, this imaginary world had no solid matter – only gas and water!
Pressure Rises
Because I wanted to present my best work at the show, the pressure for bringing out the best of my skills was high. When I started the painting, its identity and colors were weak and the composition weird. I was worried if I get it finished in time.
It took many layers before the painting was finished. Because I like to keep the layers thin and fairly separate, lots of time was spent on drying between the sessions. My studio got too small, and there were paintings drying everywhere!
I find it quite nerve-wracking to handle wet paintings!
Unexpected Turn
I usually never change the orientation of the painting in the middle of the process, but this time I did. I felt that I could open the space more by doing that. However, I think this piece works in both ways, what do you think?
Hanging Plan for the First Solo Show
One of the most challenging things when painting for the show is to keep the overall selection coherent. I had a hanging plan right from the beginning, and I updated the plan after each painting. Here’s how the plan looked before the actual hanging.
The problem with the last paintings was not only to create unique artworks but ones that would also complement the overall collection. I formed small groups from the paintings to give visual rhythm to the exhibition.
We mostly stuck with the plan.
I wanted it to be noticed as a main piece of the right side wall. But Court of Uranus was such a strong piece that I wanted to move it to a more central place.
I left some space around it so that it stands out. This painting causes bittersweet feelings in me, being both beautiful and spooky at the same time. It has been interesting to hear how people see it.
Gallery Space
My show had four walls on the lower level. The building is from 1957 and the walls and the floors are protected. The wooden walls did not bother me, I think my art goes well with them. Here’s a better picture of the gallery space.
The two big paintings on the white back wall At Home in Pluto and Jubilee in Neptune were painted when I was middle of the series. I think it’s best to paint some smaller pieces first before making the largest ones. I used Neptune for the poster of the show.
When the main pieces are done, there’s more room for something unexpected. That’s how Court of Uranus was born.
Court of Uranus feels like the painting defines me rather than I would define the painting. It seems to display my future and show what more I could do.
The big yellow flower is perhaps the most beautiful thing I have ever painted, and still, it makes me uncomfortable, like I have gone too far, revealed too much.
I like how light-weighted the flower is. Like she has no worries at all!
At the Opening of the First Solo Show
Riika Anundi‘s show was also her first, and we had an opening together. I gave a speech, we had nice sparkling wine and delicacies, tens of guests, and a very enjoyable atmosphere.
I had invited both relatives and old friends from the past decades. It was wonderful to relax and enjoy after the hard work that the show required.
Every series has a painting that looks forward. In the picture above, I am talking about Vanitas, the painting that I made last year.
This painting, especially the top left corner, led my thoughts to outer space and thus, it was essential to display it at the Milky Way show. I don’t know where the court of Uranus is leading me, but it definitely sets a new direction.
Even if the colors are dreamy and pastel, there are also technology-inspired details in the painting.
Life After the Solo Show – Open Question
Lastly, I want to show you an old crayon drawing, made as a teenager at school. The subject was the underwater world. Even if I have always hated swimming, never been diving, and never liked water, the drawing came out naturally. Like I had known what I was made to paint already back then.
This post is perhaps more like an open question than an answer that closes everything. Time will tell where my journey goes next! Thank you for walking (or swimming) with me!
Linnunrata – The Milky Way is open from June 3 to June 19, 2022.
Last week! Thursday-Friday 11-17, Saturday-Sunday 12-16
Galleria K, Asematie 7, 01300 Vantaa, Finland
Expressing Moonlight Magic
This week is about the moon and expressing the magic!
Here’s one of my newest paintings called Kuutamon Taika – Moonlight Magic. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Mercury here, Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!)
Experiencing Moonlight Magic
One night in April, after a long workday, my spirit was low, and I felt tired. But after stepping outside to take the dogs out one more time, I saw a beautiful moonlight. I even took a picture but just with my phone camera, and the photo doesn’t do justice to the sight.
Everything looked black and white at first, but after a while, my eye saw a subtle variety of tones. It was like a message from the moon: “Paint me next! Let me be a part of your galaxy!”
Fantasy Art Connects Imagination and Past
This was not the first time expressing the moonlight magic. A few years ago, I started to feel that my art needed more fantasy. I had begun to follow many fantasy artists, for example, Jasmine Beckett-Griffith and Annie Stegg. Imaginative realism – as the genre is called – felt inviting. In 2018, I participated first time in the Inktober challenge, and in 2019 I made a class called Magical Inkdom.
The world of Magical Inkdom is playful and colorful, but so that some elements look historical, just like in imaginative realism, where the story often happens in the past.
I wanted fantasy art to be present in my upcoming show too. So I wanted to make a painting with a similar historical yet fantasy-oriented look. My goal was to create a traditional floral but still include something that would tickle the imagination and feel magical.
A slightly extraordinary composition and a combination of both decorative and more abstract elements make this painting stand out.
I am also surprisingly fond of the color scheme and it was much more fun to paint than I expected.
Expressing Magic and the Ability to Disappear
A part of the magic is that something almost disappears and then appears again, just like the moon in a cloudy sky. There are lots of blurry elements in this painting, even if you might not notice them right away. A sharp line and some dots on a blurry spot make the flower.
Old master painters of the 16th to 18th centuries used this technique a lot.
For example, look at the hair and the pearls in this portrait. Just blurry spots that have been sharpened with lighter and sharper strokes and dots. Don’t they look magical!
Preparing for the Show
This painting is small, 30 x 50 cm. Here’s a quick snapshot where you can see the size better.
I am currently varnishing paintings for my upcoming solo show in June. All the tabletops are full and the not-so-pleasant odor is in the air. I hope to have photos of the show next week.
P.S. Magical Inkdom is for sale until June 16th! >> Buy here!
Coming Up with Ideas that Make You an Artist
This week’s blog post is about working with ideas that bring more of you together and make you an artist.
Here’s one of my newest paintings called Merkuriuksen lämpötilat – Mercury Temperatures. This oil painting is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Neptune here, Pluto here, the Earth here, Venus here, and the Sun here!)
My first intention was to create Mars, not Mercury, so I started with sharp strokes and fiery colors.
But it happened that Mars appeared in another painting, so I changed the subject after the first layer. This wasn’t hard. All I needed was to get back to left-brain thinking, which I call my inner engineer.
Fact-Finding for Artistic Inspiration
It has been fun to find out facts about the planets. I have also had great discussions about them with my husband. We both love science and are interested in the bits of information about outer space. The mind-blowing fact about the planet Mercury is that its temperature varies about 650 degrees! Night and day in the same location can have very different temperatures.
I try to keep the fact-finding separate from the painting process as possible. I want the facts to be just one of the many inspiration sources and be intuitive and inventive during actual art-making. For example, in this painting, I also thought about pattern designs, interior decorating, wallpapers of William Morris and Designers Guild, fantasy stories with unicorns, gardening … all kinds of inspiration got mixed into one piece.
Hidden Love for Natural Science
Over a couple of years, natural science has got more and more impact on my art. However, I have been pretty quiet about it because it feels weird to talk about science and then show flower paintings. But now, my inner engineer said that Mercury Temperatures is the only appropriate name for the piece, and I noticed how happy she looked, being involved and accepted more than many times before.
This spring, I have learned a lot about leading myself artistically. I have noticed that if my inner engineer can provide concepts like “temperature changes” rather than direct images, my inner artist can then tie them freely with visual ideas. Together they form an effective pair. My inner engineer can provide exciting ideas based on her background studies, and my inner artist can still get all the creative freedom she needs.
Digging Deeper into the Professional Identity
It has started to feel that there’s a reason why I first studied engineering, then moved to design, and only finally to art. I play with the question that if my career had started as an artist, would I be studying technology now? It feels that my ideas are on several levels, and if I omit the science level, something is missing.
For years and years, I have been trying to manage what my inner engineer can do and how she should not disturb the inner artist. But now, when I have given the inner engineer a significant role, the inner artist hasn’t complained at all. On the contrary, it feels like the artist praises the engineer and vice versa.
This understanding has also closed the gap between design and art. Some of my work can now be openly more design-oriented than others. My inner designer had a lot of fun participating in this painting.
I feel happy about being able to use my curiosity about natural science in the artistic process. I have even started to think that my background in technology and science can be one factor that makes my art unique, even if it doesn’t get the leading role when marketing my work.
Coming Up With Genuine Ideas
We often think about using the skills from one profession to another very literally. But the identity in one can be used for another when we get to the level of ideas and inspiration. Every field has pieces of information that are super inspiring, especially if you already have the foundational knowledge of the area. With the knowledge, your imagination can build bridges between what is and what could be.
Ideas that make you an artist are not about art.
The artistic identity is more like an umbrella rather than an individual thing. An artist is a connector rather than a lonely one on a closed island.
What do you think?
Painting the Best Work for the Show
This week, I present the main artwork for my solo show in June and talk about the pressure of painting the best work.
This oil painting, “Juhlat Neptunuksessa – Jubilee in Neptune,” is a part of my series Linnunrata – Milky Way, where I explore planets and outer space. (See previous work: Pluto here, the Earth here, Venus here, and the Sun here!)
Painting the Best Work – Feeling the Pressure!
I have had terrible pressure to create my best work for the show. Especially the two big pieces on the back wall needed to reach the next level, not that I was able to define what that would be. So I couldn’t pre-process and plan the paintings in my mind. I had to trust the brush and the intuition and start painting.
This size (about 35,5 x 55 inches) was also new for me, so I felt like being in a new territory. But several smaller paintings of the same series had already been made, so it was a continuum too.
Extrovert
Last week I talked about introverts and extroverts, and this painting definitely was an extrovert. From the beginning, it knew what it wanted and kept talking to me gently but determinedly, and all I had to do was listen to its spirit.
I felt like the painting gently carried me over a mystery of life and took me through the gates that I would not have dared alone. I don’t usually talk about the painting process in this mysterious way, but this time, it all felt pretty magical.
One part of me, the inner engineer, was wiping the sweat from the outside pressure, and the other part of me, the inner artist, couldn’t care less. She was only serving the needs of the painting.
I am very happy about the brush strokes – many of them have been created fast, but they still look pretty flawless.
Creating a Panoramic View
I wanted the two big paintings to be individual in identity but still share some parts when placed side by side. This way, the overall view of the gallery’s back wall could be panoramic.
To achieve this, I needed to finish the pieces so that they were placed side by side.
Whales in a Small Bond
My studio is a small room attached to our home, and the two whales were much too big.
But I managed anyway. In art, I don’t want to live a life where everything needs to be perfect before I can do something. I want to accomplish paintings like this right now and can’t wait for a better situation. And I love our home and working from home, so I just have to make things work. Fortunately, we have quite a lot of wall space in the other parts of the house so that the paintings can dry elsewhere.
Main Promotion Piece for the Show
The new painting is airy, but there are a lot of details too. I am very fond of this piece and feel relieved.
This painting is the artwork in all the promo material for the exhibition. See the press release here! Because the show is in Finland, the text is first in Finnish but scroll down the page to read the English translation.
My first solo show Linnunrata will be June 3-19, 2022 at Gallery K, Vantaa, Finland.
